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English Women's Poetry 1649-1714: Politics, Community, and Linguistic Authority
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N.º de artículo de eBay:127337346796
Características del artículo
- Estado
- ISBN
- 9780198186861
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Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
019818686X
ISBN-13
9780198186861
eBay Product ID (ePID)
20038266425
Product Key Features
Number of Pages
362 Pages
Publication Name
English Women's Poetry, 1649-1714 : Politics, Community, and Linguistic Authority
Language
English
Publication Year
2000
Subject
Feminism & Feminist Theory, Women Authors, Linguistics / Sociolinguistics, Poetry, Subjects & Themes / Politics, European / English, Irish, Scottish, Welsh
Type
Textbook
Subject Area
Literary Criticism, Poetry, Language Arts & Disciplines, Social Science
Format
Uk-Trade Paper
Dimensions
Item Height
0.8 in
Item Weight
22.6 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
College Audience
LCCN
95-053219
Reviews
'Carol Barash's English Women's Poetry 1649-1714 continues the important work of recovering the sources, contexts, and traditions within which early modern English women wrote.'Claudia N.Thomas, "This is a clearly written, well-argued, and informative book."-- Choice "It is a work of scholarship...Barash's lucid writing style and the intriguing women she details should also bring pleasure, and enlightenment, to anyone who cares about the history, and politics, of English poetry."-- The Sunday Star-Ledger, "This is a clearly written, well-argued, and informative book."--Choice "It is a work of scholarship...Barash's lucid writing style and the intriguing women she details should also bring pleasure, and enlightenment, to anyone who cares about the history, and politics, of English poetry."--The Sunday Star-Ledger, 'Carol Barash's English Women's Poetry 1649-1714 continues the importantwork of recovering the sources, contexts, and traditions within which earlymodern English women wrote.'Claudia N.Thomas, "This is a clearly written, well-argued, and informative book."--Choice"It is a work of scholarship...Barash's lucid writing style and the intriguing women she details should also bring pleasure, and enlightenment, to anyone who cares about the history, and politics, of English poetry."--The Sunday Star-Ledger, 'Carol Barash's English Women's Poetry, 1649-1714 continues the important work of recovering the sources, contexts, and traditions within which early modern English women wrote.'Claudia N. Thomas
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
821.4/099287
Table Of Content
Introduction;PART 1: ORIGINSEnglish and Continental Origins: Queens, Heroes, Prophets;Women's Community and the Exiled King: Katherine Philip's Society of Friendship;Eros, Myth, and Monarchy in Aphra Behn;PART II: ELABORATIONSThe Female Monarch and the Woman Poet: Mary of Modena, Anne Killigrew and Jane Barker;Queen Anne among the Poets;Anne Finch: Gender, Politics, and Myths of the Private Self;CONCLUSION;AppendicesOrder of poems in Katherine Philip's manuscripts and Poems;Lucasia poems in approximate order of events described;Anne Killigrew's paintings;John Chatwin's 'To the Pious Memory of Mrs Anne Killigrew. A Pindarique'.Order of poems in Jane Barker, Political recreations (1688);Order of poems in Magdalen College MS. 343, Barker's 'Poems on Several Occasions, in 3 Parts';'An Elegy on the Death of K. James'.NotesBibliographyIndex
Synopsis
This is the first study to reconstruct the political origins of English women's poetry between the execution of Charles I and the death of Queen Anne. Carol Barash's book shows that, between Katherine Philips (1632-1664) and Anne finch, Countess of Winchilsea (1661-1720), and English women's poetic tradition developed as part of the larger political shifts in these years and particularly in women's fascination with the figure of the female monarch. Writers discussed include Aphra Behn, Katherine Philips, Anne Killigrew, Jane Barker, and Anne Finch., This study reconstructs the political origins of English women's poetry between the execution of Charles I and the death of Queen Anne. Drawing on extensive archival research in England and the United States, Barash argues that ideas about women's voices and women's communities were crucial to the shaping of an English national literature after the civil wars. Women entered print culture--as poets and as women--by situating their writing in defence of embattled monarchy. In particular, Barash points to women poets' fascination with the figure of the female monarch (both real and mythic). Their sense of poetic legitimacy derives from the communities they generate around figures of female authority, particularly James II's second wife, Mary of Modena, and later Queen Anne. Writers discussed include Aphra Behn, Katherine Philips, Anne Killigrew, Jane Barker, and Anne Finch., This is the first study to reconstruct the political origins of English women's poetry between the execution of Charles I and the death of Queen Anne. Carol Barash's book shows that, between Katherine Philips (1632-1664) and Anne Finch, Countess of Winchilsea (1661-1720), an English women's poetic tradition developed as part of the larger political shifts in these years, and particularly in women's writers' fascination with the figure of the female monarch. Writers discussed include Aphra Behn, Katherine Philips, Anne Killigrew, Jane Barker and Anne Finch.
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