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The Devil in the White City: Murder, Magic, and Madness at the Fair That Changed
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Libro que se ha leído pero que está en buen estado. Daños mínimos en la tapa, incluidas rozaduras, pero sin roturas ni agujeros. Es posible que no incluya sobrecubierta para tapas duras. Tapa muy poco desgastada. La mayoría de las páginas están en buen estado con muy pocas arrugas o roturas. El texto subrayado a lápiz es prácticamente inexistente, no hay texto resaltado ni anotaciones en los márgenes. No faltan páginas. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Ubicado en: Nashville, Tennessee, Estados Unidos
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Entrega prevista entre el jue. 4 sep. y el lun. 8 sep.
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N.º de artículo de eBay:126939773309
Última actualización el 01 sep 2025 23:47:10 H.EspVer todas las actualizacionesVer todas las actualizaciones
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Características del artículo
- Estado
- ISBN
- 9780375725609
Acerca de este producto
Product Identifiers
Publisher
Knopf Doubleday Publishing Group
ISBN-10
0375725601
ISBN-13
9780375725609
eBay Product ID (ePID)
4606076
Product Key Features
Book Title
Devil in the White City : Murder, Magic, and Madness at the Fair That Changed America
Number of Pages
464 Pages
Language
English
Topic
Murder / General, United States / 19th Century, Murder / Serial Killers, Individual Architects & Firms / General, United States / State & Local / MidWest (IA, Il, in, Ks, Mi, MN, Mo, Nd, Ne, Oh, Sd, Wi), Sociology / Urban
Publication Year
2004
Illustrator
Yes
Genre
True Crime, Architecture, Social Science, History
Format
Trade Paperback
Dimensions
Item Height
1 in
Item Weight
12.8 Oz
Item Length
8 in
Item Width
5.2 in
Additional Product Features
Intended Audience
Trade
LCCN
2002-154046
TitleLeading
The
Reviews
"Engrossing . . . exceedingly well documented . . . utterly fascinating." Chicago Tribune "A dynamic, enveloping book. . . . Relentlessly fuses history and entertainment to give this nonfiction book the dramtic effect of a novel. . . . It doesn't hurt that this truth is stranger than fiction." --The New York Times "So good, you find yourself asking how you could not know this already." Esquire "Another successful exploration of American history. . . . Larson skillfully balances the grisly details with the far-reaching implications of the World's Fair." USA Today "As absorbing a piece of popular history as one will ever hope to find." San Francisco Chronicle "Paints a dazzling picture of the Gilded Age and prefigure the American century to come." Entertainment Weekly "A wonderfully unexpected book. . . Larson is a historian . . . with a novelist's soul." Chicago Sun-Times, "Engrossing . . . exceedingly well documented . . . utterly fascinating." -- Chicago Tribune "A dynamic, enveloping book. . . . Relentlessly fuses history and entertainment to give this nonfiction book the dramatic effect of a novel. . . . It doesn't hurt that this truth is stranger than fiction." -- The New York Times "So good, you find yourself asking how you could not know this already." -- Esquire "Another successful exploration of American history. . . . Larson skillfully balances the grisly details with the far-reaching implications of the World's Fair." -- USA Today "As absorbing a piece of popular history as one will ever hope to find." -- San Francisco Chronicle "Paints a dazzling picture of the Gilded Age and prefigure the American century to come." -- Entertainment Weekly "A wonderfully unexpected book. . . Larson is a historian . . . with a novelist's soul." -- Chicago Sun-Times, "Engrossing . . . exceedingly well documented . . . utterly fascinating." -- Chicago Tribune "A dynamic, enveloping book. . . . Relentlessly fuses history and entertainment to give this nonfiction book the dramatic effect of a novel. . . . It doesn't hurt that this truth is stranger than fiction." -- The New York Times "So good, you find yourself asking how you could not know this already." -- Esquire "Another successful exploration of American history. . . . Larson skillfully balances the grisly details with the far-reaching implications of the World's Fair." -- USA Today "As absorbing a piece of popular history as one will ever hope to find." -- San Francisco Chronicle "Paint[s] a dazzling picture of the Gilded Age and prefigure[s] the American century to come." -- Entertainment Weekly "A wonderfully unexpected book. . . Larson is a historian . . . with a novelist's soul." -- Chicago Sun-Times, "Engrossing . . . exceedingly well documented . . . utterly fascinating." -Chicago Tribune "A dynamic, enveloping book. . . . Relentlessly fuses history and entertainment to give this nonfiction book the dramtic effect of a novel. . . . It doesn't hurt that this truth is stranger than fiction." --The New York Times "So good, you find yourself asking how you could not know this already." -Esquire "Another successful exploration of American history. . . . Larson skillfully balances the grisly details with the far-reaching implications of the World's Fair."-USA Today "As absorbing a piece of popular history as one will ever hope to find."-San Francisco Chronicle "Paints a dazzling picture of the Gilded Age and prefigure the American century to come."-Entertainment Weekly "A wonderfully unexpected book. . . Larson is a historian . . . with a novelist's soul."-Chicago Sun-Times From the Trade Paperback edition.
Dewey Edition
22
Dewey Decimal
364.1523092
Synopsis
This New York Times bestseller intertwines the true tale of the 1893 World's Fair and the cunning serial killer who used the fair to lure his victims to their death. Combining meticulous research with nail-biting storytelling, Erik Larson has crafted a narrative with all the wonder of newly discovered history and the thrills of the best fiction. Two men, each handsome and unusually adept at his chosen work, embodied an element of the great dynamic that characterized America's rush toward the twentieth century. The architect was Daniel Hudson Burnham, the fair's brilliant director of works and the builder of many of the country's most important structures, including the Flatiron Building in New York and Union Station in Washington, D.C. The murderer was Henry H. Holmes, a young doctor who, in a malign parody of the White City, built his "World's Fair Hotel" just west of the fairgrounds--a torture palace complete with dissection table, gas chamber, and 3,000-degree crematorium. Burnham overcame tremendous obstacles and tragedies as he organized the talents of Frederick Law Olmsted, Charles McKim, Louis Sullivan, and others to transform swampy Jackson Park into the White City, while Holmes used the attraction of the great fair and his own satanic charms to lure scores of young women to their deaths. What makes the story all the more chilling is that Holmes really lived, walking the grounds of that dream city by the lake. The Devil in the White City draws the reader into a time of magic and majesty, made all the more appealing by a supporting cast of real-life characters, including Buffalo Bill, Theodore Dreiser, Susan B. Anthony, Thomas Edison, Archduke Francis Ferdinand, and others. Erik Larson's gifts as a storyteller are magnificently displayed in this rich narrative of the master builder, the killer, and the great fair that obsessed them both., #1 NATIONAL BESTSELLER * NATIONAL BOOK AWARD FINALIST * From the #1 New York Times bestselling author of The Splendid and the Vile comes the true tale of the 1893 World's Fair in Chicago and the cunning serial killer who used the magic and majesty of the fair to lure his victims to their death. "As absorbing a piece of popular history as one will ever hope to find." -- San Francisco Chronicle A Kirkus Reviews Best Nonfiction Book of the Century * A Los Angeles Times Best Nonfiction Book of the Last 30 Years Combining meticulous research with nail-biting storytelling, Erik Larson has crafted a narrative with all the wonder of newly discovered history and the thrills of the best fiction. Two men, each handsome and unusually adept at his chosen work, embodied an element of the great dynamic that characterized America's rush toward the twentieth century. The architect was Daniel Hudson Burnham, the fair's brilliant director of works and the builder of many of the country's most important structures, including the Flatiron Building in New York and Union Station in Washington, D.C. The murderer was Henry H. Holmes, a young doctor who, in a malign parody of the White City, built his "World's Fair Hotel" just west of the fairgrounds--a torture palace complete with dissection table, gas chamber, and 3,000-degree crematorium. Burnham overcame tremendous obstacles and tragedies as he organized the talents of Frederick Law Olmsted, Charles McKim, Louis Sullivan, and others to transform swampy Jackson Park into the White City, while Holmes used the attraction of the great fair and his own satanic charms to lure scores of young women to their deaths. What makes the story all the more chilling is that Holmes really lived, walking the grounds of that dream city by the lake. The Devil in the White City draws the reader into the enchantment of the Guilded Age, made all the more appealing by a supporting cast of real-life characters, including Buffalo Bill, Theodore Dreiser, Susan B. Anthony, Thomas Edison, Archduke Francis Ferdinand, and others. Erik Larson's gifts as a storyteller are magnificently displayed in this rich narrative of the master builder, the killer, and the great fair that obsessed them both., #1 NATIONAL BESTSELLER - NATIONAL BOOK AWARD FINALIST - From the #1 New York Times bestselling author of The Splendid and the Vile comes the true tale of the 1893 World's Fair in Chicago and the cunning serial killer who used the magic and majesty of the fair to lure his victims to their death. "As absorbing a piece of popular history as one will ever hope to find." -- San Francisco Chronicle A Kirkus Reviews Best Nonfiction Book of the Century - A Los Angeles Times Best Nonfiction Book of the Last 30 Years Combining meticulous research with nail-biting storytelling, Erik Larson has crafted a narrative with all the wonder of newly discovered history and the thrills of the best fiction. Two men, each handsome and unusually adept at his chosen work, embodied an element of the great dynamic that characterized America's rush toward the twentieth century. The architect was Daniel Hudson Burnham, the fair's brilliant director of works and the builder of many of the country's most important structures, including the Flatiron Building in New York and Union Station in Washington, D.C. The murderer was Henry H. Holmes, a young doctor who, in a malign parody of the White City, built his "World's Fair Hotel" just west of the fairgrounds--a torture palace complete with dissection table, gas chamber, and 3,000-degree crematorium. Burnham overcame tremendous obstacles and tragedies as he organized the talents of Frederick Law Olmsted, Charles McKim, Louis Sullivan, and others to transform swampy Jackson Park into the White City, while Holmes used the attraction of the great fair and his own satanic charms to lure scores of young women to their deaths. What makes the story all the more chilling is that Holmes really lived, walking the grounds of that dream city by the lake. The Devil in the White City draws the reader into the enchantment of the Guilded Age, made all the more appealing by a supporting cast of real-life characters, including Buffalo Bill, Theodore Dreiser, Susan B. Anthony, Thomas Edison, Archduke Francis Ferdinand, and others. Erik Larson's gifts as a storyteller are magnificently displayed in this rich narrative of the master builder, the killer, and the great fair that obsessed them both.
LC Classification Number
HV6248.M8 L37 2003
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