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Afterimage of Empire Zahid Chaudhary Photography India
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“University of Minnesota Press; Minneapolis, 2012. Trade paperback. Signed and inscribed by author ”... Más informaciónacerca del estado
En muy buen estado
Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un estado excelente. No hay desperfectos visibles en la tapa y se incluye sobrecubierta, si procede, para las tapas duras. Todas las páginas están en perfecto estado, sin arrugas ni roturas y no falta ninguna. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Ubicado en: Foster, Rhode Island, Estados Unidos
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Entrega prevista entre el lun. 11 ago. y el vie. 15 ago. a 94104
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N.º de artículo de eBay:125994745970
Última actualización el 06 feb 2025 23:46:55 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- En muy buen estado
- Notas del vendedor
- ISBN
- 9780816677498
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Product Identifiers
Publisher
University of Minnesota Press
ISBN-10
0816677492
ISBN-13
9780816677498
eBay Product ID (ePID)
112775413
Product Key Features
Number of Pages
256 Pages
Language
English
Publication Name
Afterimage of Empire : Photography in Nineteenth-Century India
Publication Year
2012
Subject
General, Asia / India & South Asia, History, Asian / Indian & South Asian
Type
Textbook
Subject Area
Art, Photography, History
Format
Trade Paperback
Dimensions
Item Height
0.8 in
Item Weight
21 Oz
Item Length
10 in
Item Width
7 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2011-047428
Dewey Edition
23
Reviews
" Afterimage of Empire is a significant and original work of cultural analysis, and an important intervention in our understanding of the sensory and rhetorical dimensions of nineteenth century colonialism." --Iftikhar Dadi, Cornell University, " Afterimage of Empire is a significant and original work of cultural analysis, and an important intervention in our understanding of the sensory and rhetorical dimensions of nineteenth century colonialism." -Iftikhar Dadi, Cornell University, "An ambitious and theoretically challenging study of how photography shapes a new sensory and governmental apparatus of modernity in the colonial context, Afterimage of Empire succeeds in transforming the ways we think about the histories of photography and of colonialism." --David Lloyd, University of Southern California, " Afterimage of Empire is an astute analysis of photographic material, from the early days of the medium. It is impressive in its ability to move with care through the different scales of analysis-from the minutiae of scattered skulls in the foreground of one photograph to the question of whether a technology transforms both aesthetic form and the viewing subject." -Ranjana Khanna, Duke University, " Afterimage of Empire is an astute analysis of photographic material, from the early days of the medium. It is impressive in its ability to move with care through the different scales of analysis--from the minutiae of scattered skulls in the foreground of one photograph to the question of whether a technology transforms both aesthetic form and the viewing subject." --Ranjana Khanna, Duke University, "An ambitious and theoretically challenging study of how photography shapes a new sensory and governmental apparatus of modernity in the colonial context, Afterimage of Empire succeeds in transforming the ways we think about the histories of photography and of colonialism."--David Lloyd, University of Southern California " Afterimage of Empire is a significant and original work of cultural analysis, and an important intervention in our understanding of the sensory and rhetorical dimensions of nineteenth century colonialism."--Iftikhar Dadi, Cornell University " Afterimage of Empire is an astute analysis of photographic material, from the early days of the medium. It is impressive in its ability to move with care through the different scales of analysis--from the minutiae of scattered skulls in the foreground of one photograph to the question of whether a technology transforms both aesthetic form and the viewing subject."--Ranjana Khanna, Duke University "This handsomely produced book will be of great interest to theorists and researchers of early photography and the role of the visual in the formation of colonial discourse."-- Source "This volume is heavily documented, and an exemplar of interdisciplinarity: shuttling effortlessly between phenomenological philosophy, photography, literary, postcolonial and affect theory, Chaudhary elucidates the historical, political and aesthetic formation of the senses during the latter half of the 19th century. "-- Reviews in History " Afterimage of Empire is a crucial text that advances visual culture studies in the Indian subcontinent but it will also be of interest to scholars and students in the disciplines of art, modernism and cinema."-- Leonardo Reviews "This book offers an unprecedented phenomenological reading of the history of colonial rule in India and of colonialism mediated through photography."-- History of Photography "The exemplary strength of this book is its ability to outline the historical grounds for well-known images, while at the same time convincing us that this grounding is always open to change and can never be predicted in advance."-- Victorian Studies "Chaudhary's Afterimage of Empire is an extensive study which undoubtedly opens up reflection not only on the role of photography in the Indian subcontinent but on the cultural and sensorial changes brought by modernity both in the Western and non-Western worlds."-- New Asia Books, "An ambitious and theoretically challenging study of how photography shapes a new sensory and governmental apparatus of modernity in the colonial context, Afterimage of Empire succeeds in transforming the ways we think about the histories of photography and of colonialism." -David Lloyd, University of Southern California
Illustrated
Yes
Dewey Decimal
770.95409034
Table Of Content
Contents Introduction: Sensation and Photography 1. Death and the Rhetoric of Photography: X Marks the Spot 2. Anaesthesis and Violence: A Colonial History of Shock 3. Armor and Aesthesis: The Picturesque in Difference 4. Famine and the Reproduction of Affect: Pleas for Sympathy Coda: Sensing the Past Acknowledgments Appendixes Translation of Proclamation Attributed to Nana Sahib Transcription and Translation of Farsi Inscriptions Notes Bibliography Index
Synopsis
Afterimage of Empire provides a philosophical and historical account of early photography in India that focuses on how aesthetic experiments in colonial photography changed the nature of perception. Considering photographs from the Sepoy Revolt of 1857 along with landscape, portraiture, and famine photography, Zahid R. Chaudhary explores larger issues of truth, memory, and embodiment. Chaudhary scrutinizes the colonial context to understand the production of sense itself, proposing a new theory of interpreting the historical difference of aesthetic forms. In rereading colonial photographic images, he shows how the histories of colonialism became aesthetically, mimetically, and perceptually generative. He suggests that photography arrived in India not only as a technology of the colonial state but also as an instrument that eventually extended and transformed sight for photographers and the body politic, both British and Indian. Ultimately, Afterimage of Empire uncovers what the colonial history of the medium of photography can teach us about the making of the modern perceptual apparatus, the transformation of aesthetic experience, and the linkages between perception and meaning.
LC Classification Number
TR103.C49 2012
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