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Tragicomedy, Paperback by Hammond, Brean, Brand New, Free shipping in the US

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Características del artículo

Estado
Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...
Book Title
Tragicomedy
ISBN
9781350144309

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Product Identifiers

Publisher
Bloomsbury Publishing
ISBN-10
1350144304
ISBN-13
9781350144309
eBay Product ID (ePID)
26050392090

Product Key Features

Number of Pages
200 Pages
Publication Name
Tragicomedy
Language
English
Publication Year
2021
Subject
Drama, Theater / History & Criticism, Shakespeare
Type
Textbook
Subject Area
Literary Criticism, Performing Arts
Author
Brean Hammond
Series
Forms of Drama Ser.
Format
Trade Paperback

Dimensions

Item Height
0.4 in
Item Weight
7.1 Oz
Item Length
7.8 in
Item Width
5.1 in

Additional Product Features

Intended Audience
College Audience
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
809.2523
Table Of Content
Series Preface List of Illustrations Chapter One: Birth 1585-1640 Chapter Two: Dying and Death 1660-1900 Chapter 3: Beckett and Pinter. Two Tragicomedians Notes References Index
Synopsis
This succinct authoritative book offers readers an overview of the origins, characteristics, and changing status of tragicomedy from the 17th century to the present. It explores the work of some of the key English and Irish playwrights associated with the form, the influence of Italian and Spanish theorist-playwrights and the importance of translations of Pierre Corneille's Le Cid. At the turn of the 17th century, English dramatists such as John Marston, John Fletcher, and William Shakespeare began experimenting with plays that mixed elements of tragedy and comedy, producing a blended mode that they themselves called 'tragicomedy'. This book begins by examining the sources of their inspiration and the theatrical achievement that they hoped to gain by confronting an audience with plays that defied the plot and character expectations of 'pure' comedy and tragedy. It goes on to show how, reacting to French models, John Dryden, Shakespeare 'improvers' and other English playwrights developed the form while sowing the seeds of its own vulnerability to parody and obsolescence in the eighteenth century. Discussing nineteenth-century melodrama as in some respects a resurrection of tragicomedy, the final chapter concentrates on plays by Ibsen, Chekhov, and Beckett as examples of the form being revived to create theatrical modes that more adequately represent the perceived complexity of experience.
LC Classification Number
PN1902

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