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SIGMUND ROMBERG (Yale Broadway Masters Series) Hardcover Book by William A. Ever
USD22,40
Aproximadamente19,26 EUR
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Costaba USD32,00 (30% de descuento)
Estado:
“Book is in MINT Condition, the jacket has some light scratches, but is in Great Condition. See ”... Más informaciónacerca del estado
Como nuevo
Libro en perfecto estado y poco leído. La tapa no tiene desperfectos y si procede, con sobrecubierta para las tapas duras. Incluye todas las páginas sin arrugas ni roturas. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Envío:
USD5,97 (aprox. 5,13 EUR) USPS Media MailTM.
Ubicado en: Mandan, North Dakota, Estados Unidos
Entrega:
Entrega prevista entre el mié. 15 oct. y el mar. 21 oct. a 94104
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N.º de artículo de eBay:127110899687
Características del artículo
- Estado
- Como nuevo
- Notas del vendedor
- Type
- Novel
- Signed
- No
- Narrative Type
- Nonfiction
- Original Language
- English
- Country/Region of Manufacture
- United States
- ISBN
- 9780300111835
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Product Identifiers
Publisher
Yale University Press
ISBN-10
0300111835
ISBN-13
9780300111835
eBay Product ID (ePID)
63724682
Product Key Features
Book Title
Sigmund Romberg
Number of Pages
320 Pages
Language
English
Topic
Composers & Musicians, General
Publication Year
2007
Illustrator
Yes
Genre
Music, Biography & Autobiography
Book Series
Yale Broadway Masters Ser.
Format
Hardcover
Dimensions
Item Height
0.1 in
Item Weight
25.6 Oz
Item Length
0.9 in
Item Width
0.6 in
Additional Product Features
Intended Audience
Trade
LCCN
2006-102531
Dewey Edition
22
Dewey Decimal
782.1/2092 B
Synopsis
Hungarian-born composer Sigmund Romberg (1887--1951) arrived in America in 1909 and within eight years had achieved his first hit musical on Broadway. This early success was soon followed by others, and in the 1920s his popularity in musical theater was unsurpassed. In this book, William Everett offers the first detailed study of the gifted operetta composer, examining Romberg's key works and musical accomplishments and demonstrating his lasting importance in the history of American musicals. Romberg composed nearly sixty works for musical theater as well as music for revues, for musical comedies, and, later in life, for Hollywood films. Everett shows how Romberg was a defining figure of American operetta in the 1910s and 1920s ( Maytime, Blossom Time , The Student Prince ), traces the new model for operetta that he developed with Oscar Hammerstein II in the late 1920s ( The Desert Song, The New Moon ), and looks at his reworked style of the 1940s ( Up in Central Park ). This book offers an illuminating look at Romberg's Broadway career and legacy., Hungarian-born composer Sigmund Romberg (1887-1951) arrived in America in 1909 and within eight years had achieved his first hit musical on Broadway. This early success was soon followed by others, and in the 1920s his popularity in musical theater was unsurpassed. In this book, William Everett offers the first detailed study of the gifted operetta composer, examining Romberg's key works and musical accomplishments and demonstrating his lasting importance in the history of American musicals. Romberg composed nearly sixty works for musical theater as well as music for revues, for musical comedies, and, later in life, for Hollywood films. Everett shows how Romberg was a defining figure of American operetta in the 1910s and 1920s ( Maytime, Blossom Time , The Student Prince ), traces the new model for operetta that he developed with Oscar Hammerstein II in the late 1920s ( The Desert Song, The New Moon ), and looks at his reworked style of the 1940s ( Up in Central Park ). This book offers an illuminating look at Romberg's Broadway career and legacy., Hungarian-born composer Sigmund Romberg (1887-1951) arrived in America in 1909 and within eight years had achieved his first hit musical on Broadway. This early success was soon followed by others, and in the 1920s his popularity in musical theater was unsurpassed. In this book, William Everett offers the first detailed study of the gifted operetta composer, examining Romberg's key works and musical accomplishments and demonstrating his lasting importance in the history of American musicals. Romberg composed nearly sixty works for musical theater as well as music for revues, for musical comedies, and, later in life, for Hollywood films. Everett shows how Romberg was a defining figure of American operetta in the 1910s and 1920s ("Maytime, Blossom Time," "The Student Prince"), traces the new model for operetta that he developed with Oscar Hammerstein II in the late 1920s ("The Desert Song, The New Moon"), and looks at his reworked style of the 1940s ("Up in Central Park"). This book offers an illuminating look at Romberg's Broadway career and legacy.
LC Classification Number
ML410.R66E94 2007
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