Gotterdammerung in Full Score

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“Slight cover and edge wear, Paperback book,Name 1st page,”
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“Slight cover and edge wear, Paperback book,Name 1st page,”
ISBN
9780486242507

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Product Identifiers

Publisher
Dover Publications, Incorporated
ISBN-10
0486242501
ISBN-13
9780486242507
eBay Product ID (ePID)
906196

Product Key Features

Book Title
Gotterdammerung in Full Score
Number of Pages
624 Pages
Language
English
Publication Year
1982
Topic
Printed Music / Opera & Classical Scores, Genres & Styles / Classical, Genres & Styles / Opera
Features
Reprint
Illustrator
Yes
Genre
Music
Author
Richard Wagner
Book Series
Dover Opera Scores Ser.
Format
Trade Paperback

Dimensions

Item Weight
61.4 Oz
Item Length
12.2 in
Item Width
9.4 in

Additional Product Features

Intended Audience
Trade
Edition Description
Reprint
Synopsis
Reprinted directly from the rare 1877 first edition, this is the score that Wagner himself approved with the instrumentation he intended. English translation of frontmatter and instrumentation. This edition available in US only., Melding literary, philosophical, and political -- as well as musical -- influences in his works, Richard Wagner (1813-83) brought the expressive power of German romantic opera to new heights -- indeed, his music was its crowning glory. George Bernard Shaw, a critic not given to hyperbole, acknowledged Wagner's preeminent status in The Perfect Wagnerite : "He was the summit of the nineteenth-century school of dramatic music." In Der Ring des Nibelungen, Wagner drew on a medieval German epic, the Nibelungenlied, and Norse mythology to create a new synthesis of music and drama on the largest scale. Of the four works in the Ring cycle, Götterdämmerung is perhaps the grandest and most sweeping of all. Although it is the final work in the series, the opera was actually first sketched out by Wagner in 1848, under the title Siegfrieds Tod. As it turned out, dramaturgic difficulties forced the composer to expand the tragedy of Siegfried into the four-part Ring. In 1851 he amplified Siegfrieds Tod with Der junge Siegfried (later Siegfried ), and the following year wrote the texts of Die Walküre and Das Rheingold. In effect, the text of the Ring cycle was written in reverse order. Wagner began composing the musical drafts of Götterdämmerung in 1869. Five years later, the work was complete -- the capstone of an epic masterpiece that aroused near-religious fervor among its devotees. Shaw opined of the Ring as a whole: "The musical fabric is enormously elaborate and gorgeous," while Grove's Dictionary offers this comment on the special appeal of Götterdämmerung : "It is in the epic and reflective passages of Götterdämmerung, the narratives and orchestral epic of the Funeral March, that there unfurls that 'associative magic' praised so highly by Thomas Mann." Götterdämmerung has never been available in the United States in full operatic score -- until now. Reprinted directly from the rare 1877 first edition, this is the score that Wagner himself approved with the instrumentation he intended. Except for the original title page, the German-language front matter has been omitted in this edition for reasons of space and replaced by an English translation. New admirers of Wagner, opera enthusiasts, and all music lovers can savor the full heroic impact of this majestic musical achievement in Dover's characteristically inexpensive, superbly produced edition., Melding literary, philosophical, and political -- as well as musical -- influences in his works, Richard Wagner (1813-83) brought the expressive power of German romantic opera to new heights -- indeed, his music was its crowning glory. George Bernard Shaw, a critic not given to hyperbole, acknowledged Wagner's preeminent status in The Perfect Wagnerite "He was the summit of the nineteenth-century school of dramatic music." In Der Ring des Nibelungen, Wagner drew on a medieval German epic, the Nibelungenlied, and Norse mythology to create a new synthesis of music and drama on the largest scale. Of the four works in the Ring cycle, G tterd mmerung is perhaps the grandest and most sweeping of all. Although it is the final work in the series, the opera was actually first sketched out by Wagner in 1848, under the title Siegfrieds Tod. As it turned out, dramaturgic difficulties forced the composer to expand the tragedy of Siegfried into the four-part Ring. In 1851 he amplified Siegfrieds Tod with Der junge Siegfried (later Siegfried ), and the following year wrote the texts of Die Walk re and Das Rheingold. In effect, the text of the Ring cycle was written in reverse order. Wagner began composing the musical drafts of G tterd mmerung in 1869. Five years later, the work was complete -- the capstone of an epic masterpiece that aroused near-religious fervor among its devotees. Shaw opined of the Ring as a whole: "The musical fabric is enormously elaborate and gorgeous," while Grove's Dictionary offers this comment on the special appeal of G tterd mmerung "It is in the epic and reflective passages of G tterd mmerung, the narratives and orchestral epic of the Funeral March, that there unfurls that 'associative magic' praised so highly by Thomas Mann." G tterd mmerung has never been available in the United States in full operatic score -- until now. Reprinted directly from the rare 1877 first edition, this is the score that Wagner himself approved with the instrumentation he intended. Except for the original title page, the German-language front matter has been omitted in this edition for reasons of space and replaced by an English translation. New admirers of Wagner, opera enthusiasts, and all music lovers can savor the full heroic impact of this majestic musical achievement in Dover's characteristically inexpensive, superbly produced edition.

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