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New Let No One Sleep by Millás, Juan José (English) Trade Paperback Book
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New Let No One Sleep by Millás, Juan José (English) Trade Paperback Book
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New Let No One Sleep by Millás, Juan José (English) Trade Paperback Book

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    Ubicado en: Williamsburg, Virginia, Estados Unidos
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    N.º de artículo de eBay:127392402180

    Características del artículo

    Estado
    Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...
    Personalize
    No
    Type
    Novel
    Signed
    No
    Ex Libris
    No
    Narrative Type
    Fiction
    Personalized
    No
    Original Language
    English
    Inscribed
    No
    Country/Region of Manufacture
    United States
    Vintage
    No
    ISBN
    9781942658931

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    Product Identifiers

    Publisher
    Bellevue Literary Press
    ISBN-10
    1942658931
    ISBN-13
    9781942658931
    eBay Product ID (ePID)
    9057260959

    Product Key Features

    Book Title
    Let No One Sleep
    Number of Pages
    208 Pages
    Language
    English
    Topic
    Humorous / Black Humor, Absurdist, Literary
    Publication Year
    2022
    Genre
    Fiction
    Author
    Juan José Millás
    Format
    Trade Paperback

    Dimensions

    Item Height
    0.5 in
    Item Weight
    8.5 Oz
    Item Length
    8.2 in
    Item Width
    5.2 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    2021-033508
    Reviews
    "Deftly blurs the line between reality and the absurd. . . . Coincidences are plentiful and may remind American readers of Paul Auster's mode. Millás tips his cap to his Latin American literary cousins in his fantastical denouement in which he returns to a scene akin to the punishment of Prometheus." -- On the Seawall "Continuously surprising and entertaining, offhandedly funny and deconstructive of many forms of social preposterousness." -- North of Oxford "Wonderfully absurd." -- Litro Magazine "Nicely layered and twisted." -- Complete Review "Everything impresses in this darkly iridescent, utterly captivating flight." -- Publishers Weekly (starred review) "Masterly. . . . A disquieting fantasy of the Kafkian variety." -- Library Journal "Memorable. . . . A strange and often transgressive exploration of art and intimacy." -- Kirkus Reviews, "Nicely layered and twisted." -- Complete Review "Everything impresses in this darkly iridescent, utterly captivating flight." -- Publishers Weekly (starred review) "Masterly. . . . A disquieting fantasy of the Kafkian variety." -- Library Journal "Memorable. . . . A strange and often transgressive exploration of art and intimacy." -- Kirkus Reviews, "Everything impresses in this darkly iridescent, utterly captivating flight." -- Publishers Weekly (starred review) "Masterly. . . . A disquieting fantasy of the Kafkian variety." -- Library Journal "Memorable. . . . A strange and often transgressive exploration of art and intimacy." -- Kirkus Reviews, "Deftly blurs the line between reality and the absurd. . . . Coincidences are plentiful and may remind American readers of Paul Auster's mode. Millás tips his cap to his Latin American literary cousins in his fantastical denouement in which he returns to a scene akin to the punishment of Prometheus." -- On the Seawall "Wonderfully absurd." -- Litro Magazine "Nicely layered and twisted." -- Complete Review "Everything impresses in this darkly iridescent, utterly captivating flight." -- Publishers Weekly (starred review) "Masterly. . . . A disquieting fantasy of the Kafkian variety." -- Library Journal "Memorable. . . . A strange and often transgressive exploration of art and intimacy." -- Kirkus Reviews, "Memorable. . . . A strange and often transgressive exploration of art and intimacy." -- Kirkus Reviews, Big Other Book Award Finalist "Deftly blurs the line between reality and the absurd. . . . Coincidences are plentiful and may remind American readers of Paul Auster's mode. Millás tips his cap to his Latin American literary cousins in his fantastical denouement in which he returns to a scene akin to the punishment of Prometheus." -- On the Seawall "Continuously surprising and entertaining, offhandedly funny and deconstructive of many forms of social preposterousness." -- North of Oxford "Wonderfully absurd." -- Litro Magazine "Nicely layered and twisted." -- Complete Review "Everything impresses in this darkly iridescent, utterly captivating flight." -- Publishers Weekly (starred review) "Masterly. . . . A disquieting fantasy of the Kafkian variety." -- Library Journal "Memorable. . . . A strange and often transgressive exploration of art and intimacy." -- Kirkus Reviews, "Everything impresses in this darkly iridescent, utterly captivating flight." -- Publishers Weekly (starred review) "Memorable. . . . A strange and often transgressive exploration of art and intimacy." -- Kirkus Reviews, "Deftly blurs the line between reality and the absurd. . . . Coincidences are plentiful and may remind American readers of Paul Auster's mode. Millás tips his cap to his Latin American literary cousins in his fantastical denouement in which he returns to a scene akin to the punishment of Prometheus." -- On the Seawall "Nicely layered and twisted." -- Complete Review "Everything impresses in this darkly iridescent, utterly captivating flight." -- Publishers Weekly (starred review) "Masterly. . . . A disquieting fantasy of the Kafkian variety." -- Library Journal "Memorable. . . . A strange and often transgressive exploration of art and intimacy." -- Kirkus Reviews
    Synopsis
    An odyssey of operatic proportions, featuring an obsession-fueled taxi driver After Lucía loses her job at an IT firm, she has a vision of her future career as a taxi driver, brought on by the intoxicating opera floating through her apartment's air vent. She obtains her taxi license and meets the neighbor responsible for the music. Calaf is the man's name, which also happens to be the name of the character in Puccini's Turandot and the bird Lucía received on her tenth birthday from her long-since-dead mother. When he moves out of her building, Lucía becomes obsessed, driving through Madrid and searching for him on every corner, meeting intriguing people along the way. What follows is a phantasmagoria of coincidence, betrayal, and revenge, featuring Millás's singular dark humor. Let No One Sleep is a delirious novel in which the mundane and extraordinary collide, art revives and devastates, and identity is unhinged by the treacherous forces of contemporary society. Juan José Millás is the recipient of Spain's most prestigious literary prizes: the Premio Nadal, Premio Planeta, and Premio Nacional de Narrativa. He is the author of several short story collections and works of nonfiction as well as over a dozen novels, including two published in North America: From the Shadows and Let No One Sleep . He lives in Madrid., "After the IT firm where she works shuts down, Luc'ia has a vision of her future career as a taxi driver, brought on by the intoxicating opera floating through her apartment's air vent. She obtains her taxi license and meets the neighbor responsible for the music. Calaf, he says, is his name, also the name of the character from Puccini's Turandot and the name of the bird Luc'ia received on her 10th birthday from her long-since-dead mother. When Calaf moves out of her building, Luc'ia becomes obsessed, driving through Madrid and searching for him on every corner, meeting intriguing characters along the way. What follows is a surreal tale of superstition and coincidence, featuring Mill'as's singular dark humor. Let No One Sleep is a delirious novel in which the mundane and extraordinary collide, art revives and devastates, and identity is unhinged by the forces of globalized capitalism"--, An odyssey of operatic proportions, featuring an obsession-fueled taxi driver After Lucía loses her job at an IT firm, she has a vision of her future career as a taxi driver, brought on by the intoxicating opera floating through her apartment's air vent. She obtains her taxi license and meets the neighbor responsible for the music. Calaf is the man's name, which also happens to be the name of the character in Puccini's Turandot and the bird Lucía received on her tenth birthday from her long-since-dead mother. When he moves out of her building, Lucía becomes obsessed, driving through Madrid and searching for him on every corner, meeting intriguing people along the way. What follows is a phantasmagoria of coincidence, betrayal, and revenge, featuring Millás's singular dark humor. Let No One Sleep is a delirious novel in which the mundane and extraordinary collide, art revives and devastates, and identity is unhinged by the treacherous forces of contemporary society.
    LC Classification Number
    PQ6663.I46Q8213 2022

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