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Eighteenth-Century Poetry and the Rise of the Novel Reconsidered

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Como nuevo
Libro en perfecto estado y poco leído. La tapa no tiene desperfectos y si procede, con sobrecubierta para las tapas duras. Incluye todas las páginas sin arrugas ni roturas. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección. Ver todas las definiciones de estadose abre en una nueva ventana o pestaña
Notas del vendedor
“Dust jacket, black cloth boards and book's interior in fine condition.”
Features
Dust Jacket
Ex Libris
No
Era
2010s
Personalized
No
Narrative Type
Nonfiction
Type
Essays
Vintage
No
Inscribed
No
Intended Audience
Adults
Country/Region of Manufacture
United States
Custom Bundle
No
Signed
No
ISBN
9781611484830

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Product Identifiers

Publisher
Bucknell University Press
ISBN-10
1611484839
ISBN-13
9781611484830
eBay Product ID (ePID)
173807869

Product Key Features

Book Title
Eighteenth-Century Poetry and the Rise of the Novel Reconsidered
Number of Pages
280 Pages
Language
English
Publication Year
2013
Topic
General, Poetry, Essays, European / English, Irish, Scottish, Welsh
Illustrator
Yes
Genre
Literary Criticism, Poetry, Literary Collections
Author
David Fairer
Book Series
Transits: Literature, Thought and Culture, 1650-1850 Ser.
Format
Hardcover

Dimensions

Item Height
1 in
Item Weight
16 Oz
Item Length
1 in
Item Width
1 in

Additional Product Features

Intended Audience
Scholarly & Professional
Reviews
There is no shortage of scholarship on 18th-century fiction, and criticism of 18th-century verse is not far behind. For the most part, though, these are separate fields of study, and until now only G. Gabrielle Starr's Lyric Generations: Poetry and the Novel in the Long Eighteenth Century had taken their interaction seriously. Now two junior scholars, Parker and Smith, have brought together an international team of scholars to explore the relationships between the novel and poetry in 18th-century Britain. The contributors range from graduate students to the biggest names in the field, but all have produced learned, incisive, and original investigations into the points of contact between genres. The nine essays (and a chapter-length coda) range from close readings of individual works (Rape of the Lock, Night Thoughts, Pamela, Tristram Shandy) to ambitious attempts to rethink literary history itself. The contributors share no single 'program,' and they often disagree over both methods and conclusions. But they share a commitment to changing the traditional stories of the development of fiction and poetry. This major collection from Bucknell, a leader in 18th-century studies, is required reading for scholars. Summing Up: Essential. Graduate students, researchers, faculty. * CHOICE * Eighteenth-Century Poetry and the Rise of the Novel Reconsidered is a provocative and timely collection well worth the attention of the reader who wishes, as Smith states in her introductory remarks, to 'grapple with unexpected collisions and collusions between poetry and novels'. . . .[The book] counts among the year's best books in eighteenth-century studies. * Intelligencer * This provocative collection brings large historical and theoretical claims together with close attention to individual eighteenth-century texts and in particular to the workings of literary form. . . .Parker and Weiss Smith have produced a collection that provides a varied, engaging, and challenging snapshot of where eighteenth-century studies is now that we have begun the important work of bringing genres back into conversation with one another, and which suggests exciting directions for this discussion to go next. * Eighteenth-Century Fiction *, There is no shortage of scholarship on 18th-century fiction, and criticism of 18th-century verse is not far behind. For the most part, though, these are separate fields of study, and until now only G. Gabrielle Starr's Lyric Generations: Poetry and the Novel in the Long Eighteenth Century had taken their interaction seriously. Now two junior scholars, Parker and Smith, have brought together an international team of scholars to explore the relationships between the novel and poetry in 18th-century Britain. The contributors range from graduate students to the biggest names in the field, but all have produced learned, incisive, and original investigations into the points of contact between genres. The nine essays (and a chapter-length coda) range from close readings of individual works (Rape of the Lock, Night Thoughts, Pamela, Tristram Shandy) to ambitious attempts to rethink literary history itself. The contributors share no single 'program,' and they often disagree over both methods and conclusions. But they share a commitment to changing the traditional stories of the development of fiction and poetry. This major collection from Bucknell, a leader in 18th-century studies, is required reading for scholars. Summing Up: Essential. Graduate students, researchers, faculty., "There is no shortage of scholarship on 18th-century fiction, and criticism of 18th-century verse is not far behind. For the most part, though, these are separate fields of study, and until now only G. Gabrielle Starr's Lyric Generations: Poetry and the Novel in the Long Eighteenth Century had taken their interaction seriously. Now two junior scholars, Parker and Smith, have brought together an international team of scholars to explore the relationships between the novel and poetry in 18th-century Britain. The contributors range from graduate students to the biggest names in the field, but all have produced learned, incisive, and original investigations into the points of contact between genres. The nine essays (and a chapter-length coda) range from close readings of individual works (Rape of the Lock, Night Thoughts, Pamela, Tristram Shandy) to ambitious attempts to rethink literary history itself. The contributors share no single 'program,' and they often disagree over both methods and conclusions. But they share a commitment to changing the traditional stories of the development of fiction and poetry. This major collection from Bucknell, a leader in 18th-century studies, is required reading for scholars. Summing Up: Essential. Graduate students, researchers, faculty." -- Choice Reviews "Eighteenth-Century Poetry and the Rise of the Novel Reconsidered is a provocative and timely collection well worth the attention of the reader who wishes, as Smith states in her introductory remarks, to 'grapple with unexpected collisions and collusions between poetry and novels'. . . .[The book] counts among the year's best books in eighteenth-century studies." -- Intelligencer "This provocative collection brings large historical and theoretical claims together with close attention to individual eighteenth-century texts and in particular to the workings of literary form. . . .Parker and Weiss Smith have produced a collection that provides a varied, engaging, and challenging snapshot of where eighteenth-century studies is now that we have begun the important work of bringing genres back into conversation with one another, and which suggests exciting directions for this discussion to go next." -- Eighteenth-Century Fiction, This provocative collection brings large historical and theoretical claims together with close attention to individual eighteenth-century texts and in particular to the workings of literary form. . . .Parker and Weiss Smith have produced a collection that provides a varied, engaging, and challenging snapshot of where eighteenth-century studies is now that we have begun the important work of bringing genres back into conversation with one another, and which suggests exciting directions for this discussion to go next., Eighteenth-Century Poetry and the Rise of the Novel Reconsidered is a provocative and timely collection well worth the attention of the reader who wishes, as Smith states in her introductory remarks, to 'grapple with unexpected collisions and collusions between poetry and novels'. . . .[The book] counts among the year's best books in eighteenth-century studies.
Dewey Edition
23
Dewey Decimal
821.509
Table Of Content
Contents Acknowledgments List of Illustrations Introduction: Poetry, Novels, People, Things 1 Courtney Weiss Smith Part I: Reconsidering Genres: Rising, Borrowing, Circulating 1 Heroic Couplets and Eighteenth-Century Heroism: Pope's Complicated Characters Sophie Gee 2 "The Battle Without Killing": Eliza Haywood and the Politics of Attempted Rape Kate Parker 3 The Novel's Poem Envy: Mid-Century Fiction and the "Thing Poem" Christina Lupton and Aran Ruth 4 "To delineate the human mind in its endless varieties": Integral Lyric and Characterization in the Tales of Amelia Opie Shelley King Part II: Reconsidering Subjects and Objects 5 Undividing the Subject of Literary History: From James Thomson's Poetry to Daniel Defoe's Novels Wolfram Schmidgen 6 The Rise of the Novel and the Fall of Personification Heather Keenleyside 7 "Light electric touches": Sterne, Poetry, and Empirical Erotics David Fairer 8 "Great labour both of mind and tongue": Articulacy and Interiority in Young's Night Thoughts and Richardson's Clarissa Joshua Swidzinski 9 The Art of Attention: Navigating Distraction and Rhythms of Focus in Eighteenth-Century Poetry Natalie Phillips Coda: Time, Space, and the Poetic Mind of the Novel Margaret Doody Bibliography Notes on Contributors
Synopsis
Eighteenth-Century Poetry and the Rise of the Novel Reconsidered beginswith the brute fact that poetry jostledup alongside novels in the bookstallsof eighteenth-century England. Indeed,by exploringunexpected collisions and collusionsbetween poetry and novels, this volumeof exciting, new essays offers a reconsideration of the literary and cultural history of the period. Thenovel poached from and featured poetry, and the "modern" subjects and objects privileged by "rise of the novel" scholarship are only one part of a world full of animate things and people with indistinct boundaries. Contributors: Margaret Doody, David Fairer, Sophie Gee, Heather Keenleyside, ShelleyKing, Christina Lupton, Kate Parker, Natalie Phillips, Aran Ruth, Wolfram Schmidgen, Joshua Swidzinski, and Courtney Weiss Smith., Eighteenth-Century Poetry and the Rise of the Novel Reconsidered begins with the brute fact that poetry jostled up alongside novels in the bookstalls of eighteenth-century England. Indeed, by exploring unexpected collisions and collusions between poetry and novels, this volume of exciting, new essays offers a reconsideration of the literary and ......, Eighteenth-Century Poetry and the Rise of the Novel Reconsidered begins with the brute fact that poetry jostled up alongside novels in the bookstalls of eighteenth-century England. Indeed, by exploring unexpected collisions and collusions between poetry and novels, this volume of exciting, new essays offers a reconsideration of the literary and cultural history of the period. The novel poached from and featured poetry, and the "modern" subjects and objects privileged by "rise of the novel" scholarship are only one part of a world full of animate things and people with indistinct boundaries. Contributors: Margaret Doody, David Fairer, Sophie Gee, Heather Keenleyside, Shelley King, Christina Lupton, Kate Parker, Natalie Phillips, Aran Ruth, Wolfram Schmidgen, Joshua Swidzinski, and Courtney Weiss Smith., Eighteenth-Century Poetry and the Rise of the Novel Reconsidered beginswith the brute fact that poetry jostledup alongside novels in the bookstallsof eighteenth-century England. Indeed, by exploringunexpected collisions and collusionsbetween poetry and novels, this volumeof exciting, new essays offers a reconsideration of the literary and cultural history of the period. Thenovel poached from and featured poetry, and the "modern" subjects and objects privileged by "rise of the novel" scholarship are only one part of a world full of animate things and people with indistinct boundaries. Contributors: Margaret Doody, David Fairer, Sophie Gee, Heather Keenleyside, ShelleyKing, Christina Lupton, Kate Parker, Natalie Phillips, Aran Ruth, Wolfram Schmidgen, Joshua Swidzinski, and Courtney Weiss Smith.

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