The Civil War Songbook

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Ubicado en: Gettysburg, Pennsylvania, Estados Unidos
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Características del artículo

Estado
Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...
Title
The Civil War Songbook
Subjects
History & Military
ISBN
9780486234229

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Product Identifiers

Publisher
Dover Publications, Incorporated
ISBN-10
0486234223
ISBN-13
9780486234229
eBay Product ID (ePID)
222634

Product Key Features

Book Title
Civil War Songbook
Number of Pages
157 Pages
Language
English
Publication Year
1977
Topic
Printed Music / General, History & Criticism, Printed Music / Vocal, United States / Civil War Period (1850-1877)
Illustrator
Yes
Genre
Music, History
Author
Richard Crawford
Book Series
Dover Song Collections
Format
Trade Paperback

Dimensions

Item Weight
18.4 Oz
Item Length
12 in
Item Width
9 in

Additional Product Features

Intended Audience
Trade
Synopsis
Of all the events in American history, perhaps none was reflected in song with such innocent vigor as the Civil War. This volume of 37 popular songs of the period gives a fully rounded picture of sentiments on the battle line and on the home front, both North and South. The five important categories are all covered: Patriotic Songs (Battle Hymn of the Republic, Dixie, The Southrons' Chaunt of Defiance), The Soldiering Life (Just Before the Battle, Mother, Tramp! Tramp! Tramp!, O I'm a Good Old Rebel), Battlefield Deaths (The Drummer Boy of Shiloh, The Dying Volunteer), Domestic Scenes (When Johnny Comes Marching Home, The Vacant Chair), and Emancipation Songs (Kingdom Coming, Sixty-Three Is the Jubilee). The mood ranges from lugubrious (Bear Gently, So Gently, the Roughly Made Bier) to comic (Grafted into the Army), and satirical (Jeff in Petticoats), reflecting the day-to-day hopes and fears as well as the lofty and martial moments. Among the popular composers in this selection are George F. Root, Dan D. Emmett, Henry C. Work, Walter Kittredge, Will S. Hays, James G. Clark, Bernard Covert, and many more. These are the original songs, complete with their sheet music covers. Since so many of these songs have been changed and rearranged over the years and often many of the stanzas have been lost, the collection is invaluable to anyone interested in the music of this period. Richard Crawford (School of Music, University of Michigan) has provided an introduction citing related versions, historical allusions, and biographical data on the composers. Amateur and professional singers will find this collection to be of unusually high quality, and it is of great interest to collectors, musicologists, and Civil War buffs. Most of this music is nowhere else in print, and quite a bit of it does not even survive except in a few library collections., Thirty-seven songs: The Battle Cry of Freedom , When Johnny Comes Marching Home , Battle Hymn of the Republic , 34 more., Of all the events in American history, perhaps none was reflected in song with such innocent vigor as the Civil War. This volume of 37 popular songs of the period gives a fully rounded picture of sentiments on the battle line and on the home front, both North and South. The five important categories are all covered: Patriotic Songs ("Battle Hymn of the Republic," "Dixie," "The Southrons' Chaunt of Defiance"), The Soldiering Life ("Just Before the Battle, Mother," "Tramp! Tramp! Tramp!," "O I'm a Good Old Rebel"), Battlefield Deaths ("The Drummer Boy of Shiloh," "The Dying Volunteer"), Domestic Scenes ("When Johnny Comes Marching Home," "The Vacant Chair"), and Emancipation Songs ("Kingdom Coming," "Sixty-Three Is the Jubilee"). The mood ranges from lugubrious ("Bear Gently, So Gently, the Roughly Made Bier") to comic ("Grafted into the Army"), and satirical ("Jeff in Petticoats"), reflecting the day-to-day hopes and fears as well as the "lofty and martial" moments. Among the popular composers in this selection are George F. Root, Dan D. Emmett, Henry C. Work, Walter Kittredge, Will S. Hays, James G. Clark, Bernard Covert, and many more. These are the original songs, complete with their sheet music covers. Since so many of these songs have been changed and rearranged over the years and often many of the stanzas have been lost, the collection is invaluable to anyone interested in the music of this period. Richard Crawford (School of Music, University of Michigan) has provided an introduction citing related versions, historical allusions, and biographical data on the composers. Amateur and professional singers will find this collection to be of unusually high quality, and it is of great interest to collectors, musicologists, and Civil War buffs. Most of this music is nowhere else in print, and quite a bit of it does not even survive except in a few library collections., Of all the events in American history, perhaps none was reflected in song with such innocent vigor as the Civil War. This volume of 37 popular songs of the period gives a fully rounded picture of sentiments on the battle line and on the home front, both North and South. The five important categories are all covered: Patriotic Songs ("Battle Hymn of the Republic," "Dixie," "The Southrons' Chaunt of Defiance"), The Soldiering Life ("Just Before the Battle, Mother," "Tramp Tramp Tramp ," "O I'm a Good Old Rebel"), Battlefield Deaths ("The Drummer Boy of Shiloh," "The Dying Volunteer"), Domestic Scenes ("When Johnny Comes Marching Home," "The Vacant Chair"), and Emancipation Songs ("Kingdom Coming," "Sixty-Three Is the Jubilee"). The mood ranges from lugubrious ("Bear Gently, So Gently, the Roughly Made Bier") to comic ("Grafted into the Army"), and satirical ("Jeff in Petticoats"), reflecting the day-to-day hopes and fears as well as the "lofty and martial" moments. Among the popular composers in this selection are George F. Root, Dan D. Emmett, Henry C. Work, Walter Kittredge, Will S. Hays, James G. Clark, Bernard Covert, and many more. These are the original songs, complete with their sheet music covers. Since so many of these songs have been changed and rearranged over the years and often many of the stanzas have been lost, the collection is invaluable to anyone interested in the music of this period. Richard Crawford (School of Music, University of Michigan) has provided an introduction citing related versions, historical allusions, and biographical data on the composers. Amateur and professional singers will find this collection to be of unusually high quality, and it is of great interest to collectors, musicologists, and Civil War buffs. Most of this music is nowhere else in print, and quite a bit of it does not even survive except in a few library collections.

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