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Something over Something Else : Romare Bearden's Profile Series by Robert G. O'Meally, Ruth Fine, Stephanie Mayer Heydt, Rachael Z. Delue and Paul Devlin (2019, Hardcover)
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In November 1977, The New Yorker published a feature-length biography of artist Romare Bearden by Calvin Tomkins as part of its "Profiles" series.
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Product Identifiers
PublisherUniversity of Washington Press
ISBN-100295746432
ISBN-139780295746432
eBay Product ID (ePID)21038306062
Product Key Features
Book TitleSomething over Something Else : Romare Bearden's Profile Series
Number of Pages152 Pages
LanguageEnglish
Publication Year2019
TopicAmerican / African American, Individual Artists / Monographs, General
IllustratorYes
GenreArt
AuthorRobert G. O'meally, Ruth Fine, Stephanie Mayer Heydt, Rachael Z. Delue, Paul Devlin
FormatHardcover
Dimensions
Item Weight44 Oz
Item Length11 in
Item Width10 in
Additional Product Features
Intended AudienceTrade
LCCN2019-905647
Dewey Edition23
Grade FromCollege Graduate Student
Dewey Decimal709.2
SynopsisIn November 1977, The New Yorker published a feature-length biography of artist Romare Bearden by Calvin Tomkins as part of its "Profiles" series. The essay, titled Profile: Putting Something Over Something Else (using Bearden's words to describe the creative process), brought national focus to Bearden, whose rise had seemed meteoric since the late 1960s. The experience of the interview prompted Bearden to launch an autobiographical collection he called Profiles . He sequenced the project in two parts: Part I, The Twenties , featuring memories from his youth in the South and in Pittsburgh, and Part II, The Thirties , about his early adult life in New York. Bearden collaborated with friend and writer Albert Murray on a short statement to accompany each piece. These appeared scripted onto the walls of the Profile exhibition to lead viewers on a visual and poetic journey. This landmark volume reassembles and reconsiders Bearden's Profile series. Beyond providing the opportunity to explore an understudied body of work, the project will investigate the roles of narrative and self-presentation for an artist who made a career of creating works based on memory and experience. It will also reveal Bearden's own gestures away from the autobiographical and toward a broader view., In November 1977, The New Yorker published a feature-length biography of artist Romare Bearden by Calvin Tomkins as part of its "Profiles" series. The essay, titled Profile: Putting Something Over Something Else (using Bearden's words to describe the creative process), brought national focus to Bearden, whose rise had seemed meteoric since the late 1960s. The experience of the interview prompted Bearden to launch an autobiographical collection he called Profiles. He sequenced the project in two parts: Part I, The Twenties , featuring memories from his youth in the South and in Pittsburgh, and Part II, The Thirties , about his early adult life in New York. Bearden collaborated with friend and writer Albert Murray on a short statement to accompany each piece. These appeared scripted onto the walls of the Profile exhibition to lead viewers on a visual and poetic journey. This landmark volume, reassembles and reconsiders Bearden's Profile series. Beyond providing the opportunity to explore an understudied body of work, the project will investigate the roles of narrative and self-presentation for an artist who made a career of creating works based on memory and experience. It will also reveal Bearden's own gestures away from the autobiographical and toward a broader view.
LC Classification NumberN6537.B4A73 2019
