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Tragicomedy, Paperback by Hammond, Brean, Brand New, Free shipping in the US
USD7,95
Aproximadamente6,96 EUR
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Envío:
USD5,00 (aprox. 4,38 EUR) USPS Media MailTM.
Ubicado en: Miami, Florida, Estados Unidos
Entrega:
Entrega prevista entre el mar. 5 ago. y el lun. 11 ago.
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N.º de artículo de eBay:165156060473
Última actualización el 28 nov 2024 20:29:35 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- Book Title
- Tragicomedy
- ISBN
- 9781350144309
Acerca de este producto
Product Identifiers
Publisher
Bloomsbury Publishing
ISBN-10
1350144304
ISBN-13
9781350144309
eBay Product ID (ePID)
26050392090
Product Key Features
Number of Pages
200 Pages
Publication Name
Tragicomedy
Language
English
Publication Year
2021
Subject
Drama, Theater / History & Criticism, Shakespeare
Type
Textbook
Subject Area
Literary Criticism, Performing Arts
Series
Forms of Drama Ser.
Format
Trade Paperback
Dimensions
Item Height
0.4 in
Item Weight
7.1 Oz
Item Length
7.8 in
Item Width
5.1 in
Additional Product Features
Intended Audience
College Audience
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
809.2523
Table Of Content
Series Preface List of Illustrations Chapter One: Birth 1585-1640 Chapter Two: Dying and Death 1660-1900 Chapter 3: Beckett and Pinter. Two Tragicomedians Notes References Index
Synopsis
This succinct authoritative book offers readers an overview of the origins, characteristics, and changing status of tragicomedy from the 17th century to the present. It explores the work of some of the key English and Irish playwrights associated with the form, the influence of Italian and Spanish theorist-playwrights and the importance of translations of Pierre Corneille's Le Cid. At the turn of the 17th century, English dramatists such as John Marston, John Fletcher, and William Shakespeare began experimenting with plays that mixed elements of tragedy and comedy, producing a blended mode that they themselves called 'tragicomedy'. This book begins by examining the sources of their inspiration and the theatrical achievement that they hoped to gain by confronting an audience with plays that defied the plot and character expectations of 'pure' comedy and tragedy. It goes on to show how, reacting to French models, John Dryden, Shakespeare 'improvers' and other English playwrights developed the form while sowing the seeds of its own vulnerability to parody and obsolescence in the eighteenth century. Discussing nineteenth-century melodrama as in some respects a resurrection of tragicomedy, the final chapter concentrates on plays by Ibsen, Chekhov, and Beckett as examples of the form being revived to create theatrical modes that more adequately represent the perceived complexity of experience.
LC Classification Number
PN1902
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