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LIKE NEW: The End of the American Avant Garde - No writing/highli
USD19,99
Aproximadamente17,35 EUR
Estado:
“No writing/highlighting”
Como nuevo
Libro en perfecto estado y poco leído. La tapa no tiene desperfectos y si procede, con sobrecubierta para las tapas duras. Incluye todas las páginas sin arrugas ni roturas. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Ubicado en: Worthington, Indiana, Estados Unidos
Entrega:
Entrega prevista entre el jue. 26 jun. y el mar. 1 jul. a 94104
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N.º de artículo de eBay:156193206074
Características del artículo
- Estado
- Como nuevo
- Notas del vendedor
- “No writing/highlighting”
- ISBN
- 9780814735398
Acerca de este producto
Product Identifiers
Publisher
New York University Press
ISBN-10
0814735398
ISBN-13
9780814735398
eBay Product ID (ePID)
371104
Product Key Features
Number of Pages
242 Pages
Language
English
Publication Name
End of the American Avantgarde : American Social Experience Series
Publication Year
2000
Subject
United States / 20th Century, Aesthetics, United States / General, History / General
Type
Textbook
Subject Area
Art, Philosophy, History
Format
Trade Paperback
Dimensions
Item Height
0.9 in
Item Weight
11.9 Oz
Item Length
9.1 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
Reviews
"Hobbs provides ample grounds for readers to ponder the interplay between particular movements in the arts and a larger American culture in the late 1950s and early 1960s." - American Historical Review, A significant work for intellectual and cultural historians, this is a tight, . . . focused examination of an important aspect of recent American culture., "A significant work for intellectual and cultural historians, this is a tight, . . . focused examination of an important aspect of recent American culture." -Choice, Hobbs provides ample grounds for readers to ponder the interplay between particular movements in the arts and a larger American culture in the late 1950s and early 1960s., "A significant work for intellectual and cultural historians, this is a tight, . . . focused examination of an important aspect of recent American culture." - Choice ,, "Hobbs provides ample grounds for readers to ponder the interplay between particular movements in the arts and a larger American culture in the late 1950s and early 1960s." -American Historical Review, "A significant work for intellectual and cultural historians, this is a tight, . . . focused examination of an important aspect of recent American culture." - Choice, "Hobbs provides ample grounds for readers to ponder the interplay between particular movements in the arts and a larger American culture in the late 1950s and early 1960s." - American Historical Review ,
TitleLeading
The
Dewey Edition
20
Dewey Decimal
973
Synopsis
By 1966, the composer Virgil Thomson would write, "Truth is, there is no avant-garde today." How did the avant garde dissolve, and why? In this thought-provoking work, Stuart D. Hobbs traces the avant garde from its origins to its eventual appropriation by a conservative political agenda, consumer culture, and the institutional world of art., "By 1966, the composer Virgil Thomson would write, "Truth is, there is no avant-garde today." How did the avant garde dissolve, and why? In this thought-provoking work, Stuart D. Hobbs traces the avant garde from its origins to its eventual appropriation by a conservative political agenda, consumer culture, and the institutional world of art., In this thought provoking work, Hobbs traces the avant garde from its origins to its eventual appropriation by a conservative political agenda, consumer culture and the institutional world of art.
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