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The Rejection Collection: Cartoons You Never S- 9781416933397, Diffee, hardcover
USD2,49
Aproximadamente2,14 EUR
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En muy buen estado
Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un estado excelente. No hay desperfectos visibles en la tapa y se incluye sobrecubierta, si procede, para las tapas duras. Todas las páginas están en perfecto estado, sin arrugas ni roturas y no falta ninguna. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
- ¡Cómpralo ya!The Rejection Collection: Cartoons You Never S- 9781416933397, Diffee, hardcover
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USD5,22 (aprox. 4,48 EUR) USPS Media MailTM.
Ubicado en: Florien, Louisiana, Estados Unidos
Entrega:
Entrega prevista entre el lun. 20 oct. y el vie. 24 oct. a 94104
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N.º de artículo de eBay:166699104524
Características del artículo
- Estado
- Artist
- Diffee, Matthew [Editor]; Mankoff, Robert [Foreword];
- Book Title
- The Rejection Collection: Cartoons You Never S- 9781416933397, Di
- Features
- Collection
- ISBN
- 9781416933397
Acerca de este producto
Product Identifiers
Publisher
Gallery Books
ISBN-10
1416933395
ISBN-13
9781416933397
eBay Product ID (ePID)
53564305
Product Key Features
Number of Pages
272 Pages
Language
English
Publication Name
Rejection Collection : Cartoons You Never Saw, and Never Will See, in the New Yorker
Subject
Techniques / Cartooning, Form / Pictorial, Journalism, General
Publication Year
2006
Type
Textbook
Subject Area
Art, Language Arts & Disciplines, Humor
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
22.6 Oz
Item Length
10 in
Item Width
8 in
Additional Product Features
Intended Audience
Trade
LCCN
2006-019877
Reviews
The submissions were not set aside because they were not funny but (for the most part) because they were too funny. --New York Times, The submissions were not set aside because they were not funny but (for the most part) because they were too funny.--New York Times, The submissions were not set aside because they were not funny but (for the most part) because they were too funny."--New York Times"
Dewey Edition
22
TitleLeading
The
Illustrated
Yes
Dewey Decimal
741.5/6973
Synopsis
Thirty of the "New Yorker's" cartoonists share their best cartoons that have never been published because they were rejected as too sexy, too odd, or too many., Each week about fifty New Yorker cartoonists submit ten ideas, yielding five hundred cartoons for no more than twenty spots in the magazine. Arguably the most brilliant single-panel-gag cartoonists in the world create a bunch of cartoons every week that never see the light of day. These rejects were piling up in the dusty corners of studios all over the country. Sam Gross, who has been contributing since 1962, has more than 12,000 rejected cartoons. (Seriously. He's been numbering every single cartoon he's ever submitted to The New Yorker since the very beginning.) Enter editor Matthew Diffee. He tapped his fellow cartoonists, asking them to rescue these hilarious lost gems. From the artists' stacks of all-time favorite rejects, Diffee handpicked the standouts -- the cream of the crap -- and created The Rejection Collection , a place where good ideas go when they die. Too risqu , silly, or weird for The New Yorker , the cartoons in this book offer something no other collection has: They have never been seen in print until now. With a foreword by New Yorker cartoon editor Robert Mankoff that explains the sound judgment, respectability, and scruples not found anywhere in these pages, and handwritten questionnaires that introduce the quirky character of each artist, The Rejection Collection will appeal to fans of The New Yorker ...and to anyone with a slightly sick sense of humor., Each week about fifty New Yorker cartoonists submit ten ideas, yielding five hundred cartoons for no more than twenty spots in the magazine. Arguably the most brilliant single-panel-gag cartoonists in the world create a bunch of cartoons every week that never see the light of day. These rejects were piling up in the dusty corners of studios all over the country. Sam Gross, who has been contributing since 1962, has more than 12,000 rejected cartoons. (Seriously. He's been numbering every single cartoon he's ever submitted to The New Yorker since the very beginning.) Enter editor Matthew Diffee. He tapped his fellow cartoonists, asking them to rescue these hilarious lost gems. From the artists' stacks of all-time favorite rejects, Diffee handpicked the standouts -- the cream of the crap -- and created The Rejection Collection , a place where good ideas go when they die. Too risqué, silly, or weird for The New Yorker , the cartoons in this book offer something no other collection has: They have never been seen in print until now. With a foreword by New Yorker cartoon editor Robert Mankoff that explains the sound judgment, respectability, and scruples not found anywhere in these pages, and handwritten questionnaires that introduce the quirky character of each artist, The Rejection Collection will appeal to fans of The New Yorker ...and to anyone with a slightly sick sense of humor., Each week about fifty New Yorker cartoonists submit ten ideas, yielding five hundred cartoons for no more than twenty spots in the magazine. Arguably the most brilliant single-panel-gag cartoonists in the world create a bunch of cartoons every week that never see the light of day. These rejects were piling up in the dusty corners of studios all over the country. Sam Gross, who has been contributing since 1962, has more than 12,000 rejected cartoons. (Seriously. He's been numbering every single cartoon he's ever submitted to The New Yorker since the very beginning.) Enter editor Matthew Diffee. He tapped his fellow cartoonists, asking them to rescue these hilarious lost gems. From the artists' stacks of all-time favorite rejects, Diffee handpicked the standouts -- the cream of the crap -- and created The Rejection Collection , a place where good ideas go when they die. Too risqu, silly, or weird for The New Yorker , the cartoons in this book offer something no other collection has: They have never been seen in print until now. With a foreword by New Yorker cartoon editor Robert Mankoff that explains the sound judgment, respectability, and scruples not found anywhere in these pages, and handwritten questionnaires that introduce the quirky character of each artist, The Rejection Collection will appeal to fans of The New Yorker ...and to anyone with a slightly sick sense of humor., Each week about fifty "New Yorker" cartoonists submit ten ideas, yielding five hundred cartoons for no more than twenty spots in the magazine. Arguably the most brilliant single-panel-gag cartoonists in the world create a bunch of cartoons every week that never see the light of day. These rejects were piling up in the dusty corners of studios all over the country. Sam Gross, who has been contributing since 1962, has more than 12,000 rejected cartoons. (Seriously. He's been numbering every single cartoon he's ever submitted to "The New Yorker" since the very beginning.) Enter editor Matthew Diffee. He tapped his fellow cartoonists, asking them to rescue these hilarious lost gems. From the artists' stacks of all-time favorite rejects, Diffee handpicked the standouts -- the cream of the crap -- and created "The Rejection Collection," a place where good ideas go when they die. Too risque, silly, or weird for "The New Yorker," the cartoons in this book offer something no other collection has: They have never been seen in print until now. With a foreword by "New Yorker" cartoon editor Robert Mankoff that explains the sound judgment, respectability, and scruples not found anywhere in these pages, and handwritten questionnaires that introduce the quirky character of each artist, "The Rejection Collection" will appeal to fans of "The New Yorker, .."and to anyone with a slightly sick sense of humor.
LC Classification Number
2006019877
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