Matisse in the Barnes Foundation: 3 Vol. Set by Matisse, Henri/Butler, Karen,Gr

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Última actualización el 22 sep 2025 12:32:38 H.EspVer todas las actualizacionesVer todas las actualizaciones

Características del artículo

Estado
Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...
ISBN
9780500239414

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Product Identifiers

Publisher
Thames & Hudson
ISBN-10
050023941X
ISBN-13
9780500239414
eBay Product ID (ePID)
5038319138

Product Key Features

Book Title
Matisse in the Barnes Foundation
Number of Pages
894 Pages
Language
English
Topic
Individual Artists / General, General
Publication Year
2016
Illustrator
Yes
Genre
Art
Author
Yve-Alain Bois
Format
Hardcover

Dimensions

Item Height
3.8 in
Item Weight
261.9 Oz
Item Length
13.7 in
Item Width
10.5 in

Additional Product Features

Intended Audience
Trade
Reviews
Matisse in the Barnes Foundation is an 18½-pound, 3-volume set with more than 600 sumptuous color reproductions [and] may be one of the most gorgeous coffee-table books you will ever own. As it happens, Matisse in the Barnes Foundation is much more than a pretty face. Once you've read the 90,000-word essay by Yve-Alain Bois, as well as the insightful commentaries on all the paintings by independent art historians Claudine Grammont and Karen K. Butler, you may never see the former Fauve's art the same way again. If you can't make it to Philadelphia, you couldn't ask for a better guide to Matisse's work than this three-volume set devoted to one of the modern period's greats., Matisse in the Barnes Foundation is an 181-pound, 3-volume set with more than 600 sumptuous color reproductions [and] may be one of the most gorgeous coffee-table books you will ever own. As it happens, Matisse in the Barnes Foundation is much more than a pretty face. Once you've read the 90,000-word essay by Yve-Alain Bois, as well as the insightful commentaries on all the paintings by independent art historians Claudine Grammont and Karen K. Butler, you may never see the former Fauve's art the same way again. If you can't make it to Philadelphia, you couldn't ask for a better guide to Matisse's work than this three-volume set devoted to one of the modern period's greats.
Dewey Edition
23
Dewey Decimal
759.4
Synopsis
A landmark publication that catalogues in its entirety one of the most significant holdings of Matisse in the world - a vibrant celebration - slipcased and beautifully produced by Pentagram - of the Barnes's extraordinary Matisse collection. Composed of 59 works from every stage of the artist's career, it is among the most important in the world. At its heart are Matisse's most historically significant paintings, Le Bonheur de vivre, also known as The Joy of Life, and The Dance, the monumental mural that Albert C. Barnes commissioned to fill the lunettes of the Foundation's main gallery, transforming both the space and the artist's career. Yve-Alain Bois addresses the evolution of The Dance and its role in Matisse's career; Karen Butler explores Barnes's opinion of Matisse; and Claudine Grammont considers how and why he collected his work. The artworks themselves, sumptuously reproduced, are the subjects of interpretive analyses that tell the stories of their acquisition and address their critical reception. The book includes major contributions by Barbara Buckley and Jennifer Mass on the artist's technique and a report on the latest findings on the pigments used in Le Bonheur de vivre., A landmark volume--the first authoritative publication to cover in its entirety one of the most significant holdings of Matisse in the world., Matisse in the Barnes Foundation is a vibrant celebration--slip-cased and beautifully produced--of the Barnes's extraordinary Matisse collection; comprised of fifty-nine works from every stage of the artist's career, it is among the most important in the world. At the heart of the collection are Matisse's most historically significant paintings, Le Bonheur de vivre , also called The Joy of Life , and The Dance , the monumental mural that Albert C. Barnes commissioned to fill the lunettes of the Foundation's main gallery, transforming both the space and the artist's career. An essay by editor Yve-Alain Bois addresses the evolution of The Dance and its role in Matisse's career. An essay by Karen Butler looks at what Barnes thought of Matisse; Claudine Grammont considers how and why he collected his work. The works themselves, sumptuously reproduced, are the subjects of interpretive analyses that tell the stories of their acquisition and address their critical reception. The book includes major contributions by Barbara Buckley and Jennifer Mass on the artist's technique and a report on the latest findings on the pigments used in Le Bonheur de vivre .
LC Classification Number
ND553.M37

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