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Harry Callahan : Eleanor by Julian Cox and Emmet Gowin (2007, Hardcover)
ThriftBooks (3938881)
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Eleanor by Julian Cox Dust jacket missing. Shelf and handling wear to cover and binding, with general signs of previous use. Wear commensurate with age and use. Clean unmarked copy. Light bumping visible to corners of boards and ends of spine strip. Light scuffing and smudging to boards and spine strip. Secure packaging for safe delivery.
- ¡Cómpralo ya!Eleanor by Julian Cox
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Product Identifiers
PublisherSteidl Gmbh & Co. Ohg
ISBN-103865214649
ISBN-139783865214645
eBay Product ID (ePID)60651961
Product Key Features
Book TitleHarry Callahan : Eleanor
Number of Pages160 Pages
LanguageEnglish
Publication Year2007
TopicSubjects & Themes / Portraits & Selfies, Individual Photographers / General, General
IllustratorYes
GenrePhotography
AuthorJulian Cox, Emmet Gowin
FormatHardcover
Dimensions
Item Height0.8 in
Item Weight51.1 Oz
Item Length12.2 in
Item Width10.5 in
Additional Product Features
Intended AudienceTrade
Number of Volumes1 vol.
SynopsisFor much of the 1940s, 50s, and 60s, photographer Harry Callahan's wife, Eleanor, was his most regular subject. She stares out of his acclaimed work, sometimes sharp and sometimes blurred, sometimes Classical and sometimes Modern, in public parks and city streets, at the beach, in a tent, in the studio and their home, nude and clothed, eventually pregnant and then mothering. The couple's longstanding collaboration makes up an intimate visual diary of their relationship and of Callahan's artistic exploration: these are seldom portraits in the traditional sense. More than studies of Eleanor, they are stages in Callahan's lifelong exploration of photography as a creative medium, showing his embrace of an array of materials and techniques, including highly detailed large-format negatives, distortions of movement and focus, silhouettes and multiple exposures. The subject was always Eleanor, but there were always new ways of seeing her., For much of the 1940s, 50s, and 60s, photographer Harry Callahan's wife, Eleanor, was his most regular subject. She stares out of his acclaimed work, sometimes sharp and sometimes blurred, sometimes Classical and sometimes Modern, in public parks and city streets, at the beach, in a tent, in the studio and their home, nude and clothed, eventually pregnant and then mothering.
