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Freedom by Jonathan Franzen First Edition Hardcover
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- ¡Cómpralo ya!Freedom by Jonathan Franzen First Edition Hardcover
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Ubicado en: Minneapolis, Minnesota, Estados Unidos
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N.º de artículo de eBay:136201925283
Última actualización el 24 jul 2025 15:20:54 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- Narrative Type
- Fiction
- Features
- Dust Jacket
- Original Language
- English
- Edition
- First Edition
- ISBN
- 9780374158460
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Product Identifiers
Publisher
Farrar, Straus & Giroux
ISBN-10
0374158460
ISBN-13
9780374158460
eBay Product ID (ePID)
84492816
Product Key Features
Book Title
Freedom : a Novel
Number of Pages
576 Pages
Language
English
Topic
Family Life, Literary
Publication Year
2010
Genre
Fiction
Format
Hardcover
Dimensions
Item Height
1.8 in
Item Weight
29.8 Oz
Item Length
9.3 in
Item Width
6.4 in
Additional Product Features
Intended Audience
Trade
LCCN
2010-010273
Reviews
Praise forThe Corrections"Franzen's most autobiographical novel, his most engrossing (do not be surprised to find yourself trying to read it all in one sitting), and, stylistically, his most lyrical. In its gorgeous, sweeping scope and the sympathy of its tone, it owes more to Tolstoy than to Pynchon, but ultimately the novel offers up pleasures that are utterly Franzenian; a sense of exhilaration permeates The Corrections, which is, in part, the exhilaration of a writer who has broken free of his masters." --Joanna Smith Rakoff,Poets & Writers"Looms as a model for what ambitious storytelling can still say about modern life." --David Kipen,San Francisco Chronicle"Dazzling . . . Electric . . . There's something thrilling, heartening, and inspiring about seeing life revealed so accurately, so transparently--and finally, so forgivingly." --Francine Prose,O, The Oprah Magazine"Let's not mince words or pussyfoot with fancy lit-crit lingo. This is a great book. It needs to be read . . . A huge, ambitious, powerful, funny, imaginative yet realistic novel. This book is a gift." --Karen Heller,The Philadelphia Inquirer"Remarkable and possibly unprecedented: a merciless satirical look at contemporary life that's also fundamentally generous and human." --Laura Miller,Salon"A book which is funny, moving, generous, brutal and intelligent, and which poses the ultimate question, what life is for--and that is as much as anyone could ask." --Blake Morrison,The Guardian"A book as strong asThe Correctionsseems ruled only by its own self-generated aesthetic: it creates the illusion of giving a complete account of a world, and while we're under its enchantment it temporarily eclipses whatever else we may have read. But I guess that is everything we want in a novel--except, when it's rocking along, for it never to be over." --David Gates,The New York Times Book Review, It's refreshing to see a novelist who wants to engage the questions of our time in the tradition of 20th-century greats like John Steinbeck and Sinclair Lewis . . . [This] is a book you'll still be thinking about long after you've finished reading it., Deeply moving and superbly crafted . . . It's such a full novel, rich in description, broad in its reach and full of wry observations., Praise forFreedomWriting in prose that is at once visceral and lapidary, Mr. Franzen shows us how his characters strive to navigate a world of technological gadgetry and ever-shifting mores, how they struggle to balance the equation between their expectations of life and dull reality, their political ideals and mercenary personal urges. He proves himself as adept at adolescent comedy as he is at grown-up tragedy; as skilled at holding a mirror to the world his people inhabit day by dreary day as he is at limning their messy inner lives . . . Mr. Franzen has written his most deeply felt novel yet—a novel that turns out to be both a compelling biography of a dysfunctional family and an indelible portrait of our times." —Michiko Kakutani,The New York Times[Freedomis] a work of total genius: a reminder both of why everyone got so excited about Franzen in the first place and of the undeniable magic—even today, in our digital end-times—of the old-timey literary novel . . . Few modern novelists rival Franzen in that primal skill of creating life, of tricking us into believing that a text-generated set of neural patterns, a purely abstract mind-event, is in fact a tangible human being that we can love, pity, hate, admire, and possibly even run into someday at the grocery store. His characters are so densely rendered—their mental lives sketched right down to the smallest cognitive micrograins—that they manage to bust through the art-reality threshold: They hit us in the same place that our friends and neighbors and classmates and lovers do. This is what makes Franzen's books such special event." —Sam Anderson,New YorkMagazine , Jonathan Franzen's new novel, Freedom , like his previous one, The Corrections , is a masterpiece of American fiction . . . Freedom is a still richer and deeper work--less glittering on its surface but more confident in its method . . . Like all great novels, Freedom does not just tell an engrossing story. It illuminates, through the steady radiance of its author's profound moral intelligence, the world we thought we knew., A lavishly entertaining account of a family at war with itself, and a brilliant dissection of the dissatisfactions and disappointments of contemporary American life . . . Compelling . . . Freedom , though frequently funny, is ultimately tender: its emotional currency is both the pain and the pleasure that that word implies . . . A rare pleasure, an irresistible invitation to binge-read . . . That it also grapples with a fundamental dilemma of modern middle-class America--namely: Is it really still OK to spend your life asserting your unalienable right to the pursuit of happiness, when the rest of the world is in such a state?--is what makes it something wonderful. If Freedom doesn't qualify as a Great American Novel for our time, then I don't know what would . . . The reason to celebrate him is not that he is doing something new but that he is doing something old, presumed dead--and doing it brilliantly. Freedom bids for a place alongside the great achievements of his predecessors, not his contemporaries; it belongs on the same shelf as John Updike's Rabbit , Tom Wolfe's The Bonfire of the Vanities , Philip Roth's American Pastoral . It is the first Great American Novel of the post-Obama era., A literary genius for our time . . . An extraordinary work . . . This is simply on a different plane from other contemporary fiction . . . A novel of our time . . . Demands comparison rather with Saul Bellow's Herzog. . . a modern classic . . . Freedom is the novel of the year, and the century., Praise forFreedom "Jonathan Franzen's new novel,Freedom, like his previous one,The Corrections, is a masterpiece of American fiction . . .Freedomis a still richer and deeper work-less glittering on its surface but more confident in its method . . . Like all great novels,Freedomdoes not just tell an engrossing story. It illuminates, through the steady radiance of its author's profound moral intelligence, the world we thought we knew."-Sam Tanenhaus,The New York Times Book Review(cover review) "Writing in prose that is at once visceral and lapidary, Mr. Franzen shows us how his characters strive to navigate a world of technological gadgetry and ever-shifting mores, how they struggle to balance the equation between their expectations of life and dull reality, their political ideals and mercenary personal urges. He proves himself as adept at adolescent comedy as he is at grown-up tragedy; as skilled at holding a mirror to the world his people inhabit day by dreary day as he is at limning their messy inner lives . . . Mr. Franzen has written his most deeply felt novel yet-a novel that turns out to be both a compelling biography of a dysfunctional family and an indelible portrait of our times." -Michiko Kakutani,The New York Times "[Freedomis] a work of total genius: a reminder both of why everyone got so excited about Franzen in the first place and of the undeniable magic-even today, in our digital end-times-of the old-timey literary novel . . . Few modern novelists rival Franzen in that primal skill of creating life, of tricking us into believing that a text-generated set of neural patterns, a purely abstract mind-event, is in fact a tangible human being that we can love, pity, hate, admire, and possibly even run into someday at the grocery store. His characters are so densely rendered-their mental lives sketched right down to the smallest cognitive micrograins-that they manage to bust through the art-reality threshold: They hit us in the same place that our friends and neighbors and classmates and lovers do. This is what makes Franzen's books such special event." -Sam Anderson,New YorkMagazine"The Great American Novel." -Esquire"Epic." -Vanity Fair"Exhilarating . . . Gripping . . . Moving . . . On a level withThe Great Gatsby[and]Gone With the Wind." -Craig Seligman, Bloomberg "A page turner that engages the mind." -Dan Cryer,Newsday "Consuming and extraordinarily moving." -David L. Ulin,Los AngelesTimes"It's refreshing to see a novelist who wants to engage the questions of our time in the tradition of 20th-century greats like John Steinbeck and Sinclair Lewis . . . [This] is a book you'll still be thinking about long after you've finished reading it." -Patrick Condon, Associated Press"Deeply moving and superbly crafted . . . It's such a full novel, rich in description, broad in its reach and full of wry observations." -Bob Hoover,PittsburgPost-Gazette"Freedom, his new book, andThe Corrections, its predecessor, are at the same time engrossing sagas and scathing satires, and both books are funny, sad, cranky, revelatory, hugely ambitious, deeply human and, at times, truly disturbing. Together, they provide a striking and quite possibly enduring portrait of America in the years on either sid, [ Freedom is] a work of total genius: a reminder both of why everyone got so excited about Franzen in the first place and of the undeniable magic--even today, in our digital end-times--of the old-timey literary novel . . . Few modern novelists rival Franzen in that primal skill of creating life, of tricking us into believing that a text-generated set of neural patterns, a purely abstract mind-event, is in fact a tangible human being that we can love, pity, hate, admire, and possibly even run into someday at the grocery store. His characters are so densely rendered--their mental lives sketched right down to the smallest cognitive micrograins--that they manage to bust through the art-reality threshold: They hit us in the same place that our friends and neighbors and classmates and lovers do. This is what makes Franzen's books such special event., Freedom , his new book, and The Corrections , its predecessor, are at the same time engrossing sagas and scathing satires, and both books are funny, sad, cranky, revelatory, hugely ambitious, deeply human and, at times, truly disturbing. Together, they provide a striking and quite possibly enduring portrait of America in the years on either side of the turn of the 21st century . . . His writing is so gorgeous . . . Franzen is one of those exceptional writers whose works define an era and a generation, and his books demand to be read., Freedom is a bracingly earnest, ethically serious psychological epic that introduces and exploits its characters' mistakes and foibles, then challenges itself to discover myriad ways to eventually forgive them their trespasses . . . A highly readable triumph of conventional realism . . . Addictive., Writing in prose that is at once visceral and lapidary, Mr. Franzen shows us how his characters strive to navigate a world of technological gadgetry and ever-shifting mores, how they struggle to balance the equation between their expectations of life and dull reality, their political ideals and mercenary personal urges. He proves himself as adept at adolescent comedy as he is at grown-up tragedy; as skilled at holding a mirror to the world his people inhabit day by dreary day as he is at limning their messy inner lives . . . Mr. Franzen has written his most deeply felt novel yet--a novel that turns out to be both a compelling biography of a dysfunctional family and an indelible portrait of our times., Exhilarating . . . Gripping . . . Moving . . . On a level with The Great Gatsby [and] Gone With the Wind .
Synopsis
Patty and Walter Berglund were the new pioneers of old St. Paul--the gentrifiers, the hands-on parents, the avant-garde of the Whole Foods generation. Patty was the ideal sort of neighbor, who could tell you where to recycle your batteries and how to get the local cops to actually do their job. She was an enviably perfect mother and the wife of Walter's dreams. Together with Walter--environmental lawyer, commuter cyclist, total family man--she was doing her small part to build a better world. But now, in the new millennium, the Berglunds have become a mystery. Why has their teenage son moved in with the aggressively Republican family next door? Why has Walter taken a job working with Big Coal? What exactly is Richard Katz--outr rocker and Walter's college best friend and rival--still doing in the picture? Most of all, what has happened to Patty? Why has the bright star of Barrier Street become "a very different kind of neighbor," an implacable Fury coming unhinged before the street's attentive eyes? In his first novel since The Corrections , Jonathan Franzen has given us an epic of contemporary love and marriage. Freedom comically and tragically captures the temptations and burdens of liberty: the thrills of teenage lust, the shaken compromises of middle age, the wages of suburban sprawl, the heavy weight of empire. In charting the mistakes and joys of Freedom's characters as they struggle to learn how to live in an ever more confusing world, Franzen has produced an indelible and deeply moving portrait of our time., #1 NEW YORK TIMES BESTSELLER - A NEW YORK TIMES 10 BEST BOOKS OF THE YEAR - Winner of the John Gardner Fiction Award - A National Book Critics Circle Award Finalist - A Los Angeles Times Book Prize Finalist Freedom , by the New York Times bestselling author Jonathan Franzen, is a masterly novel of contemporary love and marriage, a brilliant charting of the temptations and burdens of liberty: the thrills of teenage lust, the shaken compromises of middle age, the wages of suburban sprawl, and the heavy weight of empire . Patty and Walter Berglund were the pioneers of old St. Paul--the gentrifiers, the hands-on parents, the avant garde of the Whole Foods generation. But now, in the new millennium, they have become a mystery. Why has their teenage son moved in with the aggressively Republican family next door? Why has Walter, once an environmental lawyer, taken a job working with Big Coal? Most startling of all, why has Patty, the perfect neighbor, turned into the local Fury? Patty and Walter Berglund are indelible characters, and their mistakes and joys, as they struggle to learn how to live in an ever more confusing world, have become touchstones of contemporary American reality., From the National Book Award-winning author of The Corrections, a darkly comedic novel about family., #1 NEW YORK TIMES BESTSELLER * A NEW YORK TIMES 10 BEST BOOKS OF THE YEAR * Winner of the John Gardner Fiction Award * A National Book Critics Circle Award Finalist * A Los Angeles Times Book Prize Finalist Freedom , by the New York Times bestselling author Jonathan Franzen, is a masterly novel of contemporary love and marriage, a brilliant charting of the temptations and burdens of liberty: the thrills of teenage lust, the shaken compromises of middle age, the wages of suburban sprawl, and the heavy weight of empire . Patty and Walter Berglund were the pioneers of old St. Paul--the gentrifiers, the hands-on parents, the avant garde of the Whole Foods generation. But now, in the new millennium, they have become a mystery. Why has their teenage son moved in with the aggressively Republican family next door? Why has Walter, once an environmental lawyer, taken a job working with Big Coal? Most startling of all, why has Patty, the perfect neighbor, turned into the local Fury? Patty and Walter Berglund are indelible characters, and their mistakes and joys, as they struggle to learn how to live in an ever more confusing world, have become touchstones of contemporary American reality.
LC Classification Number
PS3556.R352F74 2010
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- e***t (1566)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaAs described! Great communication and customer service!! Thank you!! A++ seller!ART NEWS magazine Art News Foundation Inc. February 1959 (#134138259312)
- b***0 (122)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaFast shipping. Packaging was fair. The front and back cover are badly damaged and I don't remember seeing that in the photos. Fair value.Playboy Magazine July 1973 (#135617889347)