Rococo Fiction in France, 1600 -1715: Seditious Frivolity

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Como nuevo
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Notas del vendedor
“Dust jacket, black cloth boards and book's interior in fine condition.”
Country of Origin
United States
Inscribed
No
Intended Audience
Adults
Topic
Literary Criticism
Era
2010s
Vintage
No
Genre
World literature & Classics
Book Title
Rococo Fiction in France, 1600 -1715: Seditious Frivolity
Narrative Type
Nonfiction
Custom Bundle
No
Ex Libris
No
Features
Dust Jacket
Personalized
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Signed
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ISBN
9781611484366
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Product Identifiers

Publisher
Bloomsbury Publishing USA
ISBN-10
1611484367
ISBN-13
9781611484366
eBay Product ID (ePID)
117277605

Product Key Features

Number of Pages
258 Pages
Publication Name
Rococo Fiction in France, 1600-1715 : Seditious Frivolity
Language
English
Publication Year
2012
Subject
European / French, Modern / 17th Century
Type
Textbook
Author
Allison Stedman
Subject Area
Literary Criticism, History
Series
Transits: Literature, Thought and Culture, 1650-1850 Ser.
Format
Hardcover

Dimensions

Item Height
1 in
Item Weight
18.3 Oz
Item Length
9.3 in
Item Width
6.4 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2012-029135
Dewey Edition
23
Reviews
This thought- provoking study aims to rehabilitate a branch of French prose writing that has been traditionally overlooked or treated with disdain. . . .By showing that the rococo coexisted with classicisme, maintaining a dialectical relationship to the cultural mainstream rather than simply coming to prominence in the following century, she sheds new light on the process whereby new ways of thinking gradually emerged and won acceptance., Much of the imaginative literature published in seventeenth-century France eludes easy categorization into standard generic rubrics. Compilations of novellas, often interspersed with poetry, dialogues, treatises, letters, fairy tales, and other kinds of texts too numerous to list, made up a significant portion of the period's creative literary output. Allison Stedman's ambitious, thought-provoking book shines a light on these 'generically hybrid literary creations' and demonstrates their aesthetic value and social productivity., "This thought- provoking study aims to rehabilitate a branch of French prose writing that has been traditionally overlooked or treated with disdain. . . .By showing that the rococo coexisted with classicisme, maintaining a dialectical relationship to the cultural mainstream rather than simply coming to prominence in the following century, she sheds new light on the process whereby new ways of thinking gradually emerged and won acceptance." -- French Forum "Much of the imaginative literature published in seventeenth-century France eludes easy categorization into standard generic rubrics. Compilations of novellas, often interspersed with poetry, dialogues, treatises, letters, fairy tales, and other kinds of texts too numerous to list, made up a significant portion of the period's creative literary output. Allison Stedman's ambitious, thought-provoking book shines a light on these 'generically hybrid literary creations' and demonstrates their aesthetic value and social productivity." -- Symposium: A Quarterly Journal in Modern Literatures
Grade From
College Graduate Student
Dewey Decimal
843/.409
Table Of Content
Acknowledgments A Note on Translations Introduction Chapter One - "Innovation in Early Seventeenth-Century France" Chapter Two - "The Origins of the Rococo" Chapter Three - "The Rococo and the Transfiguration of the Old-Regime Social Sphere" Chapter Four - "The Rococo and the Transfiguration of the Salon" Conclusion Bibliography Index
Synopsis
Rococo Fiction in France reconfigures the history of the "long eighteenth century" by revealing the rococo as a literary phenomenon that characterized a range of experimental texts from the end of the French Renaissance to the eve of the French Revolution. Tracing the literary rococo's evolution from the late 1500s to the early 1700s, and exploring its radicalization during the 1670s, '80s, and '90s, Allison Stedman unearths the seventeenth century rococo's counter-vision for the trajectory of the French monarchy and the dawn of the French Enlightenment. The first part of the study investigates the relationship between Montaigne's philosophy of literary production and those of early seventeenth-century "table-talk" novelists, libertine writers, and playwrights involved in the quarrel over Corneille's play Le Cid. She thus establishes the existence of a rococo philosophy of literary production whose goal was to innovate, to bring pleasure, and to create communities. The second part of the study explores the impact that the Duchess de Montpensier's literary portrait galleries, Jean Donneau de Visé's periodical the Mercure Galant, and other forms of rococo literary production--by such authors as Charles Sorel, Alcide de Saint-Maurice, J.N. de Parvial and Jean de Préchac--had in the creation of a textually mediated social sphere that served as the foundation of the publicly critical culture of the French Enlightenment. The study concludes with an investigation of the influx of salon sociability into the textually mediated social sphere during the 1690s. Stedman examines the role of interpolated literary fairy tales, proverb plays and other rococo publication strategies--in such late seventeenth-century women writers as d'Aulnoy, Lhéritier, Murat, and Durand--in transfiguring the salon from an exclusive social circle mediated by physical presence to an inclusive social diaspora mediated by texts. Rococo Fiction in France challenges established views of early modern French literary history and discusses a range of little known works in a generous and engaging manner., Rococo Fiction in France reconfigures the history of the "long eighteenth century" by revealing the rococo as a literary phenomenon that characterized a range of experimental texts from the end of the French Renaissance to the eve of the French Revolution. Tracing the literary rococo's evolution from the late 1500s to the early 1700s, and exploring its radicalization during the 1670s, '80s, and '90s, Allison Stedman unearths the seventeenth century rococo's counter-vision for the trajectory of the French monarchy and the dawn of the French Enlightenment. The first part of the study investigates the relationship between Montaigne's philosophy of literary production and those of early seventeenth-century "table-talk" novelists, libertine writers, and playwrights involved in the quarrel over Corneille's play Le Cid. She thus establishes the existence of a rococo philosophy of literary production whose goal was to innovate, to bring pleasure, and to create communities. The second part of the study explores the impact that the Duchess de Montpensier's literary portrait galleries, Jean Donneau de Vis 's periodical the Mercure Galant, and other forms of rococo literary production--by such authors as Charles Sorel, Alcide de Saint-Maurice, J.N. de Parvial and Jean de Pr chac--had in the creation of a textually mediated social sphere that served as the foundation of the publicly critical culture of the French Enlightenment. The study concludes with an investigation of the influx of salon sociability into the textually mediated social sphere during the 1690s. Stedman examines the role of interpolated literary fairy tales, proverb plays and other rococo publication strategies--in such late seventeenth-century women writers as d'Aulnoy, Lh ritier, Murat, and Durand--in transfiguring the salon from an exclusive social circle mediated by physical presence to an inclusive social diaspora mediated by texts. Rococo Fiction in France challenges established views of early modern French literary history and discusses a range of little known works in a generous and engaging manner., Author Allison Stedman makes a case for the rococo as a seventeenth-century literary phenomenon that provided an ideological counterpoint to the rise of French political absolutism. Stedman traces the rococo's evolution and the study unearths the rococo's counter-vision for the origins of the French Enlightenment.
LC Classification Number
PQ645.S65 2012

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