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Filmmaker’s Guide to Digital Imaging: for Cinematographe
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Libro que se ha leído pero que está en buen estado. Daños mínimos en la tapa, incluidas rozaduras, pero sin roturas ni agujeros. Es posible que no incluya sobrecubierta para tapas duras. Tapa muy poco desgastada. La mayoría de las páginas están en buen estado con muy pocas arrugas o roturas. El texto subrayado a lápiz es prácticamente inexistente, no hay texto resaltado ni anotaciones en los márgenes. No faltan páginas. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Ubicado en: Montrose, California, Estados Unidos
Entrega:
Entrega prevista entre el vie. 25 jul. y el lun. 28 jul. a 94104
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N.º de artículo de eBay:127224055451
Características del artículo
- Estado
- ISBN
- 9780415854115
Acerca de este producto
Product Identifiers
Publisher
Taylor & Francis Group
ISBN-10
0415854113
ISBN-13
9780415854115
eBay Product ID (ePID)
175180874
Product Key Features
Book Title
Filmmaker's Guide to Digital Imaging : For Cinematographers, Digital Imaging Technicians, and Camera Assistants
Number of Pages
310 Pages
Language
English
Topic
Film / General, Techniques / Cinematography & Videography
Publication Year
2014
Illustrator
Yes
Genre
Performing Arts, Photography
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
26.5 Oz
Item Length
10.5 in
Item Width
7.5 in
Additional Product Features
Intended Audience
Trade
LCCN
2014-008397
Reviews
"It's been a painful transition from film to digital for many cinematographers. Brown takes the mystery out of it and presents the technical aspects of this change seamlessly. It is, after all, about art!" - Judy Irola, ASC, Conrad Hall Chair in Cinematography and Color Timing, USC School of Cinematic Arts "As a practicing cinematographer who also teaches, I consider The Filmmaker's Guide to Digital Imaging essential reading for my students. Blain Brown demystifies the technical processes of digital cinematography from the most basic to the more complex. Given the recent rapid development in this field, working professionals too will find this is a must-have guide. I'm one of them." - Anthony Jannelli, Head of Graduate Cinematography, Tisch School of the Arts, New York University "Read this book and not only will you know what photons do, you'll be able to make them dance to your tune. Whether you are a working cinematographer, camera assistant, or postproduction artist, or if want to pursue one of these careers, you will learn both theory and practical techniques in these pages." - Leo Sopicki, Blogcritics.org ether you are a working cinematographer, camera assistant, or postproduction artist, or if want to pursue one of these careers, you will learn both theory and practical techniques in these pages." - Leo Sopicki, Blogcritics.org, "It's been a painful transition from film to digital for many cinematographers. Brown takes the mystery out of it and presents the technical aspects of this change seamlessly. It is, after all, about art!" - Judy Irola, ASC, Conrad Hall Chair in Cinematography and Color Timing, USC School of Cinematic Arts "As a practicing cinematographer who also teaches, I consider The Filmmaker's Guide to Digital Imaging essential reading for my students. Blain Brown demystifies the technical processes of digital cinematography from the most basic to the more complex. Given the recent rapid development in this field, working professionals too will find this is a must-have guide. I'm one of them." - Anthony Jannelli, Head of Graduate Cinematography, Tisch School of the Arts, New York University "Read this book and not only will you know what photons do, you'll be able to make them dance to your tune. Whether you are a working cinematographer, camera assistant, or postproduction artist, or if want to pursue one of these careers, you will learn both theory and practical techniques in these pages." - Leo Sopicki, Blogcritics.org, "It's been a painful transition from film to digital for many cinematographers. Brown takes the mystery out of it and presents the technical aspects of this change seamlessly. It is, after all, about art!" - Judy Irola, ASC, Conrad Hall Chair in Cinematography and Color Timing, USC School of Cinematic Arts, "It's been a painful transition from film to digital for many cinematographers. Brown takes the mystery out of it and presents the technical aspects of this change seamlessly. It is, after all, about art!" - Judy Irola, ASC, Conrad Hall Chair in Cinematography and Color Timing, USC School of Cinematic Arts "As a practicing cinematographer who also teaches, I consider The Filmmaker's Guide to Digital Imaging essential reading for my students. Blain Brown demystifies the technical processes of digital cinematography from the most basic to the more complex. Given the recent rapid development in this field, working professionals too will find this is a must-have guide. I'm one of them." - Anthony Jannelli, Head of Graduate Cinematography, Tisch School of the Arts, New York University
TitleLeading
The
Table Of Content
Introduction Sensors & Cameras The Digital Image Measurement Linear, Gamma, Log Exposure Digital Color Codecs & Formats Image Control The DIT Cart Data Management Workflow & ACES Metadata & Timecode Acknowledgements
Synopsis
It's a whole new world for cinematographers, camera assistants, and postproduction artists. New equipment, new methods, and new technologies have to be learned and mastered. New roles such as that of the DIT (Digital Imaging Technician), Digital Loader, and Data Manager are integral to today's motion picture production process. Take your mastery of these new tools, techniques, and roles to the next level with this cutting-edge roadmap from esteemed author and filmmaker Blain Brown. The Filmmaker's Guide to Digital Imaging covers both the theory and the practice, featuring full-color, in-depth coverage of essential terminology, technology, and industry-standard best-practices. Brown covers new industry-wide production standards such as ASC-CDL and the ACES workflow. Interviews with professional cinematographers and DITs working on Hollywood productions equip you with knowledge that is essential if you want to work in today's motion picture industry, whether as a cinematographer, DIT, Digital Loader, Data Manager, camera assistant, editor, or VFX artist. Topics include: Digital sensors and cameras The structure of digital images Waveform monitors, vectorscopes, and test charts Using linear, gamma, and log encoded video files Exposure techniques for HD and UltraHD Understanding digital color Codecs and file formats The DIT cart Downloading, ingesting, and managing video files Workflow from camera to DIT cart to post Using metadata and timecode The companion website (www.focalpress.com/cw/brown) features additional material, including demonstrations and interviews with experienced DITs and cinematographers.
LC Classification Number
TR860.B76 2014
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