Collage: The Making of Modern Art Paperback – June 17, 2006 by Brandon Taylor (A

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Ubicado en: Philadelphia, Pennsylvania, Estados Unidos
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Características del artículo

Estado
En buen estado: Libro que se ha leído pero que está en buen estado. Daños mínimos en la tapa, ...
Book
33
ISBN
9780500286098

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Product Identifiers

Publisher
Thames & Hudson
ISBN-10
0500286094
ISBN-13
9780500286098
eBay Product ID (ePID)
50877372

Product Key Features

Book Title
Collage : the Making of Modern Art
Number of Pages
224 Pages
Language
English
Topic
History / Contemporary (1945-), History / General
Publication Year
2006
Illustrator
Yes
Genre
Art
Author
Brandon Taylor
Format
Trade Paperback

Dimensions

Item Height
0.8 in
Item Weight
39.3 Oz
Item Length
10.8 in
Item Width
8.6 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
22
Dewey Decimal
702.8/12
Synopsis
This book, the first comprehensive survey of the technique, explores in full the theoretical implications and political messages behind the work of the past century, explaining how the process was intimately linked to other revolutions in art practice. It covers the many offshoots of collage, including assemblage, montage, photomontage, and decollage. Along the way it outlines a new vision of modern art springing from this most simple and democratic of techniques. 206 illustrations, 91 in color., From the seminal moment in 1908 when the young Picasso took a piece of brown card pasted with a Magasins du Louvre label and converted it into a new kind of picture, collage has been at the heart of modern art. Indeed, in seeking to transform the discarded scraps and residues of everyday life, the technique found extraordinary new opportunities for subversive rupture, playful artifice, and surreal juxtaposition, together with a completely new conception of the work of art as a material thing. Collage quickly became essential to the idea of the modern, leaving its mark on almost every art movement since, from Dada and Constructivism, via Surrealism, Pop, and Situationism, to the digital techniques of today. This book, the first comprehensive survey of the technique, explores in full the theoretical implications and political messages behind the work of the past century, explaining how the process was intimately linked to other revolutions in art practice. It covers the many offshoots of collage, including assemblage, montage, photomontage, and decollage. Along the way it outlines a new vision of modern art springing from this most simple and democratic of techniques. 206 illustrations, 91 in color., "A masterful and lavishly illustrated landmark surveythe first to cover the history of collage in this much depth." - Library Journal, "A masterful and lavishly illustrated landmark survey--the first to cover the history of collage in this much depth."--"Library Journal" From the seminal moment in 1908 when the young Picasso took a piece of brown card pasted with a "Magasins du Louvre" label and converted it into a new kind of picture, collage has been at the heart of modern art. Indeed, in seeking to transform the discarded scraps and residues of everyday life, the technique found extraordinary new opportunities for subversive rupture, playful artifice, and surreal juxtaposition, together with a completely new conception of the work of art as a material thing. Collage quickly became essential to the idea of the modern, leaving its mark on almost every art movement since, from Dada and Constructivism, via Surrealism, Pop, and Situationism, to the digital techniques of today. This book, the first comprehensive survey of the technique, explores in full the theoretical implications and political messages behind the work of the past century, explaining how the process was intimately linked to other revolutions in art practice. It covers the many offshoots of collage, including assemblage, montage, photomontage, and decollage. Along the way it outlines a new vision of modern art springing from this most simple and democratic of techniques. 206 illustrations, 91 in color., From the seminal moment in 1908 when the young Picasso took a piece of brown card pasted with a 'Magasins du Louvre' label and converted it into a new kind of picture, collage has been at the very heart of modern art, leaving its mark on almost every art movement since, from Dada and Constructivism, via Surrealism, Pop and Situationism, to the digital techniques of today. This book, the first comprehensive survey of the technique, explores in full the theoretical implications and political messages behind the work of the past century, explaining how the process was intimately linked to other revolutions in art practice. It covers the many off-shoots of collage, including assemblage, montage, photo-montage and décollage, as well as related practices such as détournement. Along the way it outlines a new vision of modern art springing from this most simple and democratic of techniques.
LC Classification Number
N6494.C6

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