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The Oxford Dictionary of Opera: John Warrack and Ewan West 1995 HC DJ
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- ¡Cómpralo ya!The Oxford Dictionary of Opera: John Warrack and Ewan West 1995 HC DJ
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N.º de artículo de eBay:143670562151
Última actualización el 07 abr 2022 05:43:46 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- Subjects
- Art & Culture
- Type
- Cultural Guide
- Special Attributes
- Clear Protective Sleeve, Dust Jacket
- ISBN
- 9780198691648
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Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0198691645
ISBN-13
9780198691648
eBay Product ID (ePID)
95919
Product Key Features
Book Title
Oxford Dictionary of Opera
Number of Pages
800 Pages
Language
English
Topic
Life Sciences / Botany, Genres & Styles / Opera
Publication Year
1992
Illustrator
Yes
Genre
Music, Science
Format
Hardcover
Dimensions
Item Height
1.8 in
Item Weight
42.5 Oz
Item Length
9.4 in
Item Width
6.5 in
Additional Product Features
Intended Audience
Trade
LCCN
92-006730
Reviews
"Fabulous.... Manages to include more than 900 singers and 750 composers, with the crisp detail that Oxford reference editors make their signature. Bravo! and Brava! "-- Philadelphia Inquirer ., "Fabulous.... Manages to include more than 900 singers and 750 composers, with the crisp detail that Oxford reference editors make their signature. Bravo! and Brava!"--Philadelphia Inquirer.
TitleLeading
The
Dewey Edition
20
Dewey Decimal
782.1/03
Synopsis
La Scala, Luciano Pavarotti, Sweeney Todd , Maria Callas, Le Nozze di Figaro . These are just a few of the more than 1000 profiles on musical figures, 700 entries on famous works, and 200 important locales found in The Oxford Dictionary of Opera . Covering everything from composers, individual operas, well-known arias, and principle characters, to technical terms, librettists, and opera-houses, this is the most comprehensive one-volume reference work on all aspects of opera. Here opera buffs will have at their fingertips opera synopses and first performance details, bibliographies of works about opera, entries on singers (including their debuts and career highlights, with notes on voice type, style, and reputation), definitions and discussions of technical terms and operatic styles, and surveys of the history of opera worldwide. The editors include not only the basic information one would expect to find in an authoritative reference, but also many colorful asides that make browsing a pleasure. For example, we learn that Tristan und Isolde (Munich, 1865) was an outcome of Wagner's reading of Schopenhauer, how Verdi referred to the years between 1844 and 1859 (during which he was commissioned to write nineteen operas) as his " anni di galera " (his prison years), and how Toscanini resigned his directorship at La Scala over political tensions with the Fascists (he had previously refused to conduct the Fascist anthem at performances). In an entry on China, we learn that, unlike European opera, Chinese opera incorporates acrobatics (and often mime), and that before the Cultural Revolution (1966-76), there were over 300 regional styles of opera throughout the land. We even find an entry that lists the multitude of operas (over 300) that have been written based on Shakespeare's works. Other entries provide information on the different subdivisions of voice (from the soprano dramatique to the bariton-Martin), Russian Opera in Uzbekistan, and the definition of "Kravattentenor" (a tenor whose tone suggests he is being strangled by his neckwear). The Oxford Dictionary of Opera comes at a time when opera has reached unprecedented levels of popularity, enjoying well-filled opera houses, public television broadcasts, and huge record sales. Fully cross-referenced and packed with information, this tremendous reference is a must for all opera lovers., La Scala, Luciano Pavarotti, Sweeney Todd, Maria Callas, Le Nozze di Figaro. These are just a few of the more than 1000 profiles on musical figures, 700 entries on famous works, and 200 important locales found in The Oxford Dictionary of Opera. Covering everything from composers, individual operas, well-known arias, and principle characters, to technical terms, librettists, and opera-houses, this is the most comprehensive one-volume reference work on all aspects of opera. Here opera buffs will have at their fingertips opera synopses and first performance details, bibliographies of works about opera, entries on singers (including their debuts and career highlights, with notes on voice type, style, and reputation), definitions and discussions of technical terms and operatic styles, and surveys of the history of opera worldwide. The editors include not only the basic information one would expect to find in an authoritative reference, but also many colorful asides that make browsing a pleasure. For example, we learn that Tristan und Isolde (Munich, 1865) was an outcome of Wagner's reading of Schopenhauer, how Verdi referred to the years between 1844 and 1859 (during which he was commissioned to write nineteen operas) as his "anni di galera" (his prison years), and how Toscanini resigned his directorship at La Scala over political tensions with the Fascists (he had previously refused to conduct the Fascist anthem at performances). In an entry on China, we learn that, unlike European opera, Chinese opera incorporates acrobatics (and often mime), and that before the Cultural Revolution (1966-76), there were over 300 regional styles of opera throughout the land. We even find an entry that lists the multitude of operas (over 300) that have been written based on Shakespeare's works. Other entries provide information on the different subdivisions of voice (from the soprano dramatique to the bariton-Martin), Russian Opera in Uzbekistan, and the definition of "Kravattentenor" (a tenor whose tone suggests he is being strangled by his neckwear). The Oxford Dictionary of Opera comes at a time when opera has reached unprecedented levels of popularity, enjoying well-filled opera houses, public television broadcasts, and huge record sales. Fully cross-referenced and packed with information, this tremendous reference is a must for all opera lovers.
LC Classification Number
ML102.O6W37 1992
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100% de votos positivos•367 artículos vendidos
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Votos de vendedor (124)
- u***o (163)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaItem exactly as described, excellent transaction, nice packaging, Thank You!!
- j***j (336)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaBook as described. No issues. Shipped and arrived quickly.
- l***a (45)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaProduct as described. Fast shipping.Fire In the Minds of Men James H. Billington 1980 HCDJ 1st Edition (#146656842498)