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Herman Maril The Strong Forms of Our Experience 2016 Ann Wagner PB MARYLAND
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“In very good condition. Has very little wear on the paperback cover's edges. Has no notes, and no ”... Más informaciónacerca del estado
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USD6,00 (aprox. 5,21 EUR) USPS Media MailTM.
Ubicado en: Marlton, New Jersey, Estados Unidos
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Entrega prevista entre el vie. 28 nov. y el mié. 3 dic. a 94104
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N.º de artículo de eBay:136303082112
Última actualización el 11 nov 2025 20:20:57 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- En muy buen estado
- Notas del vendedor
- Country of Origin
- United States
- Personalized
- No
- ISBN
- 9780996112611
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Product Identifiers
Publisher
University of Maryland Art Gallery
ISBN-10
0996112618
ISBN-13
9780996112611
eBay Product ID (ePID)
222056187
Product Key Features
Publication Name
Herman Maril : the Strong Forms of Our Experience
Language
English
Publication Year
2016
Subject
General
Type
Textbook
Subject Area
Art, Biography & Autobiography
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Length
9 in
Item Width
9 in
Additional Product Features
Intended Audience
Scholarly & Professional
Synopsis
Organized by the University of Maryland Art Gallery in collaboration with the Arkansas Arts Center, Herman Maril: The Strong Forms of Our Experience follows the career of painter and former University of Maryland art professor Herman Maril (1908-1986) from his emergence as a precocious cubist in Baltimore in the 1920s, through the maturation of his modern style in the 1940s, 50s, and 60s, and into his mature modernism of the 1970s and 80s. This exhibition will focus exclusively on his works on paper. Maril came to national prominence in the 1930s through the Public Works of Art Project (PWAP) and later New Deal projects. Furthermore, Maril made his New York debut in 1934 as part of a PWAP exhibition at the Museum of Modern Art. In these same years modernist collector and museum founder Duncan Phillips began acquiring and promoting Maril's art and also earned the respect of prominent artists of the time, including his friends Milton Avery and Mark Rothko.
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