Sargent and Italy, paperback, 2003

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Aproximadamente16,38 EUR
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Ubicado en: Belvedere Tiburon, California, Estados Unidos
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Entrega prevista el mar. 2 dic. o antes a 94104
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N.º de artículo de eBay:146972955749

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Estado
Como nuevo: Libro en perfecto estado y poco leído. La tapa no tiene desperfectos y si procede, con ...
ISBN
9780691139449

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Product Identifiers

Publisher
Princeton University Press
ISBN-10
069113944X
ISBN-13
9780691139449
eBay Product ID (ePID)
24038689238

Product Key Features

Book Title
Sargent and Italy
Number of Pages
208 Pages
Language
English
Topic
Individual Artists / General, American / General, Subjects & Themes / General, History / General
Publication Year
2008
Illustrator
Yes
Genre
Art
Author
Ilene Susan Fort, Richard Ormond, Jane Dini, Richard Warrington Baldwin Lewis, Stephanie L. Herdrich
Format
Trade Paperback

Dimensions

Item Height
1.5 in
Item Weight
40.1 Oz
Item Length
12 in
Item Width
9 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
21
Reviews
Beautiful and informative. . . . Italy was extremely influential on Sargent's work, which makes this a significant addition to book son Sargent. -- "Library Journal, "[Sargent's] synthesis of the classic and the contemporary plays with light and shadow to create a shimmering sensuality. . . . [He] seemed to revel in the freedom which watercolors provide, and it is tempting to see these later Italian works as a release of sorts from the murals and high-toned portraits. . . . [T]hese paintings, of gardens, quarries, cypresses, and of his family and friends on holiday, convey a powerful sense of that liberation."-- Michael Carlson, Times Literary Supplement, [Sargent's] synthesis of the classic and the contemporary plays with light and shadow to create a shimmering sensuality. . . . [He] seemed to revel in the freedom which watercolors provide, and it is tempting to see these later Italian works as a release of sorts from the murals and high-toned portraits. . . . [T]hese paintings, of gardens, quarries, cypresses, and of his family and friends on holiday, convey a powerful sense of that liberation., [Sargent's] synthesis of the classic and the contemporary plays with light and shadow to create a shimmering sensuality. . . . [He] seemed to revel in the freedom which watercolors provide, and it is tempting to see these later Italian works as a release of sorts from the murals and high-toned portraits. . . . [T]hese paintings, of gardens, quarries, cypresses, and of his family and friends on holiday, convey a powerful sense of that liberation. ---Michael Carlson, Times Literary Supplement, "Sargent became one of the most international American artists of his day, shuttling around Italy, France, England, and the United States, but he knew Italy most intimately. . . . [He] hated the dull routine of society portraiture, and his Italian trips--painting peasants in Capri, Venetian bead stringers, Alpine brooks--refreshed him."-- Katherine Zoepf, New York Times Book Review, Sargent and Italy , a lavishly illustrated volume . . . reminds us that Italy is both a place and an idea. . . . The idea of Italy--a metaphor for excess, romance and seduction--has . . . been . . . important to artists, among them John Singer Sargent. . .. Sargent and Italy insists, convincingly, that Sargent's vision of Italy was ultimately his own., Sargent became one of the most international American artists of his day, shuttling around Italy, France, England, and the United States, but he knew Italy most intimately. . . . [He] hated the dull routine of society portraiture, and his Italian trips--painting peasants in Capri, Venetian bead stringers, Alpine brooks--refreshed him., Extremely well written and filled with magnificent reproductions, this beautiful volume offers the first in-depth and original study of this great artist in many years., Sargent and Italy, a lavishly illustrated volume . . . reminds us that Italy is both a place and an idea. . . . The idea of Italy--a metaphor for excess, romance and seduction--has . . . been . . . important to artists, among them John Singer Sargent. . ..Sargent and Italyinsists, convincingly, that Sargent's vision of Italy was ultimately his own., "Extremely well written and filled with magnificent reproductions, this beautiful volume offers the first in-depth and original study of this great artist in many years."-- Booklist, Beautiful and informative. . . . Italy was extremely influential on Sargent's work, which makes this a significant addition to book son Sargent., With each new book on the ever-popular John Singer Sargent, readers learn more about the substantive complexities of an artist too often dismissed as simply a fashionable portraitist. The attraction of this appealing book . . . is the opportunity it affords for scholarly focus on a key aspect of Sargent's career. -- "Choice, Sargent became one of the most international American artists of his day, shuttling around Italy, France, England, and the United States, but he knew Italy most intimately. . . . [He] hated the dull routine of society portraiture, and his Italian trips--painting peasants in Capri, Venetian bead stringers, Alpine brooks--refreshed him. ---Katherine Zoepf, New York Times Book Review, Sargent and Italy , a lavishly illustrated volume . . . reminds us that Italy is both a place and an idea. . . . The idea of Italy--a metaphor for excess, romance and seduction--has . . . been . . . important to artists, among them John Singer Sargent. . .. Sargent and Italy insists, convincingly, that Sargent's vision of Italy was ultimately his own. ---Christopher Capozzola, The Art Book, With each new book on the ever-popular John Singer Sargent, readers learn more about the substantive complexities of an artist too often dismissed as simply a fashionable portraitist. The attraction of this appealing book . . . is the opportunity it affords for scholarly focus on a key aspect of Sargent's career., " Sargent and Italy , a lavishly illustrated volume . . . reminds us that Italy is both a place and an idea. . . . The idea of Italy--a metaphor for excess, romance and seduction--has . . . been . . . important to artists, among them John Singer Sargent. . .. Sargent and Italy insists, convincingly, that Sargent's vision of Italy was ultimately his own."-- Christopher Capozzola, The Art Book, [Sargent's] synthesis of the classic and the contemporary plays with light and shadow to create a shimmering sensuality. . . . [He] seemed to revel in the freedom which watercolors provide, and it is tempting to see these later Italian works as a release of sorts from the murals and high-toned portraits. . . . [T]hese paintings, of gardens, quarries, cypresses, and of his family and friends on holiday, convey a powerful sense of that liberation. -- Michael Carlson, Times Literary Supplement, "Beautiful and informative. . . . Italy was extremely influential on Sargent's work, which makes this a significant addition to book son Sargent."-- Library Journal, Sargent and Italy , a lavishly illustrated volume . . . reminds us that Italy is both a place and an idea. . . . The idea of Italy--a metaphor for excess, romance and seduction--has . . . been . . . important to artists, among them John Singer Sargent. . .. Sargent and Italy insists, convincingly, that Sargent's vision of Italy was ultimately his own. -- Christopher Capozzola, The Art Book, Extremely well written and filled with magnificent reproductions, this beautiful volume offers the first in-depth and original study of this great artist in many years. -- "Booklist, "With each new book on the ever-popular John Singer Sargent, readers learn more about the substantive complexities of an artist too often dismissed as simply a fashionable portraitist. The attraction of this appealing book . . . is the opportunity it affords for scholarly focus on a key aspect of Sargent's career."-- Choice, Sargent became one of the most international American artists of his day, shuttling around Italy, France, England, and the United States, but he knew Italy most intimately. . . . [He] hated the dull routine of society portraiture, and his Italian trips--painting peasants in Capri, Venetian bead stringers, Alpine brooks--refreshed him. -- Katherine Zoepf, New York Times Book Review
Dewey Decimal
759.13
Synopsis
This extravagantly illustrated catalogue--published in association with a major exhibition--evokes the romantic fascination with Italy that glimmers in the work of John Singer Sargent. Sargent, heralded on both sides of the Atlantic, was one of the most creative American artists of the late nineteenth century. Born in Florence to American parents living abroad, he retained a deep and lifelong connection to the country famed for its ability to get "ineradicably in one's blood." Sargent vacationed frequently in Italy, and most of the works he created there were painted not for commission but out of his artistic passion for Italy's people, land, and culture. Often hauntingly powerful, they range from dramatically painted genre scenes of Italian peasants and saturated landscapes that celebrate the beauty of the Italian countryside to portraits of other Anglo-American expatriates and tourists, including Henry James and Edith Wharton. The majority of works are of Italian sites, including well-known tourist spots but also the quieter, more isolated locales that Sargent sought out. His subjects include magnificent Italian gardens with their ancient and Baroque statuary, Rome's Neoclassical and Renaissance buildings, urban street scenes, the Italian Alps, and, of course, Venetian canals. Sargent found Venice particularly alluring, and the city well suited the watercolor medium in which he worked most often in Italy. His use of vivid colors, brushwork that varied from soft and fluid to bold and dashing, and an overwhelming sense of light and air characterize his Italian scenes--and rank Sargent as one of the finest watercolorists of all time. His later Italian works, some in watercolor and others in oil, reveal an artist who relished his materials and made art purely for art's sake. Both beautiful and informative, this lavish volume includes eighty-five color and fifty black-and-white images. It adds a new dimension to our appreciation of Sargent's art and will delight anyone who loves Italy, as Sargent so passionately did.
LC Classification Number
ND237.S3

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