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The Violin (450-Year Worldwide History) (Eastman Studies in Music Series) NEW

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Aproximadamente21,48 EUR
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Características del artículo

Estado
Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...
Book Title
The Violin
Book Series
Eastman Studies in Music Series
Narrative Type
Nonfiction
Original Language
English
Genre
Music History
Intended Audience
Adults
Topic
Musical Instruments
ISBN
9781580465069

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Product Identifiers

Publisher
University of Rochester Medical Press
ISBN-10
1580465064
ISBN-13
9781580465069
eBay Product ID (ePID)
221429889

Product Key Features

Number of Pages
326 Pages
Language
English
Publication Name
Violin
Subject
History & Criticism, Musical Instruments / Strings
Publication Year
2016
Type
Textbook
Subject Area
Music
Author
Peter Walls
Series
Eastman Studies in Music Ser.
Format
Hardcover

Dimensions

Item Height
1.1 in
Item Weight
24.7 Oz
Item Length
9.3 in
Item Width
7.4 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2016-024924
Dewey Edition
23
Reviews
Succeeds in emphasizing the versatility and global reach of the instrument to readers in the early stages of exploring these topics. Though Riggs devotes space to non-Western genres, the majority of the book systematically presents "standard" violin repertoire...[Includes] a useful guide for violinists interested in reading fiction related to their instrument. MUSIC LIBRARY ASSOCIATION NOTES Fascinating... Riggs presents a wealth of information...written in a reader friendly style. EARLY MUSIC If you wish to know more about its 'virtuous and rascally associations,' (indeed the violin was long associated with the devil), this enjoyable treatise will enlighten, entertain and educate. AUSTA STRINGENDO Casts a wide net. There are chapters on violins and violinists in literature, the violin's association with death and the devil, recordings as documentation of performance practice, and the violin's adoption by different cultures. AMERICAN RECORD GUIDE
TitleLeading
The
Series Volume Number
135
Illustrated
Yes
Volume Number
135
Dewey Decimal
787.2
Table Of Content
Associations with Death and the Devil - Robert RiggsViolinists and Violins in Literature - Robert RiggsThe Violin in Italy during the Baroque Period - Peter WallsBach and the Violin - Peter WollnyMozart, Beethoven, and the Violin - Robert RiggsThe Violin Concerto and Virtuosity in the Nineteenth Century - Robert RiggsThe Violin Concerto in the Twentieth Century - Robert RiggsThe Masters' Voice: Recordings as Documentation of Performance Practice - Eitan OrnoyThe Peripatetic Violin - Chris GoertzenThe Devil's Box No More: Fiddling in America - Chris GoertzenNotes on ContributorsIndex
Synopsis
Provides new perspectives on the violin's beloved concert repertoire, its diverse roles in indigenous musical traditions on four continents, and its metaphorical presence in visual arts and literature., Provides new perspectives on the violin's beloved concert repertoire, its diverse roles in indigenous musical traditions on four continents, and its metaphorical presence in visual arts and literature. With a colorful history that spans 450 years, the violin has proven to be one of the world's most important and versatile instruments. Addressed to performing musicians, serious concertgoers, and collectors of recordings, The Violin offers insightful, up-to-date essays on a wide range of topics. Essays discuss beloved masterpieces from the violin's solo repertoire, with individual chapters on the Italian Baroque, Bach, Mozart, Beethoven, and the violin concerto in the nineteenth and twentieth centuries, as well as the evolution of performance styles and interpretation as documented in recordings. The volume also illustrates the broad cultural and geographic reach of the instrument, offering readers a taste of the traditional music of Argentina, Mexico, Norway, and India, in which the violin's participation is an essential and characteristic element. Other chapters are devoted to American fiddling andto the violin and violinists as metaphors in literature and the visual arts. CONTRIBUTORS: Chris Goertzen, Eitan Ornoy, Robert Riggs, Peter Walls, Peter Wollny. Musicologist and violinist Robert Riggs (PhD,Harvard University) chairs the Department of Music at the University of Mississippi and is the author of articles on Mozart as well as the monograph Leon Kirchner: Composer, Performer, and Teacher (URP 2010)., Provides new perspectives on the violin's beloved concert repertoire, its diverse roles in indigenous musical traditions on four continents, and its metaphorical presence in visual arts and literature. With a colorful history that spans 450 years, the violin has proven to be one of the world's most important and versatile instruments. Addressed to performing musicians, serious concertgoers, and collectors of recordings, The Violin offers insightful, up-to-date essays on a wide range of topics. Essays discuss beloved masterpieces from the violin's solo repertoire, with individual chapters on the Italian Baroque, Bach, Mozart, Beethoven, and the violin concerto in the nineteenth and twentieth centuries, as well as the evolution of performance styles and interpretation as documented in recordings. The volume also illustrates the broad cultural and geographic reach of the instrument, offering readers a taste of the traditional music of Argentina, Mexico, Norway, and India, in which the violin's participation is an essential and characteristic element. Other chapters are devoted to American fiddling andto the violin and violinists as metaphors in literature and the visual arts. CONTRIBUTORS: Chris Goertzen, Eitan Ornoy, Robert Riggs, Peter Walls, Peter Wollny. Musicologist and violinist Robert Riggs (PhD, Harvard University) chairs the Department of Music at the University of Mississippi and is the author of articles on Mozart as well as the monograph Leon Kirchner: Composer, Performer, and Teacher (URP 2010)., With a colorful history that spans 450 years, the violin has proven to be one of the world's most important and versatile instruments. Addressed to performing musicians, serious concertgoers, and collectors of recordings, The Violin offers insightful, up-to-date essays on a wide range of topics. Essays discuss beloved masterpieces from the violin's solo repertoire, with individual chapters on the Italian Baroque, Bach, Mozart, Beethoven, and the violin concerto in the nineteenth and twentieth centuries, as well as the evolution of performance styles and interpretation as documented in recordings. The volume also illustrates the broad cultural and geographic reach of the instrument, offering readers a taste of the traditional music of Argentina, Mexico, Norway, and India, in which the violin's participation is an essential and characteristic element. Other chapters are devoted to American fiddling and to the violin and violinists as metaphors in literature and the visual arts. CONTRIBUTORS: Chris Goertzen, Eitan Ornoy, Robert Riggs, Peter Walls, Peter Wollny. Musicologist and violinist Robert Riggs (PhD, Harvard University) chairs the Department of Music at the University of Mississippi and is the author of articles on Mozart as well as the monograph Leon Kirchner: Composer, Performer, and Teacher (URP 2010).
LC Classification Number
ML800.V5 2016

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