Rembrandt's Faith : Church and Temple in the Dutch Golden Age by Shelley Perlove

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“Excellent condition nearly like new. Gift inscription from presumed lead author "Shelley". Dust ...
ISBN
9780271034065
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Product Identifiers

Publisher
Pennsylvania STATE University Press
ISBN-10
0271034068
ISBN-13
9780271034065
eBay Product ID (ePID)
72302954

Product Key Features

Number of Pages
532 Pages
Language
English
Publication Name
Rembrandt's Faith : Church and Temple in the Dutch Golden Age
Publication Year
2009
Subject
Individual Artists / General, History / Medieval, Subjects & Themes / Religious, History, European, History / Baroque & Rococo
Type
Textbook
Author
Shelley Perlove
Subject Area
Art, Religion
Format
Hardcover

Dimensions

Item Height
1.5 in
Item Weight
0.1 Oz
Item Length
10.3 in
Item Width
9.4 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2008-029795
Reviews
" Rembrandt's Faith is an important book. It is by far the most exhaustive study to date of a subject that is important not only in Rembrandt studies but also, because of Rembrandt's towering status in the depiction of biblical subjects, for the study of religion in early modern culture." -Gary Schwartz, Author of Rembrandt's Universe, "This important book by two distinguished art historians offers new interpretations of well-known works; brings a substantive body of new evidence to bear on the subject; advances the theoretical discussion of Rembrandt's religious works; gathers an impressive array of sources together for the first time; and is well written, with refreshingly little jargon." -Donald McColl, Washington College, "This is a wonderfully erudite and rich discussion of a fundamental aspect of Rembrandt's life and art: his faith. Rembrandt's Faith is an essential contribution to Rembrandt studies." -Amy Golahny, Historians of Netherlandish Art Newsletter, "This is a wonderfully erudite and rich discussion of a fundamental aspect of Rembrandt's life and art: his faith. Rembrandt's Faith is an essential contribution to Rembrandt studies." --Amy Golahny, Historians of Netherlandish Art Newsletter, " Rembrandt's Faith [is] a richly documented study that deserves to become the indispensable starting point of any scholar's examination of the artist's religious work." -Gerrit Voogt, Sixteenth Century Journal, "No one will be able to study any aspect of Rembrandt's religious imagery, from paintings to drawings and especially etchings, without consulting Perlove and Silver's volume in advance for suggestions and guidance: the encyclopedic exhaustiveness of the biblical and theological sources perused by the authors with regard to each composition constitutes a mother lode of primary information indispensable for further analysis." -Lorenzo Pericolo, Renaissance Quarterly
Dewey Edition
22
Illustrated
Yes
Dewey Decimal
759.9492
Table Of Content
Contents List of Abbreviations List of Illustrations Acknowledgments Introduction: Rembrandt and the Jerusalem Temple 1 A Religious Stew: Faith, Diversity, and Controversy in the Dutch Golden Age 2 The Old Testament and Apocrypha: Sinners, Patriarchs, Kings, Heroes, and Exiles 3 Christ's Infancy and the Temple 4 Childhood and Ministry in the Temple: Councils, Pharisees, and Priests 5 The Temple and Early Church: Ministry, Passion, and Post-Resurrection 6 Rembrandt's Late Works: Without Temple or Church 7 Conclusions: Wrestling with the Angel Bibliography Index
Synopsis
Covering all the media Rembrandt worked in throughout his career, Rembrandt s Faith is the only art-historical study to address the full breadth of the artist s religious imagery. Rembrandt weighed in on important religious issues of his day and was a close student of the Bible, using traditional approaches based on Saint Paul to employ typology between the Old and New Testaments. He also shared the Dutch propensity to draw analogies between the biblical tales of the chosen people and Dutch society, including commentary on righteous leadership under God s covenant. Rembrandt s close reading of the Bible and biblical commentary by Calvin and other theologians was greatly abetted by the publication, in 1637, of the Dutch States Bible translation with notes. He also avidly studied seventeenth-century reconstructions of the Jerusalem Temple and frequently located his biblical narratives in re-creations of these spaces. Rembrandt s Faith raises essential questions about the complex relationships among Rembrandt s art, religion, and the theological debates of his time.", Covering all the media Rembrandt worked in throughout his career, Rembrandt's Faith is the only art-historical study to address the full breadth of the artist's religious imagery. Rembrandt weighed in on important religious issues of his day and was a close student of the Bible, using traditional approaches based on Saint Paul to employ typology between the Old and New Testaments. He also shared the Dutch propensity to draw analogies between the biblical tales of the "chosen people" and Dutch society, including commentary on righteous leadership under God's covenant. Rembrandt's close reading of the Bible and biblical commentary by Calvin and other theologians was greatly abetted by the publication, in 1637, of the Dutch States Bible translation with notes. He also avidly studied seventeenth-century reconstructions of the Jerusalem Temple and frequently located his biblical narratives in re-creations of these spaces. Rembrandt's Faith raises essential questions about the complex relationships among Rembrandt's art, religion, and the theological debates of his time., An art historical study of Rembrandt's use of religious imagery, arranged by subject matter. Demonstrates the new ideas the artist brought to his interpretations of the Jerusalem Temple and the apostolate church, as he explored the relationship between Jewish and Christian revelation in biblical history.
LC Classification Number
N6953.R4P47 2009

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