Cinema and Sensation: French Film and the Art of Transgression
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Cinema and Sensation: French Film and the Art of Transgression
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N.º de artículo de eBay:157119537154
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Características del artículo
- Estado
- Como nuevo
- Notas del vendedor
- “Ships from our UK warehouse.”
- Binding
- Hardcover
- Book Title
- Cinema and Sensation: French Film and the Art of Transgression
- ISBN
- 9780748620425
Acerca de este producto
Product Identifiers
Publisher
Edinburgh Tea & Coffee Company University Press
ISBN-10
0748620427
ISBN-13
9780748620425
eBay Product ID (ePID)
169598800
Product Key Features
Number of Pages
208 Pages
Publication Name
Cinema and Sensation : French Film and the Art of Transgression
Language
English
Publication Year
2007
Subject
Film / History & Criticism
Type
Textbook
Subject Area
Performing Arts
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
6.2 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2007-031726
Reviews
Cinema and Sensation achieves a seamless intermingling of theoretical enquiry and film analysis, allowing film and theory to shape and inflect each other... Beugnet is an unflinching viewer, and her boldness, combined with her evident pleasure in the works she discusses, makes for much of the exhilaration of the volume. Cinema and Sensation offers new and elastic contact with French cinema, as it also awakens new thought through the senses., This exciting work by film scholar Martine Beugnet makes an important contribution to contemporary debates on the materiality and affective potential of cinema., It is a testament to her incisive and highly eloquent prose that her core argument is never obscured by dense theorising or hijacked by all-too obvious straining for academic profundity... those who still remain inured to (or unconvinced by) Deluzean film analysis would do well to dip into this book, so lucidly does it presnt complex arguments., Cinema and Sensation persuasively argues that the radical styles of recent French films merit new theories and approaches., Beugnet's book offers a compelling example of how film criticism can operate at the junction between perception and understanding, between embodied response and critical reflection... In its articulation of connections between sensation and transgression, and in its linking of film's affective powers to the urgency of political contexts, Cinema and Sensation presents a rich and timely assessment of contemporary French film's engagementwith the senses.
Dewey Edition
22
Dewey Decimal
791.430944
Table Of Content
1. Beginnings 2. A 'Third Path' 3. The Aesthetics of Sensation 4. Film Bodies (Becomings and Embodiment) Epilogue
Synopsis
This book looks at a much-debated phenomenon in contemporary cinema: the re-emergence of filmmaking practices (and, by extension, of theoretical approaches) that give precedence to cinema as the medium of the senses.France offers an intriguing case in point here. A specific sense of momentum comes from the release, in close succession, of a series of films that exemplify a characteristic awareness of cinema's sensory impact and transgressive nature: Adieu; A ma soeur; Baise-moi; Beau Travail; La Blessure; La Captive; Dans ma peau; Demonlover; L'Humanité; Flandres; L'Intrus; Les Invisibles; Lady Chatterley; Leçons de ténèbres; Romance; Sombre; Tiresia; Trouble Every Day; Twentynine Palms; Vendredi soir; La Vie nouvelle; Wild Side; Zidane, un portrait du XXIème siècle . These films, amongst others, typify a willingness to explore cinema's unique capacity to move us both viscerally and intellectually. Martine Beugnet focuses on the crucial and fertile overlaps that occur between experimental and mainstream cinema. Her book draws on the writings of the likes of Deleuze, Merleau-Ponty and Bataille, but first and foremost, she develops her arguments from the films themselves, from the comprehensive description of specific sequences, techniques and motifs which allows us to engage with the works as material events and as thinking processes. In turn, she demonstrates how the films, envisaged as forms of embodied thought, offer alternative ways of approaching those questions that are at the heart of today's most burning socio-cultural debates: from the growing supremacy of technology, to globalisation, exile and exclusion, these are the issues that appear embedded here in the very texture of images and sounds., This book looks at a much-debated phenomenon in contemporary cinema: the re-emergence of filmmaking practices (and, by extension, of theoretical approaches) that give precedence to cinema as the medium of the senses.France offers an intriguing case in point here. A specific sense of momentum comes from the release, in close succession, of a series of films that exemplify a characteristic awareness of cinema's sensory impact and transgressive nature: Adieu; A ma soeur; Baise-moi; Beau Travail; La Blessure; La Captive; Dans ma peau; Demonlover; L'Humanit ; Flandres; L'Intrus; Les Invisibles; Lady Chatterley; Le ons de t n bres; Romance; Sombre; Tiresia; Trouble Every Day; Twentynine Palms; Vendredi soir; La Vie nouvelle; Wild Side; Zidane, un portrait du XXI me si cle. These films, amongst others, typify a willingness to explore cinema's unique capacity to move us both viscerally and intellectually. Martine Beugnet focuses on the crucial and fertile overlaps that occur between experimental and mainstream, A study of one of the most intriguing aspects of contemporary French cinema - the cinema of transgression., This book looks at a much-debated phenomenon in contemporary cinema: the re-emergence of filmmaking practices (and, by extension, of theoretical approaches) that give precedence to cinema as the medium of the senses.France offers an intriguing case in point here. A specific sense of momentum comes from the release, in close succession, of a series of films that exemplify a characteristic awareness of cinema's sensory impact and transgressive nature: Adieu; A ma soeur; Baise-moi; Beau Travail; La Blessure; La Captive; Dans ma peau; Demonlover; L'Humanit; Flandres; L'Intrus; Les Invisibles; Lady Chatterley; Leons de tnbres; Romance; Sombre; Tiresia; Trouble Every Day; Twentynine Palms; Vendredi soir; La Vie nouvelle; Wild Side; Zidane, un portrait du XXIme sicle . These films, amongst others, typify a willingness to explore cinema's unique capacity to move us both viscerally and intellectually. Martine Beugnet focuses on the crucial and fertile overlaps that occur between experimental and mainstream cinema. Her book draws on the writings of the likes of Deleuze, Merleau-Ponty and Bataille, but first and foremost, she develops her arguments from the films themselves, from the comprehensive description of specific sequences, techniques and motifs which allows us to engage with the works as material events and as thinking processes. In turn, she demonstrates how the films, envisaged as forms of embodied thought, offer alternative ways of approaching those questions that are at the heart of today's most burning socio-cultural debates: from the growing supremacy of technology, to globalisation, exile and exclusion, these are the issues that appear embedded here in the very texture of images and sounds., This book looks at a much-debated phenomenon in contemporary cinema: the re-emergence of filmmaking practices (and, by extension, of theoretical approaches) that give precedence to cinema as the medium of the senses.France offers an intriguing case in point here. A specific sense of momentum comes from the release, in close succession, of a series of films that exemplify a characteristic awareness of cinema's sensory impact and transgressive nature: Adieu; A ma soeur; Baise-moi; Beau Travail; La Blessure; La Captive; Dans ma peau; Demonlover; L'Humanité; Flandres; L'Intrus; Les Invisibles; Lady Chatterley; Leçons de ténèbres; Romance; Sombre; Tiresia; Trouble Every Day; Twentynine Palms; Vendredi soir; La Vie nouvelle; Wild Side; Zidane, un portrait du XXIème siècle. These films, amongst others, typify a willingness to explore cinema's unique capacity to move us both viscerally and intellectually. Martine Beugnet focuses on the crucial and fertile overlaps that occur between experimental and mainstream
LC Classification Number
PN1993.5.F7
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Happy Jacks Whatnots
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Registrado como vendedor particularPor tanto, no se aplican los derechos de los consumidores derivados de las leyes de protección de los consumidores de la UE. La Garantía al cliente de eBay sigue aplicando a la mayoría de compras. Más informaciónMás información
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- 4***7 (2)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaI was impressed by this seller, my order was packaged and dropped off at post office by end of day the same day I placed my order. The book was in excellent condition, minus a small bend on back cover but not a big issue for me( not the sellers fault, USPS isn't very careful when handling packages ). Will for sure be doing business with them again. Pricing was fair considering this was an OOP cover.The Mindfuck Series Paperback (#156619046835)
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