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Reading Smell in Eighteenth - Century Fiction
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“Dust jacket, black cloth boards and book's interior in fine condition.”
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Libro en perfecto estado y poco leído. La tapa no tiene desperfectos y si procede, con sobrecubierta para las tapas duras. Incluye todas las páginas sin arrugas ni roturas. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Ubicado en: Fayetteville, New York, Estados Unidos
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Entrega prevista entre el mar. 19 ago. y el lun. 25 ago. a 94104
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N.º de artículo de eBay:165115115917
Última actualización el 28 may 2025 18:05:46 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- Como nuevo
- Notas del vendedor
- “Dust jacket, black cloth boards and book's interior in fine condition.”
- Signed
- No
- Custom Bundle
- No
- Country/Region of Manufacture
- United States
- Topic
- Literary Theory
- Vintage
- No
- Inscribed
- No
- Intended Audience
- Adults
- Narrative Type
- Nonfiction
- Personalized
- No
- Genre
- World literature & Classics
- Era
- 2010s
- Book Title
- Reading Smell in Eighteenth - Century Fiction
- Ex Libris
- No
- Features
- Dust Jacket
- ISBN
- 9781611487527
Acerca de este producto
Product Identifiers
Publisher
Bucknell University Press
ISBN-10
1611487528
ISBN-13
9781611487527
eBay Product ID (ePID)
221358241
Product Key Features
Number of Pages
208 Pages
Publication Name
Reading Smell in Eighteenth-Century Fiction
Language
English
Publication Year
2016
Subject
Modern / 18th Century, European / English, Irish, Scottish, Welsh, Subjects & Themes / General
Type
Textbook
Subject Area
Literary Criticism
Series
Transits: Literature, Thought and Culture, 1650-1850 Ser.
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
16 Oz
Item Length
9.3 in
Item Width
6.2 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2016-011660
Reviews
Reading Smell in Eighteenth-Century Fiction offers an often amusing and generally informative probe into the varied scentscapes of the eighteenth century. This book provides some surprising links and productive insights, and opens terrain for further inquiry into bodies and culture in the 1700s., Emily C. Friedman's Reading Smell in Eighteenth Century Fiction presents a new way of reading 18th-century literature: nose first.... Friedman's readings amply demonstrate the richness and diversity of the scent-based signals novelists employ to reveal their characters to us, and to one another.... Reading Smell in Eighteenth-Century Fiction offers an implicit how-to for others interested in extracting rich olfactory information embedded in literatures of the past. Even constrained by the long 18th century, the possibilities for reading smell within literatures we think we know feel limitless., Emily C. Friedman presents an enormous wealth of information about smells, fair and foul, addictive and absent, in the long eighteenth century. . . . The orderliness and care with which Friedman has gathered this immensely important body of evidence makes for a pleasurable read. This illuminating topic, so timely in its address to the importance of the senses and the role of material experience in literary historical writing, has been treated with great sensitivity. The range and depth of Friedman's reading, and the context she has brought to bear, make the value of this material eminently clear. The book's wide and thorough survey, supported by solid historical detail, owes its methodology to cultural studies., "Reading Smell in Eighteenth-Century Fiction offers an often amusing and generally informative probe into the varied scentscapes of the eighteenth century. This book provides some surprising links and productive insights, and opens terrain for further inquiry into bodies and culture in the 1700s." -- The Scriblerian "Emily C. Friedman's Reading Smell in Eighteenth Century Fiction presents a new way of reading 18th-century literature: nose first.... Friedman's readings amply demonstrate the richness and diversity of the scent-based signals novelists employ to reveal their characters to us, and to one another.... Reading Smell in Eighteenth-Century Fiction offers an implicit how-to for others interested in extracting rich olfactory information embedded in literatures of the past. Even constrained by the long 18th century, the possibilities for reading smell within literatures we think we know feel limitless." -- The Eighteenth-Century Intelligencer "Emily C. Friedman presents an enormous wealth of information about smells, fair and foul, addictive and absent, in the long eighteenth century. . . . The orderliness and care with which Friedman has gathered this immensely important body of evidence makes for a pleasurable read. This illuminating topic, so timely in its address to the importance of the senses and the role of material experience in literary historical writing, has been treated with great sensitivity. The range and depth of Friedman's reading, and the context she has brought to bear, make the value of this material eminently clear. The book's wide and thorough survey, supported by solid historical detail, owes its methodology to cultural studies." -- Eighteenth-Century Fiction
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
823.5093561
Table Of Content
Acknowledgments Introduction: The Ghost of a Perfume, the Challenge of Recovery Chapter 1: Clouds of Smoke, Huffs of Snuff: The Smells of Tobacco Chapter 2: Running to the Smelling-Bottle Chapter 3: The Smell of Other People Chapter 4: The Age of Sulfur Conclusion: The Great Unscenting Bibliography Index About the Author
Synopsis
Scent is both an essential and seemingly impossible-to-recover aspect of material culture. Scent is one of our strongest ties to memory, yet to remember a smell without external stimuli is almost impossible for most people. Moreover, human beings' (specifically Western humans) ability to smell has been diminished through a process of increased emphasis on odor-removal, hygienic practices that emphasize de-odorization (rather than the covering of one odor by another).While other intangibles of the human experience have been placed into the context of the eighteenth-century novel, scent has so far remained largely sidelined in favor of discussions of the visual, the aural, touch, and taste. The past decade has seen a great expansion of our understanding of how smell works physiologically, psychologically, and culturally, and there is no better moment than now to attempt to recover the traces of olfactory perceptions, descriptions, and assumptions. Reading Smell provides models for how to incorporate olfactory knowledge into new readings of the literary form central to our understanding of the eighteenth century and modernity in general: the novel. The multiplication and development of the novel overlaps strikingly with changes in personal and private hygienic practices that would alter the culture's relationship to smell. This book examines how far the novel can be understood through a reintroduction of olfactory information. After decades of reading for all kinds of racial, cultural, gendered, and other sorts of absences back into the novel, this book takes one step further: to consider how the recovery of forgotten or overlooked olfactory assumptions might reshape our understanding of these texts. Reading Smell includes wide-scale research and focused case studies of some of the most striking or prevalent uses of olfactory language in eighteenth-century British prose fiction. Highlighting scents with shifting meanings across the period: bodies, tobacco, smelling-bottles, and sulfur, Reading Smell not only provides new insights into canonical works by authors like Swift, Smollett, Richardson, Burney, Austen, and Lewis, but also sheds new light on the history of the British novel as a whole., Scent is both an essential and seemingly impossible-to-recover aspect of material culture. Scent is one of our strongest ties to memory, yet to remember a smell without external stimuli is almost impossible for most people. Moreover, human beings' (specifically Western humans) ability to smell has been diminished through a process of increased emphasis on odor-removal, hygienic practices that emphasize de-odorization (rather than the covering of one odor by another). While other intangibles of the human experience have been placed into the context of the eighteenth-century novel, scent has so far remained largely sidelined in favor of discussions of the visual, the aural, touch, and taste. The past decade has seen a great expansion of our understanding of how smell works physiologically, psychologically, and culturally, and there is no better moment than now to attempt to recover the traces of olfactory perceptions, descriptions, and assumptions. Reading Smell provides models for how to incorporate olfactory knowledge into new readings of the literary form central to our understanding of the eighteenth century and modernity in general: the novel. The multiplication and development of the novel overlaps strikingly with changes in personal and private hygienic practices that would alter the culture's relationship to smell. This book examines how far the novel can be understood through a reintroduction of olfactory information. After decades of reading for all kinds of racial, cultural, gendered, and other sorts of absences back into the novel, this book takes one step further: to consider how the recovery of forgotten or overlooked olfactory assumptions might reshape our understanding of these texts. Reading Smell includes wide-scale research and focused case studies of some of the most striking or prevalent uses of olfactory language in eighteenth-century British prose fiction. Highlighting scents with shifting meanings across the period: bodies, tobacco, smelling-bottles, and sulfur, Reading Smell not only provides new insights into canonical works by authors like Swift, Smollett, Richardson, Burney, Austen, and Lewis, but also sheds new light on the history of the British novel as a whole., Scent is both an essential and seemingly impossible-to-recover aspect of material culture. Scent is one of our strongest ties to memory, yet to remember a smell without external stimuli is almost impossible for most people. Moreover, human beings' (specifically Western humans) ability to smell has been diminished through a process of increased ......
LC Classification Number
PR878.O46F75 2016
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