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Drawing France: French Comics and the Republic by Joel E. Vessels - Unread
USD49,90
Aproximadamente43,07 EUR
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Estado:
“Unread from Personal Collection”
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Libro en perfecto estado y poco leído. La tapa no tiene desperfectos y si procede, con sobrecubierta para las tapas duras. Incluye todas las páginas sin arrugas ni roturas. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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USD20,00 (aprox. 17,26 EUR) Standard Shipping from outside US.
Ubicado en: SERRES, προεπιλογή, Grecia
Entrega:
Entrega prevista entre el jue. 14 ago. y el lun. 25 ago. a 94104
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N.º de artículo de eBay:156616477981
Características del artículo
- Estado
- Como nuevo
- Notas del vendedor
- “Unread from Personal Collection”
- ISBN
- 9781604734447
Acerca de este producto
Product Identifiers
Publisher
University Press of Mississippi
ISBN-10
1604734442
ISBN-13
9781604734447
eBay Product ID (ePID)
80043789
Product Key Features
Book Title
Drawing France : French Comics and the Republic
Number of Pages
304 Pages
Language
English
Topic
European / French, European / General, Popular Culture, European, Comics & Graphic Novels
Publication Year
2010
Illustrator
Yes
Genre
Literary Criticism, Art, Social Science
Format
Hardcover
Dimensions
Item Height
0.7 in
Item Weight
22.9 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Trade
LCCN
2009-041253
Dewey Edition
22
Dewey Decimal
741.5/6944
Synopsis
A sophisticated account of the evolving role of comics in recent French history In France, Belgium, and other Francophone countries, comic strips--called bande dessin e or "BD" in French-- have long been considered a major art form capable of addressing a host of contemporary issues. Among Frenchspeaking intelligentsia, graphic narratives were deemed worthy of canonization and critical study decades before the academy and the press in the United States embraced comics. The place that BD holds today, however, belies the contentious political route the art form has traveled. In Drawing France: French Comics and the Republic, author Joel E. Vessels examines the trek of BD from its being considered a fomenter of rebellion, to a medium suitable only for semi-literates, to an impediment to education, and most recently to an art capable of addressing social concerns in mainstream culture. In the mid-1800s, alarmists feared political caricatures might incite the ire of an illiterate working class. To counter this notion, proponents yoked the art to a particular articulation of "Frenchness" based on literacy and reason. With the post-World War II economic upswing, French consumers saw BD as a way to navigate the changes brought by modernization. After bande dessin e came to be understood as a compass for the masses, the government, especially Fran ois Mitterand's administration, brought comics increasingly into "official" culture. Vessels argues that BD are central to the formation of France's self-image and a self-awareness of what it means to be French. Joel E. Vessels, Astoria, New York, is instructor of history at Nassau Community College. His work has appeared in International Journal of Comic Art and Contemporary French Civilization., In France, Belgium, and other Francophone countries, comic strips--called bande dessinee or "BD" in French--have long been considered a major art form capable of addressing a host of contemporary issues. Among French-speaking intelligentsia, graphic narratives were deemed worthy of canonization and critical study decades before the academy and the press in the United States embraced comics. The place that BD holds today, however, belies the contentious political route the art form has traveled. In Drawing France: French Comics and the Republic , author Joel E. Vessels examines the trek of BD from it being considered a fomenter of rebellion, to a medium suitable only for semi-literates, to an impediment to education, and most recently to an art capable of addressing social concerns in mainstream culture. In the mid-1800s, alarmists feared political caricatures might incite the ire of an illiterate working class. To counter this notion, proponents yoked the art to a particular articulation of "Frenchness" based on literacy and reason. With the post-World War II economic upswing, French consumers saw BD as a way to navigate the changes brought by modernization. After bande dessinee came to be understood as a compass for the masses, the government, especially Francois Mitterand's administration, brought comics increasingly into "official" culture. Vessels argues that BD are central to the formation of France's self-image and a self-awareness of what it means to be French., In France, Belgium, and other Francophone countries, comic strips---called bande dessinee or ""BD"" in French---have long been considered a major art form capable of addressing a host of contemporary issues. Among French-speaking intelligentsia, graphic narratives were deemed worthy of canonization and critical study decades before the academy and the press in the United States embraced comics. The place that BD holds today, however, belies the contentious political route the art form has traveled. In Drawing France: French Comics and the Republic, author Joel E. Vessels examines the trek of BD from it being considered a fomenter of rebellion, to a medium suitable only for semi-literates, to an impediment to education, and most recently to an art capable of addressing social concerns in mainstream culture. In the mid-1800s, alarmists feared political caricatures might incite the ire of an illiterate working class. To counter this notion,proponents yoked the art to a particular articulation of ""Frenchness"" based on literacy and reason. With the post-World War II economic upswing, French consumers saw BD as a way to navigate the changes brought by modernization. After bande dessinee came to be understood as a compass for the masses, the government, especially Francois Mitterand's administration, brought comics increasingly into ""official"" culture. Vessels argues that BD are central to the formation of France's self-image and a self-awareness of what it means to be French., In France, Belgium, and other Francophone countries, comic strips?called bande dessinee or ?BD? in French?have long been considered a major art form capable of addressing a host of contemporary issues. Among French-speaking intelligentsia, graphic narratives were deemed worthy of canonization and critical study decades before the academy and the press in the United States embraced comics. The place that BD holds today, however, belies the contentious political route the art form has traveled. In Drawing France: French Comics and the Republic , author Joel E. Vessels examines the trek of BD from it being considered a fomenter of rebellion, to a medium suitable only for semi-literates, to an impediment to education, and most recently to an art capable of addressing social concerns in mainstream culture. In the mid-1800s, alarmists feared political caricatures might incite the ire of an illiterate working class. To counter this notion, proponents yoked the art to a particular articulation of ?Frenchness? based on literacy and reason. With the post-World War II economic upswing, French consumers saw BD as a way to navigate the changes brought by modernization. After bande dessinee came to be understood as a compass for the masses, the government, especially Francois Mitterand?s administration, brought comics increasingly into ?official? culture. Vessels argues that BD are central to the formation of France?s self-image and a self-awareness of what it means to be French.
LC Classification Number
PN6710.V47 2010
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- 9***9 (73)- Votos emitidos por el comprador.Último añoCompra verificadaThe magazine arrived in brand-new condition, as described. Although it took a bit longer to reach me due to a slight delay (not the seller's fault), the packaging was excellent and prevented any damage. Given the magazine's rarity and increasing scarcity, it was worth the price, even though it was on the expensive side. Communication with the seller was also excellent. The only area for improvement would be to have the magazines bagged and boarded for added protection.Back Issue Magazine #57 - DC Comics, Jeanette Kahn, Vertigo, Twomorrows Jul 2012 (#154629587476)
- w***r (20)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadahigh quality book. stellar customer service. valued seller
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