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Le Tumulte noir: Modernist Art and Popular Entertainment in Jazz SIGNED BLAKE
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Aproximadamente65,70 EUR
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Estado:
“EXCELLENT CONDITION”
En muy buen estado
Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un estado excelente. No hay desperfectos visibles en la tapa y se incluye sobrecubierta, si procede, para las tapas duras. Todas las páginas están en perfecto estado, sin arrugas ni roturas y no falta ninguna. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
- ¡Cómpralo ya!Le Tumulte noir: Modernist Art and Popular Entertainment in Jazz SIGNED BLAKE
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Ubicado en: Dallas, Texas, Estados Unidos
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Entrega prevista entre el mar. 5 ago. y el lun. 11 ago. a 94104
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N.º de artículo de eBay:126238266146
Última actualización el 06 feb 2025 17:10:16 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- En muy buen estado
- Notas del vendedor
- “EXCELLENT CONDITION”
- Book Title
- Le Tumulte noir: Modernist Art and Popular Entertainment in Jazz
- ISBN
- 9780271023397
Acerca de este producto
Product Identifiers
Publisher
Pennsylvania STATE University Press
ISBN-10
0271023392
ISBN-13
9780271023397
eBay Product ID (ePID)
6020292
Product Key Features
Number of Pages
228 Pages
Publication Name
Tumulte Noir : Modernist Art and Popular Entertainment in Jazz-Age Paris, 1900-1930
Language
English
Subject
American / African American, History / Modern (Late 19th Century to 1945), History / General, Ethnic Studies / African American Studies
Publication Year
1999
Type
Textbook
Subject Area
Art, Social Science
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
26.3 Oz
Item Length
11 in
Item Width
8.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
Dewey Edition
21
Reviews
"Blake's work is a must-read for those who, though not exclusively art historians, are nonetheless particularly interested in the influence of African American jazz artists and their lasting impact on French cultural art forms." --Charlene Regester,University of North Carolina, Chapel Hill, "Blake is concerned primarily with the a historical disconnection and ideologically problematic and exploitative appropriation of things African and Afro-American by Europeans. It is in this problematic appropriation that Blake makes his most forceful arguments, taking special care to illustrate the transformative process by which the Parisian establishment sought to 'civilize' le tumulte noir." --Charles P. Crouch, Canadian Journal of History, "One would be hard put to find a more succinct summary of the aesthetic importance of black art, song, and dance to the modern world." --Black Issues Book Review, &"Blake's groundbreaking synthesis . . . is well-documented, vividly written, and beautifully illustrated. It greatly helps deepen our understanding of the complexities and apparent contradictions of modernism and its relations to African and African American cultures in colonialist Europe.&" &-Michel Fabre, Université de la Sorbonne Nouvelle, "Blake's groundbreaking synthesis . . . is well-documented, vividly written, and beautifully illustrated. It greatly helps deepen our understanding of the complexities and apparent contradictions of modernism and its relations to African and African American cultures in colonialist Europe." -Michel Fabre, Universit de la Sorbonne Nouvelle, "Blake is concerned primarily with the a historical disconnection and ideologically problematic and exploitative appropriation of things African and Afro-American by Europeans. It is in this problematic appropriation that Blake makes his most forceful arguments, taking special care to illustrate the transformative process by which the Parisian establishment sought to 'civilize' le tumulte noir ." --Charles P. Crouch, Canadian Journal of History, &"Blake's work is a must-read for those who, though not exclusively art historians, are nonetheless particularly interested in the influence of African American jazz artists and their lasting impact on French cultural art forms.&" &-Charlene Regester, University of North Carolina, Chapel Hill, "Blake's work is a must-read for those who, though not exclusively art historians, are nonetheless particularly interested in the influence of African American jazz artists and their lasting impact on French cultural art forms." --Charlene Regester, University of North Carolina, Chapel Hill, "Blake's groundbreaking synthesis . . . is well-documented, vividly written, and beautifully illustrated. It greatly helps deepen our understanding of the complexities and apparent contradictions of modernism and its relations to African and African American cultures in colonialist Europe." --Michel Fabre,Université de la Sorbonne Nouvelle, "Blake's groundbreaking synthesis . . . is well-documented, vividly written, and beautifully illustrated. It greatly helps deepen our understanding of the complexities and apparent contradictions of modernism and its relations to African and African American cultures in colonialist Europe." -Michel Fabre, Université de la Sorbonne Nouvelle, "Blake's groundbreaking synthesis . . . is well-documented, vividly written, and beautifully illustrated. It greatly helps deepen our understanding of the complexities and apparent contradictions of modernism and its relations to African and African American cultures in colonialist Europe." --Michel Fabre, Universit de la Sorbonne Nouvelle, "Blake is concerned primarily with the a historical disconnection and ideologically problematic and exploitative appropriation of things African and Afro-American by Europeans. It is in this problematic appropriation that Blake makes his most forceful arguments, taking special care to illustrate the transformative process by which the Parisian establishment sought to 'civilize' le tumulte noir ." -Charles P. Crouch, Canadian Journal of History, "Blake's work is a must-read for those who, though not exclusively art historians, are nonetheless particularly interested in the influence of African American jazz artists and their lasting impact on French cultural art forms." -Charlene Regester, University of North Carolina, Chapel Hill, "Blake is concerned primarily with the a historical disconnection and ideologically problematic and exploitative appropriation of things African and Afro-American by Europeans. It is in this problematic appropriation that Blake makes his most forceful arguments, taking special care to illustrate the transformative process by which the Parisian establishment sought to 'civilize' le tumulte noir." -Charles P. Crouch, Canadian Journal of History, &"Blake is concerned primarily with the a historical disconnection and ideologically problematic and exploitative appropriation of things African and Afro-American by Europeans. It is in this problematic appropriation that Blake makes his most forceful arguments, taking special care to illustrate the transformative process by which the Parisian establishment sought to 'civilize&' le tumulte noir.&" &-Charles P. Crouch, Canadian Journal of History, "One would be hard put to find a more succinct summary of the aesthetic importance of black art, song, and dance to the modern world." -Black Issues Book Review, &"One would be hard put to find a more succinct summary of the aesthetic importance of black art, song, and dance to the modern world.&" &-Black Issues Book Review, "Blake is concerned primarily with the a historical disconnection and ideologically problematic and exploitative appropriation of things African and Afro-American by Europeans. It is in this problematic appropriation that Blake makes his most forceful arguments, taking special care to illustrate the transformative process by which the Parisian establishment sought to 'civilize' le tumulte noir ." --Charles P. Crouch Canadian Journal of History
TitleLeading
Le
Illustrated
Yes
Dewey Decimal
700/.944361/09041
Synopsis
In France of the early twentieth-century, the term art n gre was as likely to refer to the black music and dance of America as to the sculpture of Africa. Indeed, music and dance, which both racial theorists and novelists portrayed as the "primitive" arts par excellence, were widely believed to exemplify the "genius" of blacks. In Le Tumulte noir , Jody Blake traces the profound impact African sculpture and African American music and dance had upon Parisian popular entertainment as well as upon avant-garde, modernist art, literature, and theater. Through her discussion of the reception of ragtime and jazz, as well as other African visual and performing art forms, Blake provides new ways of understanding the development of modernist "primitivism," from Matisse and Picasso to Dada and Surrealism. She also demonstrates that the influence of art n gre went well beyond the art world. From the notorious cakewalk to the Charleston, African American idioms played a key role in shaping modern cultural, social, and political life., In France of the early twentieth-century, the term art nègre was as likely to refer to the black music and dance of America as to the sculpture of Africa. Indeed, music and dance, which both racial theorists and novelists portrayed as the "primitive" arts par excellence, were widely believed to exemplify the "genius" of blacks. In Le Tumulte noir , Jody Blake traces the profound impact African sculpture and African American music and dance had upon Parisian popular entertainment as well as upon avant-garde, modernist art, literature, and theater. Through her discussion of the reception of ragtime and jazz, as well as other African visual and performing art forms, Blake provides new ways of understanding the development of modernist "primitivism," from Matisse and Picasso to Dada and Surrealism. She also demonstrates that the influence of art nègre went well beyond the art world. From the notorious cakewalk to the Charleston, African American idioms played a key role in shaping modern cultural, social, and political life.
LC Classification Number
NX549.P2B57 2003
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