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Eyvind Kang - Ajaeng Ajaeng [Nuevo LP de vinilo] Paquete de 2-

Texto original
Eyvind Kang - Ajaeng Ajaeng [New Vinyl LP] 2 Pack
Estado:
Nuevo
9 disponibles / 1 vendidos
Precio:
USD35,05
Aproximadamente32,28 EUR
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Ubicado en: Shepherdsville, Kentucky, Estados Unidos
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N.º de artículo de eBay:145360056491
Última actualización el 10 may 2024 02:30:41 H.EspVer todas las actualizacionesVer todas las actualizaciones

Características del artículo

Estado
Nuevo: Artículo que nunca se ha abierto y conserva el embalaje original del fabricante. Consulta el ...
Custom Bundle
No
Duration
Album
Language
English
Modified Item
No
Record Grading
Mint(M)
Record Size
12"
Sleeve Grading
Mint(M)
Features
2 Pack
Speed
33 RPM
Title
Ajaeng Ajaeng
Album Name
Ajaeng Ajaeng
Type
Album
Brand
Ideologic Organ
UPC
5050580743663
Artist
Kang, Eyvind
Format
Record
Release Year
2020
Record Label
Ideologic Organ, Idor
Release Title
Ajaeng Ajaeng
Genre
Jazz

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Product Identifiers

Record Label
Ideologic Organ, Idor
UPC
5050580743663
eBay Product ID (ePID)
6046096872

Product Key Features

Format
Record
Release Year
2020
Genre
Jazz
Artist
Kang, Eyvind
Release Title
Ajaeng Ajaeng

Dimensions

Item Height
0.27 in
Item Weight
0.88 lb
Item Length
12.43 in
Item Width
12.28 in

Additional Product Features

Country/Region of Manufacture
United States
Number of Discs
2
Notes
"To be heard with ears half bent, or with one side facing what Maryanne Amacher calls 'the third ear'. The great reverence in which the Tanpura is held by Indian classical music, it's transcendental but occulted place in the tradition alongside it's normal function as a drone, made a strong impression on the composer such that it has taken decades to formulate even a simple Tanpura Study. The fundamentals, the Om, as well as the overtones, the music of the spheres - all these have their valid rights, but in Tanpura Study they are embedded in a series of gestures, what I call signatures, on the melodic level. In 'Tanpura & Harpsichord', there is an encounter of overtones with chords braided into pun-notes, what Gerard Grisey calls 'degrees of transposition'. Taken together, this amounts to a non-spectralism in which, contrary to first impressions, there are no fundamental frequencies, even in the bass. Ajaeng Ajaeng: with respect to European string instruments, the technique col legno affords the direct encounter of wood and string, opening the way to a more tactile conception of the sustained sound, while bringing the materiality of the bow and it's practices into question. In violin, viola, cello bows, Pernambuco wood offers an ideal example of extraction, colonialism, deforestation. With the Ajaeng, a Korean musical instrument, the situation is more complex. The dialectic of court to folk music, always political, always incendiary, may be heard here in the encounter of forsythia and silk, of Dae Ajaeng to So Ajaeng, and on a broader level of Dang Ak (Tang Dynasty music) to Hyang Ak (native Korean music) and their representations. Alternating music and sound, overtone arrays mingled with noise, marked by the bow change, in flamelike patterns which flicker, emerge, and fade again. A slow-down structure, also formalized in Time Medicine, seems to produce a long decrescendo, with the technique of the players drawing out the flicker patterns in a kind of game. The point here is not to produce a drone but to delve into the question of life in sound. This apparent emergence of life is due to the apparatus, what Marx calls a 'social hieroglyphic', which brings forsythia and silk together in technique, cultivated by practices which are themselves sustained by the real relations of student to teacher to student..." -Eyvind Kang, April 2020

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