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Queer Males in Contemporary Cinema: Becoming Visible by Hart

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“Used book in good condition. Shows typical wear. Quick shipping. Satisfaction guaranteed!”
Book Title
Queer Males in Contemporary Cinema: Becoming Visible
Topic
Performing Arts
Narrative Type
Performing Arts
Genre
N/A
Intended Audience
N/A
ISBN
9780810891180

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Product Identifiers

Publisher
Scarecrow Press, Incorporated
ISBN-10
0810891182
ISBN-13
9780810891180
eBay Product ID (ePID)
160111320

Product Key Features

Number of Pages
196 Pages
Publication Name
Queer Males in Contemporary Cinema : Becoming Visible
Language
English
Subject
Film / General, Lgbt Studies / Gay Studies, Film / History & Criticism
Publication Year
2013
Type
Textbook
Subject Area
Performing Arts, Social Science
Author
Kylo-Patrick R. Hart
Format
Trade Paperback

Dimensions

Item Height
0.4 in
Item Weight
9.6 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2012-050179
Dewey Edition
23
Grade From
College Sophomore
Dewey Decimal
791.43/653
Grade To
College Graduate Student
Table Of Content
Contents Foreword by Hollis Griffin Acknowledgments Preface Part I: Latent Representations Chapter 1: The Love Between Warden and Prew That Dare Not Speak Its Name: Containing Homosexuality as Subtext in From Here to Eternity Chapter 2: Gay Male Spectatorship, Textual Flexibility, and Mainstream American Cinema Part II: Manifest Representations Chapter 3: "Out of the Closets and Into the Shadows": Cruising with the Boys in the Band Chapter 4: Queering the Teen Movie: Exploring Groundbreaking Representations of Non-Heterosexual Adolescents in Gregg Araki's Teen-Apocalypse Trilogy Chapter 5: Gay Men, Self-Representation, and AIDS Documentaries Chapter 6: When Style Becomes Substance: The Form and Function of a Rap Aesthetic in the AIDS Movie Chocolate Babies Chapter 7: Increasing Visi(bi)lity: Bisexual Men in Contemporary U.S. Cinema Chapter 8: Transamerican Cinema: Representing Gender Dysphoria on Film Chapter 9: Retrograde Storytelling or Queer Cinematic Triumph? The (Not So) Groundbreaking Qualities of the Film Brokeback Mountain Chapter 10: Back to the Future: Queer Representations and the Films of John Cameron Mitchell Bibliography Filmography Index About the Author
Synopsis
Over the past several decades, mainstream films have gradually featured queer content and characters. Depicted covertly at first, these characterizations have become much more prominent in recent years, most notably in such films as Philadelphia, Boys Don't Cry, and Brokeback Mountain. In Queer Males in Contemporary Cinema: Becoming Visible, Kylo-Patrick R. Hart explores both latent and manifest representations of queer males in noteworthy cinema from the mid-20th to the early 21st century. Hart examines films pertaining to bisexual, gay, and transgender men, as well as transsexuals, transvestites, queer people with HIV/AIDS, queer teens, and others. Throughout, this book continually reminds readers that both mainstream and independent films communicate, reinforce, and perpetuate culturally pervasive notions of "normalcy," "deviance," and "social otherness," in ways that frequently have real--and sometimes detrimental--effects on actual people. Covering a range of films, including From Here to Eternity, The Boys in the Band, Saturday Night Fever, Cruising, Point Break, The Doom Generation, Boys Don't Cry, Hedwig and the Angry Inch, Kinsey, Brokeback Mountain, Transamerica, and Shortbus, this book shows not only how much has changed since the mid-20th century, but also how much has remained the same. Queer Males in Contemporary Cinema provides perceptive insights for students and academics interested in film history, cultural studies, gender studies, media studies, popular culture, and LGBTQ studies., In Queer Males in Contemporary Cinema: Becoming Visible, Kylo-Patrick R. Hart explores both latent and manifest representations of queer males in noteworthy cinema from the mid-20th to the early 21st century. Hart examines films pertaining to bisexual, gay, and transgender men, as well as transsexuals, transvestites, queer people with HIV/AIDS, queer teens, and others. Throughout, this book continually reminds readers that both mainstream and independent films communicate, reinforce, and perpetuate culturally pervasive notions of "normalcy," "deviance," and "social otherness" in ways that frequently have real--and sometimes detrimental--effects on actual people. Queer Males in Contemporary Cinema provides perceptive insights for students and academics interested in film history, cultural studies, gender studies, media studies, popular culture, and LGBT studies.
LC Classification Number
PN1995.9.H55H37 2013

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