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Nightsong: Performance, Power, and Practice in South Africa by Erlmann GOOD

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Características del artículo

Estado
En buen estado: Libro que se ha leído pero que está en buen estado. Daños mínimos en la tapa, ...
Pages
462
Publication Date
1996-03-01
Book Title
Nightsong: Performance, Power, and Practice in South Africa
Country/Region of Manufacture
South Africa
Edition Number
2
ISBN
9780226217215

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Product Identifiers

Publisher
University of Chicago Press
ISBN-10
0226217213
ISBN-13
9780226217215
eBay Product ID (ePID)
91968

Product Key Features

Number of Pages
462 Pages
Language
English
Publication Name
Nightsong : Performance, Power, and Practice in South Africa
Subject
Genres & Styles / Folk & Traditional, Ethnomusicology, Anthropology / Cultural & Social, Ethnic, Ethnic Studies / African American Studies
Publication Year
1996
Type
Textbook
Subject Area
Music, Social Science
Author
Veit Erlmann
Series
Chicago Studies in Ethnomusicology Ser.
Format
Trade Paperback

Dimensions

Item Height
0.1 in
Item Weight
27.9 Oz
Item Length
0.9 in
Item Width
0.6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
94-024977
Illustrated
Yes
Dewey Decimal
782.42162/963986068
Table Of Content
Video Contents Figures and Musical Examples Note on Orthography and Translation Preface Introduction: Joseph Bekhizizwe Shabalala: A Unifying Force 1: Performance Theorized 2: Isicathamiya Performance Represented 3: The History of Isicathamiya, 1891-1991 4: The Unhomely: Performers and Migrants 5: Ekhaya: The Past, the Home, and the Nation Revived 6: The Home Embodied: Dance and Dress in Isicathamiya 7: Praise and Prayer: The Rhetoric of Isicathamiya 8: Attacking with Song: The Aesthetics of Power and Competition 9: "Strengthening Native Home Life": Isicathamiya and Hegemony 10: Things Will Come Right: The Political Economy of Noncommercial Performance 11: "Two Worlds, One Heart": Joseph Shabalala and Ladysmith Black Mambazo Postscript, 1994 Notes A Select Discography of Isicathamiya Glossary References Index
Synopsis
First popularized by Ladysmith Black Mambazo and Paul Simon, the a cappella music known as isicathamiya has become internationally celebrated as one of South Africa's most vibrant and distinct performance traditions. But Ladysmith Black Mambazo is only one of hundreds of choirs that perform "nightsongs" during weekly all-night competitions in South Africa's cities. Veit Erlmann provides the first comprehensive interpretation of isicathamiya performance practice and its relation to the culture and consciousness of the Zulu migrant laborers who largely compose its choirs. In songs and dances, the performers oppose the class and racial oppression that reduces them to "labor units." At the same time, Erlmann argues, the performers rework dominant images to symbolically reconstruct their "home," an imagined world of Zulu rural tradition and identity. By contrasting the live performance of isicathamiya to its reproduction in mass media, recordings, and international concerts, Erlmann addresses important issues in performance studies and anthropology, and looks to the future of isicathamiya live performance in the new South Africa. Featuring an Introduction by Joseph Shabalala, the lead singer and founder of Ladysmith Black Mambazo, this book will be essential reading for anyone interested in the study of music, performance, popular culture, or South Africa.
LC Classification Number
ML3760.E76 1995

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