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LUKAS FOSS: COMPLETE WORKS FOR SOLO PIANO NEW CD
MovieMars
(3031601)
Vendedor profesional
USD14,53
Aproximadamente12,59 EUR
Estado:
5 disponibles2 vendidos
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Envío:
Gratis Economy Shipping.
Ubicado en: North Carolina, Estados Unidos
Entrega:
Entrega prevista entre el jue. 4 dic. y el lun. 15 dic. a 94104
Devoluciones:
30 días para devoluciones. El comprador paga el envío de la devolución..
Pagos:
Compra con confianza
Sobre este artículo
El vendedor asume toda la responsabilidad de este anuncio.
N.º de artículo de eBay:144489148419
Última actualización el 20 nov 2025 15:42:36 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- UPC
- 0636943917923
Acerca de este producto
Product Identifiers
Record Label
Naxos American, Naac
UPC
0636943917923
eBay Product ID (ePID)
9046032070
Product Key Features
Format
CD
Release Year
2005
Genre
Classical
Artist
Foss / Dunn
Release Title
Complete Works for Solo Piano
Dimensions
Item Height
0.39 in
Item Weight
0.22 lb
Item Length
5.76 in
Item Width
5.00 in
Additional Product Features
Number of Discs
1
Number of Tracks
11
Country/Region of Manufacture
United States
Tracks
1.1 Scherzo Ricercato 1.2 Passacaglia 1.3 Grotesque Dance 1.4 Prelude in D 1.5 Fantasy Rondo 1.6 Introduction: Andante 1.7 Allegretto 1.8 Tranquillo Ma Mosso 1.9 Molto Vivace 1.10 For Lenny, Variation on 'New York, New York' 1.11 Solo
Notes
Lukas Foss may be regarded as a mirror of twentieth century music, since his works seem more influenced by other composers and trends than influential in their own right. Whether experimenting with neo-Classicism, as in his Two-Part Inventions (4) (1938), the Passacaglia (1940), the Prelude in D (1951), and the Scherzo Ricercato (1954), or dabbling with popular song in his Grotesque Dance (1938) and the Fantasy Rondo (1944), Foss toys with styles and mannerisms with an amused detachment. Ever mindful of his craft but reticent in expression and apparently unconcerned with originality, Foss seems to approach composition with a utilitarian attitude, and his results are quite similar to Hindemith's Gebrauchs music. Even in such late works as the stylistically varied Solo (1981) and the witty For Lenny, Variations on "New York, New York" (1987), Foss seems a distant observer, and writes what is effective without revealing much of his own personality. Pianist Scott Dunn plays these works with a crisp touch and a disciplined control of line, but at no point does he express more than Foss indicates.
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