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Understanding Plays by Milly S. Barranger (2003, Paperback).

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En muy buen estado: Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un ...
ISBN
9780205381906

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Product Identifiers

Publisher
Allyn & Bacon, Incorporated
ISBN-10
0205381901
ISBN-13
9780205381906
eBay Product ID (ePID)
2361196

Product Key Features

Number of Pages
752 Pages
Language
English
Publication Name
Understanding Plays
Subject
Theater / General, General
Publication Year
2003
Features
Revised
Type
Textbook
Author
Milly S. Barranger
Subject Area
Performing Arts
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
41.8 Oz
Item Length
9.3 in
Item Width
7 in

Additional Product Features

Edition Number
3
Intended Audience
College Audience
LCCN
2003-048042
Dewey Edition
20
Illustrated
Yes
Dewey Decimal
808.2
Table Of Content
Preface. I. INTRODUCTION. 1. From Text to Performance. Drama and Performance. Dramaturgy. Drama's Stages. Dramatic Time. Drama's Landscapes. Drama's Meanings and Messages. Critics Notebook. Re-Visiting Drama and Performance. Photo. II. ELEMENTS OF DRAMA. 2. Understanding Play Structure. Drama's Special Mirrors. Climactic Play Structure. Episodic Play Structure. Situational Play Structure. Reflexive Structure. The Tragedy of Hamlet Prince of Denmark, William Shakespeare. Performing Hamlet. Critics Notebook. Re-Visiting Play Structure. Photo: Peter Brooks Hamlet at Brooklyn Academy of Music. 3. Understanding Character. Character's Doubleness. Classical versus Modern Characters. Observing Character-in-Action. A Common Humanity. Darwin, Marx, and Freud. Who's There? Postmodern Dissolution. The Glass Menagerie, Tennessee Williams. Performing The Glass Menagerie. Critics Notebook. Re-Visiting Dramatic Character. Photo. 4. Understanding Language. The Verbal Text. Language as Organization. Conventions of Stage Language. The Cherry Orchard, Anton Chekhov. Performing The Cherry Orchard. Critics Notebook. Re-Visiting Stage Language. Photo. III. TYPES OF DRAMATIC WRITING. 5. Tragedy. Origins of Theater and Drama. Aristotle's Definitions. Drama's Elements and Conventions. Theories of Tragedy. Oedipus the King, Sophocles. Performing Oedipus the King. Critics Notebook. Re-Visiting Greek Tragedy. Photo: Smetana theater/Josef Svoboda Production, Prague. 6. Comedy. Origins of Comedy. Theories of Comedy. English Comedy and Neoclassical Theory. The Comedy of Manners. The Importance of Being Earnest, Oscar Wilde. Performing The Importance of Being Earnest. Critics Notebook. Re-Visiting High Comedy. Photo. 7. Farce and Satire. Background. Farce and Comedy. Satire and Society. The Colored Museum, George C.Wolfe. Performing The Colored Museum. Critics Notebook. Revisiting Farce and Satire. Photo: The Colored Museum, NY Shakespeare Festival Production.* 8. Tragicomedy and New Forms. The Mixed Genre. Modern Tragicomedy. Angels in America Part One: Millennium Approaches, Tony Kushner. Performing Angels in America. Critics Notebook. Re-Visiting Drama and Society. IV. UNDERSTANDING MODERN WRITING STYLES. 9. Understanding Modernism. Background. Fragmentation. Modernist Theory. Hedda Gabler, Henrik Ibsen. Performing Hedda Gabler. Critics Notebook. Re-Visiting Modernism. Photo: Kate Burton in Hedda Gabler, Broadway, 2001. 10. Understanding Modern Realism. Observations on the Ordinary The New Dramatic Text The Photographic Landscape Naturalisms Case Studies. The Well-Made Pl
Edition Description
Revised edition
Synopsis
Understanding Plays As Texts for Performance offers seventeen plays with critical commentaries that span the range of Western writing for the theatre from the Greeks to the post-moderns. This book introduces readers to dramatic writing as "pre-texts" for theatrical performance written not only to be read, but also to be performed by actors before audiences., A textbook for a one-semester course in theater or literature. Along with scripts of 16 plays from classical Greek to modern, are commentaries by playwrights, directors, scholars, and critics. Earlier editions appeared in 1990 and 1994; the third includes new plays and commentary. Annotation (c) Bo
LC Classification Number
PN1721.B37 2004

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