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Asphodel - Paperback, by Doolittle (H.D.) Hilda; Spoo Robert - Good
USD10,55
Aproximadamente9,12 EUR
Estado:
En buen estado
Libro que se ha leído pero que está en buen estado. Daños mínimos en la tapa, incluidas rozaduras, pero sin roturas ni agujeros. Es posible que no incluya sobrecubierta para tapas duras. Tapa muy poco desgastada. La mayoría de las páginas están en buen estado con muy pocas arrugas o roturas. El texto subrayado a lápiz es prácticamente inexistente, no hay texto resaltado ni anotaciones en los márgenes. No faltan páginas. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Gratis USPS Media MailTM.
Ubicado en: Philadelphia, Pennsylvania, Estados Unidos
Entrega:
Entrega prevista entre el jue. 16 oct. y el mié. 22 oct. a 94104
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30 días para devoluciones. El vendedor paga el envío de la devolución.
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N.º de artículo de eBay:146809453615
Última actualización el 09 oct 2025 16:23:33 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- Type
- Paperback
- ISBN
- 9780822312420
Acerca de este producto
Product Identifiers
Publisher
Duke University Press
ISBN-10
0822312425
ISBN-13
9780822312420
eBay Product ID (ePID)
233800
Product Key Features
Book Title
Asphodel
Number of Pages
238 Pages
Language
English
Topic
General, Literary
Publication Year
1992
Genre
Fiction
Format
Trade Paperback
Dimensions
Item Height
0.8 in
Item Weight
17.6 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
91-045620
Reviews
" Asphodel is a brilliant experimentalist text important to the history and theory of both modernism and women's writing."--Susan Stanford Friedman, author of Penelope's Web: H.D's Fictions and the Engendering of Modernism, " Asphodel is a brilliant experimentalist text important to the history and theory of both modernism and women's writing."-Susan Stanford Friedman, author of Penelope's Web: H.D's Fictions and the Engendering of Modernism, "A woman, an Imagist living and composing in 1920s Europe, H.D. stands as a model for the female expatriate American artist. Additionally, in Asphodel, H.D. provides a revealing roman a clef for her time. . . . The novel presents an unabashed portrait of a woman's life during the tumultuous World War I era." Robert Johnson, The Denver Post "Asphodel is a brilliant experimentalist text important to the history and theory of both modernism and women's writing."-Susan Stanford Friedman, author of Penelope's Web: H.D's Fictions and the Engendering of Modernism "This novel . . . is a considerable lyric meditation on femaleness, sexual and maternal choices, and the meanings of war, history, and violence. Its publication adds a striking text to the modernist canon."--Rachel Blau DuPlessis, author of H.D.: The Career of that Struggle, "This novel . . . is a considerable lyric meditation on femaleness, sexual and maternal choices, and the meanings of war, history, and violence. Its publication adds a striking text to the modernist canon."--Rachel Blau DuPlessis, author of H.D.: The Career of that Struggle, "This novel . . . is a considerable lyric meditation on femaleness, sexual and maternal choices, and the meanings of war, history, and violence. Its publication adds a striking text to the modernist canon."-Rachel Blau DuPlessis, author of H.D.: The Career of that Struggle, " Asphodel is a brilliant experimentalist text important to the history and theory of both modernism and women's writing."--Susan Stanford Friedman, author of Penelope's Web: H.D's Fictions and the Engendering of Modernism "This novel . . . is a considerable lyric meditation on femaleness, sexual and maternal choices, and the meanings of war, history, and violence. Its publication adds a striking text to the modernist canon."--Rachel Blau DuPlessis, author of H.D.: The Career of that Struggle
Dewey Decimal
813/.52
Table Of Content
Contents Acknowledgments Introduction by Robert Spoo Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Appendix: Asphodel a clef: Brief Lives of the Persons Behind the Fictions
Synopsis
"DESTROY," H.D. had pencilled across the title page of this autobiographical novel. Although the manuscript survived, it has remained unpublished since its completion in the 1920s. Regarded by many as one of the major poets of the modernist period, H.D. created in Asphodel a remarkable and readable experimental prose text, which in its manipulation of technique and voice can stand with the works of Joyce, Woolf, and Stein; in its frank exploration of lesbian desire, pregnancy and motherhood, artistic independence for women, and female experience during wartime, H.D.'s novel stands alone. A sequel to the author's HERmione, Asphodel takes the reader into the bohemian drawing rooms of pre-World War I London and Paris, a milieu populated by such thinly disguised versions of Ezra Pound, Richard Aldington, May Sinclair, Brigit Patmore, and Margaret Cravens; on the other side of what H.D. calls "the chasm," the novel documents the war's devastating effect on the men and women who considered themselves guardians of beauty. Against this riven backdrop, Asphodel plays out the story of Hermione Gart, a young American newly arrived in Europe and testing for the first time the limits of her sexual and artistic identities. Following Hermione through the frustrations of a literary world dominated by men, the failures of an attempted lesbian relationship and a marriage riddled with infidelity, the birth of an illegitimate child, and, finally, happiness with a female companion, Asphodel describes with moving lyricism and striking candor the emergence of a young and gifted woman from her self-exile. Editor Robert Spoo's introduction carefully places Asphodel in the context of H.D.'s life and work. In an appendix featuring capsule biographies of the real figures behind the novel's fictional characters, Spoo provides keys to this roman à clef ., "DESTROY," H.D. had pencilled across the title page of this autobiographical novel. Although the manuscript survived, it has remained unpublished since its completion in the 1920s. Regarded by many as one of the major poets of the modernist period, H.D. created in Asphodel a remarkable and readable experimental prose text, which in its manipulation of technique and voice can stand with the works of Joyce, Woolf, and Stein; in its frank exploration of lesbian desire, pregnancy and motherhood, artistic independence for women, and female experience during wartime, H.D.'s novel stands alone. A sequel to the author's HERmione, Asphodel takes the reader into the bohemian drawing rooms of pre-World War I London and Paris, a milieu populated by such thinly disguised versions of Ezra Pound, Richard Aldington, May Sinclair, Brigit Patmore, and Margaret Cravens; on the other side of what H.D. calls "the chasm," the novel documents the war's devastating effect on the men and women who considered themselves guardians of beauty. Against this riven backdrop, Asphodel plays out the story of Hermione Gart, a young American newly arrived in Europe and testing for the first time the limits of her sexual and artistic identities. Following Hermione through the frustrations of a literary world dominated by men, the failures of an attempted lesbian relationship and a marriage riddled with infidelity, the birth of an illegitimate child, and, finally, happiness with a female companion, Asphodel describes with moving lyricism and striking candor the emergence of a young and gifted woman from her self-exile. Editor Robert Spoo's introduction carefully places Asphodel in the context of H.D.'s life and work. In an appendix featuring capsule biographies of the real figures behind the novel's fictional characters, Spoo provides keys to this roman clef ., A remarkable and readable experimental prose text, which in its manipulation of technique and voice can stand with the works of Joyce, Woolf, and Stein
LC Classification Number
PS3507
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