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Constellations of Miro, Breton by Paul Hammond (2000, Trade Paperback)
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Product Identifiers
PublisherCity Lights
ISBN-100872863727
ISBN-139780872863729
eBay Product ID (ePID)1675485
Product Key Features
Book TitleConstellations of Miro, Breton
Number of Pages260 Pages
LanguageEnglish
Publication Year2000
TopicHistory / Modern (Late 19th Century to 1945), Individual Artists / General, Individual Artists / Essays, European / French
IllustratorYes
GenreLiterary Criticism, Art
AuthorPaul Hammond
FormatTrade Paperback
Dimensions
Item Height0.7 in
Item Weight13.4 Oz
Item Length7.9 in
Item Width5.9 in
Additional Product Features
Intended AudienceTrade
LCCN99-087460
Dewey Edition21
Dewey Decimal700/.92/2
SynopsisDuring the early days of the Second World War, the Catalán painter, Joan Miró, created a startling series of twenty-three gouaches, his Constellations , works redolent with the nightmare of contemporary events. In 1958 the French poet André Breton composed his own "Constellations," a set of hermetic prose poems meant to "illustrate"--that is, not simply to shed light on, but to lend luster to--Miró's paintings, and to resume a peripatetic dialogue about exile. In Constellations of Miró, Breton Paul Hammond unravels some of the mysteries of the call-and-response of these two surrealists by reading the pictures against the poetry, the poetry against the pictures, and both against the madness of a history that none of us has left that far behind. Featured in this edition are reproductions of the complete series of Joan Miró's Constellations and a translation of André Breton's "proses parallèles." Also included is André Breton's essay, "Constellations of Joan Miró," as well as documentary illustrations and photographs. Paul Hammond is the author of Marvellous Méliès , French Undressing, Upon the Pun: Dual Meaning in Words and Pictures (with Patrick Hughes), and a monograph on Luis Buñuel's L'Âge d'or . He is the editor and translator of The Shadow and Its Shadow: Surrealist Writings on the Cinema (a new edition published by City Lights Books in Fall 2000), and the coeditor, with Ian Breakwell, of Seeing in the Dark: A Compendium of Cinemagoing and Brought to Book: The Balance of Books and Life. His translations include Whatever by Michel Houellebecq and The Virgin of the Hitmen by Fernando Vallejo., During the early days of the Second World War, the Catalán painter, Joan Miró, created a startling series of twenty-three gouaches, his Constellations , works redolent with the nightmare of contemporary events. In 1958 the French poet André Breton composed his own "Constellations," a set of hermetic prose poems meant to "illustrate"--that is, not simply to shed light on, but to lend luster to--Miró's paintings, and to resume a peripatetic dialogue about exile. In Constellations of Miró, Breton Paul Hammond unravels some of the mysteries of the call-and-response of these two surrealists by reading the pictures against the poetry, the poetry against the pictures, and both against the madness of a history that none of us has left that far behind. Featured in this edition are reproductions of the complete series of Joan Miró's Constellations and a translation of André Breton's "proses parallèles." Also included is André Breton's essay, "Constellations of Joan Miró," as well as documentary illustrations and photographs. Paul Hammond is the author of Marvellous Méliès , French Undressing, Upon the Pun: Dual Meaning in Words and Pictures (with Patrick Hughes), and a monograph on Luis Buñuel's L'Âge d'or . He is the editor and translator of The Shadow and Its Shadow:Surrealist Writings on the Cinema (a new edition published by City Lights Books in Fall 2000), and the coeditor, with Ian Breakwell, of Seeing in the Dark: A Compendium of Cinemagoing and Brought to Book: The Balance of Books and Life. His translations include Whatever by Michel Houellebecq and The Virgin of the Hitmen by Fernando Vallejo., During the early days of the Second World War, the Catalán painter, Joan Miró, created a startling series of twenty-three gouaches, his Constellations , works redolent with the nightmare of contemporary events. In 1958 the French poet André Breton composed his own "Constellations," a set of hermetic prose poems meant to "illustrate"--that is, not simply to shed light on, but to lend luster to--Miró's paintings, and to resume a peripatetic dialogue about exile. In Constellations of Miró, Breton Paul Hammond unravels some of the mysteries of the call-and-response of these two surrealists by reading the pictures against the poetry, the poetry against the pictures, and both against the madness of a history that none of us has left that far behind. Featured in this edition are reproductions of the complete series of Joan Miró's Constellations and a translation of André Breton's "proses parallèles." Also included is André Breton's essay, "Constellations of Joan Miró," as well as documentary illustrations and photographs. Paul Hammond is the author of Marvellous Méliès , French Undressing, Upon the Pun: Dual Meaning in Words and Pictures (with Patrick Hughes), and a monograph on Luis Buñuel's L'ge d'or . He is the editor and translator of The Shadow and Its Shadow:Surrealist Writings on the Cinema (a new edition published by City Lights Books in Fall 2000), and the coeditor, with Ian Breakwell, of Seeing in the Dark: A Compendium of Cinemagoing and Brought to Book: The Balance of Books and Life. His translations include Whatever by Michel Houellebecq and The Virgin of the Hitmen by Fernando Vallejo., During the early days of the Second World War, the Catalan painter Joan Miro created a startling series of twenty-three gouaches, his Constellations, works redolent with the nightmare of contemporary events. In 1958 the French poet Andre Breton..., During the early days of the Second World War, the Catal n painter, Joan Mir , created a startling series of twenty-three gouaches, his Constellations , works redolent with the nightmare of contemporary events. In 1958 the French poet Andr Breton composed his own "Constellations," a set of hermetic prose poems meant to "illustrate"--that is, not simply to shed light on, but to lend luster to--Mir 's paintings, and to resume a peripatetic dialogue about exile. In Constellations of Mir , Breton Paul Hammond unravels some of the mysteries of the call-and-response of these two surrealists by reading the pictures against the poetry, the poetry against the pictures, and both against the madness of a history that none of us has left that far behind. Featured in this edition are reproductions of the complete series of Joan Mir 's Constellations and a translation of Andr Breton's "proses parall les." Also included is Andr Breton's essay, "Constellations of Joan Mir ," as well as documentary illustrations and photographs. Paul Hammond is the author of Marvellous M li s , French Undressing, Upon the Pun: Dual Meaning in Words and Pictures (with Patrick Hughes), and a monograph on Luis Bu uel's L' ge d'or . He is the editor and translator of The Shadow and Its Shadow: Surrealist Writings on the Cinema (a new edition published by City Lights Books in Fall 2000), and the coeditor, with Ian Breakwell, of Seeing in the Dark: A Compendium of Cinemagoing and Brought to Book: The Balance of Books and Life. His translations include Whatever by Michel Houellebecq and The Virgin of the Hitmen by Fernando Vallejo., During the early days of the Second World War, the Catalan painter Joan Miro created a startling series of twenty-three gouaches, his Constellations, works redolent with the nightmare of contemporary events. In 1958 the French poet Andre Breton composed his own "Constellations," a set of hermetic prose poems meant to "illustrate"-that is, not simply to shed light on, but to lend luster to-Miro's paintings, and to resume a peripatetic dialogue about exile. In "Constellations of Miro, Breton" Paul Hammond unravels some of the mysteries of the call-and-response of these two Surrealists by reading the pictures against the poetry, the poetry against the pictures, and both against the madness of a history that none of us has left that far behind. Featured in this edition are reproductions of the complete series of Joan Miro's Constellations and a translation of Andre Breton's "proses paralleles." Also included is Andre Breton's essay, "Constellations of Joan Miro," as well as documentary illustrations and photographs. About the AuthorPaul Hammond is the author of Marvellous Melies, "French Undressing, Upon the Pun: Dual Meaning in Words and Pictures (with Patrick Hughes), and a monograph on Luis Bunuel's L'Age d'or. He is the editor and translator of The Shadow and Its Shadow:Surrealist Writings on the Cinema (a new edition published by City Lights Books in Fall 2000), and the coeditor, with Ian Breakwell, of Seeing in the Dark: A Compendium of Cinemagoing and Brought to Book: The Balance of Books and Life. His translations include Whatever by Michel Houellebecq and The Virgin of the Hitmen by Fernando Vallejo.
LC Classification NumberND2002.M57A64 2000
