History of Russian Music : From Kamarinskaya to Babi Yar by Francis Maes (2001,

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Estado
En muy buen estado
Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un estado excelente. No hay desperfectos visibles en la tapa y se incluye sobrecubierta, si procede, para las tapas duras. Todas las páginas están en perfecto estado, sin arrugas ni roturas y no falta ninguna. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección. Ver todas las definiciones de estadose abre en una nueva ventana o pestaña
Notas del vendedor
“unread, with light wear”
ISBN
9780520218154

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Product Identifiers

Publisher
University of California Press
ISBN-10
0520218159
ISBN-13
9780520218154
eBay Product ID (ePID)
1898864

Product Key Features

Book Title
History of Russian Music : from Kamarinskaya to Babi Yar
Number of Pages
441 Pages
Language
English
Topic
History & Criticism, Genres & Styles / Opera, Ethnic
Publication Year
2001
Illustrator
Yes
Genre
Music
Author
Francis Maes
Format
Hardcover

Dimensions

Item Height
1.4 in
Item Weight
30.5 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
LCCN
2001-027617
TitleLeading
A
Table Of Content
Preface 1. Introduction: Natasha's Dance, or Musical Nationalism 2. "I'm Finished with Russian Music": Mikhail Glinka 3. "There's Petersburg for You!" The Birth Pangs of a Music Culture 4. The Clash of Ideas: The Quest for the Essence of the New Russian Music 5. The Theory in Practice: Musical Creation 6. "Truth in the Realm of the Pseudo": Russian Opera 7. "The Musician-Human": Pyotr Chaikovsky 8. "A Musical Conscience": Rimsky-Korsakov and the Belyayev Circle 9. Imagination and Renewal: The Silver Age 10. "The Cleansing Catastrophe": Early Soviet Music 11. Russia's Loss: The Musical Emigration 12. From Yezhovshchina to Zhdanovshchina 13. "Prokofiev Must Return to Us" 14. "The Secret Diary of a Nation": The Works of Shostakovich Notes Bibliography Index
Synopsis
Francis Maes's comprehensive and imaginative book introduces the general public to the scholarly debate that has revolutionized Russian music history over the past two decades. Based on the most recent critical literature, A History of Russian Music summarizes the new view of Russian music and provides a solid overview of the relationships between artistic movements and political ideas. The revision of Russian music history may count as one of the most significant achievements of recent musicology. The Western view used to be largely based on the ideas of Vladimir Stasov, a friend and confidant of leading nineteenth-century Russian composers who was more a propagandist than a historian. With the deconstruction of Stasov's interpretation, stereotyped views have been replaced by a fuller understanding of the conditions and the context in which composers such as Tchaikovsky, Mussorgsky, and Stravinsky created their oeuvres. Even the more recent history of Soviet music, in particular the achievement of Dmitry Shostakovich, is being assessed on new documentary grounds. A more complex conception of Russian music develops as Maes explores the cultural and historical milieu from which great works have emerged. Questioning and re-examining traditional views, the author considers the personal development of composers, the relationship of art to social and political ideals in Russia, and the ideologies behind musical research., Francis Maes's comprehensive and imaginative book introduces the general public to the scholarly debate that has revolutionized Russian music history over the past two decades. Based on the most recent critical literature,A History of Russian Musicsummarizes the new view of Russian music and provides a solid overview of the relationships between artistic movements and political ideas. The revision of Russian music history may count as one of the most significant achievements of recent musicology. The Western view used to be largely based on the ideas of Vladimir Stasov, a friend and confidant of leading nineteenth-century Russian composers who was more a propagandist than a historian. With the deconstruction of Stasov's interpretation, stereotyped views have been replaced by a fuller understanding of the conditions and the context in which composers such as Tchaikovsky, Mussorgsky, and Stravinsky created their oeuvres. Even the more recent history of Soviet music, in particular the achievement of Dmitry Shostakovich, is being assessed on new documentary grounds. A more complex conception of Russian music develops as Maes explores the cultural and historical milieu from which great works have emerged. Questioning and re-examining traditional views, the author considers the personal development of composers, the relationship of art to social and political ideals in Russia, and the ideologies behind musical research.
LC Classification Number
2001027617

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