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Problem Solving for Oil Painters: Recognizing Wha... by Kreutz, Gregg 0823040976
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- ¡Cómpralo ya!Problem Solving for Oil Painters: Recognizing Wha... by Kreutz, Gregg 0823040976
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Envío:
USD5,50 (aprox. 4,75 EUR) USPS Media MailTM.
Ubicado en: Cartwright, Oklahoma, Estados Unidos
Entrega:
Entrega prevista entre el lun. 17 nov. y el sáb. 22 nov. a 94104
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30 días para devoluciones. El comprador paga el envío de la devolución..
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N.º de artículo de eBay:156828541467
Características del artículo
- Estado
- Artist
- Kreutz, G
- Brand
- N/A
- Date of Publication
- 1997-04-01
- Type
- Paperback / softback
- EAN
- 9780823040971
- ISBN
- 0823040976
- Publication Name
- N/A
- Release Title
- Problem Solving for Oil Painters: Recognizing What's Gone Wron...
- Colour
- N/A
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Product Identifiers
Publisher
Potter/Ten SPEED/Harmony/Rodale
ISBN-10
0823040976
ISBN-13
9780823040971
eBay Product ID (ePID)
351505
Product Key Features
Book Title
Problem Solving for Oil Painters : Recognizing What's Gone Wrong and How to Make It Right
Number of Pages
144 Pages
Language
English
Publication Year
1997
Topic
Techniques / Painting, Techniques / Oil Painting
Illustrator
Yes
Genre
Art
Format
Trade Paperback
Dimensions
Item Height
0.4 in
Item Weight
22 Oz
Item Length
11 in
Item Width
8.3 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
21
Dewey Decimal
751.4/5
Synopsis
Finally - a book to help you solve all your painting problems! Inside you'll learn how to study a painting and correct problematic areas. Study topics include: Ideas - Is there a good abstract idea underlying the picture? - What details could be eliminated to strengthen the composition? - Does the painting have a focus? - Are the unessential parts subbordinated? - Does the painting "read"? - Could you finish any part of the painting? Shapes - Are the dominant shapes as strong and simple as possible? - Are the shapes too similiar? Value - Could the value range be increased? - Could the number of values be reduced? Light - Is the subject effectively lit? - Is the light area big enough? - Would the light look stronger with a suggestion of burnout? - Do the lights have a continuous flow? - Is the light gradiated? Shadows - Do the shadow shapes describe the form? - Are the shadows warm enough? Depth - Would the addition of foreground material deepen the space? - Does the background recede far enough? - Are the halftones properly related to the background? Solidity - Is the underlying form being communicated? - Is the symmetry in perspective? Color - Is there a color strategy? - Could a purer color be used? - Do the whites have enough color in them? - Are the colors overbended on the canvas? - would the color look brighter if it were saturated into its adjacent area? Paint - Is your palette efficiently organized? - Is the painting surface too absorbent? - Are you using the palette knife as much as you could? - Are you painting lines when you should be painting masses? - Are the edges dynamic enough? - Is there enough variation in the texture of the paint?, Finally - a book to help you solve all your painting problems Inside you'll learn how to study a painting and correct problematic areas. Study topics include: Ideas - Is there a good abstract idea underlying the picture? - What details could be eliminated to strengthen the composition? - Does the painting have a focus? - Are the unessential parts subbordinated? - Does the painting "read"? - Could you finish any part of the painting? Shapes - Are the dominant shapes as strong and simple as possible? - Are the shapes too similiar? Value - Could the value range be increased? - Could the number of values be reduced? Light - Is the subject effectively lit? - Is the light area big enough? - Would the light look stronger with a suggestion of burnout? - Do the lights have a continuous flow? - Is the light gradiated? Shadows - Do the shadow shapes describe the form? - Are the shadows warm enough? Depth - Would the addition of foreground material deepen the space? - Does the background recede far enough? - Are the halftones properly related to the background? Solidity - Is the underlying form being communicated? - Is the symmetry in perspective? Color - Is there a color strategy? - Could a purer color be used? - Do the whites have enough color in them? - Are the colors overbended on the canvas? - would the color look brighter if it were saturated into its adjacent area? Paint - Is your palette efficiently organized? - Is the painting surface too absorbent? - Are you using the palette knife as much as you could? - Are you painting lines when you should be painting masses? - Are the edges dynamic enough? - Is there enough variation in the texture of the paint?
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