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Neo-Feminist Cinema
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“Routledge; New York, 2011. Trade paperback. A Very Good, moderate pencil brackets (page 30 in ink) ”... Más informaciónacerca del estado
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N.º de artículo de eBay:125081321049
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- Estado
- En muy buen estado
- Notas del vendedor
- ISBN
- 9780415877749
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Product Identifiers
Publisher
Routledge
ISBN-10
0415877741
ISBN-13
9780415877749
eBay Product ID (ePID)
84526622
Product Key Features
Number of Pages
240 Pages
Publication Name
Neo-Feminist Cinema : Girly Films, Chick Flicks, and Consumer Culture
Language
English
Subject
Film / General, Media Studies, Film / History & Criticism
Publication Year
2010
Type
Textbook
Subject Area
Performing Arts, Social Science
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
12 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
College Audience
LCCN
2010-009654
Dewey Edition
22
Reviews
Scholars and women are continually perplexed in our attempts to articulate the overlaps between the "feminist" and the "feminine" and to understand the historical transformations of these terms, and the recent development of "postfeminism(s)" and new forms of femininities. In this spectacular and important new work of feminist film theory, Radner significantly advances the debate about feminism and its "posts" with her theory of neo-feminist culture. Using popular Hollywood films effectively to illustrate her argument, Radner traces the history of our culture's simultaneous incorporation and transformation of feminism in its political, personal, and social dimensions. Her theoretically sophisticated analysis of the complicated influence feminism has had on our popular culture and thinking will be equally useful to cultural and film theorists, students, and general readers. Neo-Feminist Cinema is culturally sophisticated film theory at its best.-Andrea L. Press, University of Virginia author of Women Watching Television, Speaking of Abortion, The New Media Environment, and co-editor of The Communication Review ., Scholars and women are continually perplexed in our attempts to articulate the overlaps between the "feminist" and the "feminine" and to understand the historical transformations of these terms, and the recent development of "postfeminism(s)" and new forms of femininities. In this spectacular and important new work of feminist film theory, Radner significantly advances the debate about feminism and its "posts" with her theory of neo-feminist culture. Using popular Hollywood films effectively to illustrate her argument, Radner traces the history of our culture "s simultaneous incorporation and transformation of feminism in its political, personal, and social dimensions. Her theoretically sophisticated analysis of the complicated influence feminism has had on our popular culture and thinking will be equally useful to cultural and film theorists, students, and general readers. Neo-Feminist Cinema is culturally sophisticated film theory at its best. -Andrea L. Press, University of Virginia author of Women Watching Television, Speaking of Abortion, The New Media Environment, and co-editor of The Communication Review., "Radner's work is both compelling and thought provoking, and she successfully pinpoints the media's version of contemporary society's ideal woman." "Adrienne Urbanski in Elevate Difference, January 2011 Scholars and women are continually perplexed in our attempts to articulate the overlaps between the "feminist" and the "feminine" and to understand the historical transformations of these terms, and the recent development of "postfeminism(s)" and new forms of femininities. In this spectacular and important new work of feminist film theory, Radner significantly advances the debate about feminism and its "posts" with her theory of neo-feminist culture. Using popular Hollywood films effectively to illustrate her argument, Radner traces the history of our culture "s simultaneous incorporation and transformation of feminism in its political, personal, and social dimensions. Her theoretically sophisticated analysis of the complicated influence feminism has had on our popular culture and thinking will be equally useful to cultural and film theorists, students, and general readers. Neo-Feminist Cinema is culturally sophisticated film theory at its best. "Andrea L. Press, University of Virginia author of Women Watching Television, Speaking of Abortion, The New Media Environment, and co-editor of The Communication Review. This is a compelling and much-needed book. Summing Up:Highly recommended. "CHOICE June 2011 issue; reviewed by G.A. Foster, University of Nebraska-Lincoln., "Radner's work is both compelling and thought provoking, and she successfully pinpoints the media's version of contemporary society's ideal woman." --Adrienne Urbanski in Elevate Difference, January 2011 Scholars and women are continually perplexed in our attempts to articulate the overlaps between the "feminist" and the "feminine" and to understand the historical transformations of these terms, and the recent development of "postfeminism(s)" and new forms of femininities. In this spectacular and important new work of feminist film theory, Radner significantly advances the debate about feminism and its "posts" with her theory of neo-feminist culture. Using popular Hollywood films effectively to illustrate her argument, Radner traces the history of our culture's simultaneous incorporation and transformation of feminism in its political, personal, and social dimensions. Her theoretically sophisticated analysis of the complicated influence feminism has had on our popular culture and thinking will be equally useful to cultural and film theorists, students, and general readers. Neo-Feminist Cinema is culturally sophisticated film theory at its best. --Andrea L. Press, University of Virginia author of Women Watching Television, Speaking of Abortion, The New Media Environment, and co-editor of The Communication Review. This is a compelling and much-needed book. Summing Up: Highly recommended. --CHOICE June 2011 issue; reviewed by G.A. Foster, University of Nebraska-Lincoln., "Radner's work is both compelling and thought provoking, and she successfully pinpoints the media's version of contemporary society's ideal woman." �Adrienne Urbanski in Elevate Difference, January 2011 Scholars and women are continually perplexed in our attempts to articulate the overlaps between the "feminist" and the "feminine" and to understand the historical transformations of these terms, and the recent development of "postfeminism(s)" and new forms of femininities. In this spectacular and important new work of feminist film theory, Radner significantly advances the debate about feminism and its "posts" with her theory of neo-feminist culture. Using popular Hollywood films effectively to illustrate her argument, Radner traces the history of our culture "s simultaneous incorporation and transformation of feminism in its political, personal, and social dimensions. Her theoretically sophisticated analysis of the complicated influence feminism has had on our popular culture and thinking will be equally useful to cultural and film theorists, students, and general readers. Neo-Feminist Cinema is culturally sophisticated film theory at its best. -Andrea L. Press, University of Virginia author of Women Watching Television, Speaking of Abortion, The New Media Environment, and co-editor of The Communication Review., "Radner's work is both compelling and thought provoking, and she successfully pinpoints the media's version of contemporary society's ideal woman." -Adrienne Urbanski in Elevate Difference, January 2011 Scholars and women are continually perplexed in our attempts to articulate the overlaps between the "feminist" and the "feminine" and to understand the historical transformations of these terms, and the recent development of "postfeminism(s)" and new forms of femininities. In this spectacular and important new work of feminist film theory, Radner significantly advances the debate about feminism and its "posts" with her theory of neo-feminist culture. Using popular Hollywood films effectively to illustrate her argument, Radner traces the history of our culture's simultaneous incorporation and transformation of feminism in its political, personal, and social dimensions. Her theoretically sophisticated analysis of the complicated influence feminism has had on our popular culture and thinking will be equally useful to cultural and film theorists, students, and general readers. Neo-Feminist Cinema is culturally sophisticated film theory at its best. -Andrea L. Press, University of Virginia author of Women Watching Television, Speaking of Abortion, The New Media Environment, and co-editor of The Communication Review. This is a compelling and much-needed book. Summing Up:Highly recommended. -CHOICE June 2011 issue; reviewed by G.A. Foster, University of Nebraska-Lincoln., "Radner's work is both compelling and thought provoking, and she successfully pinpoints the media's version of contemporary society's ideal woman." 'e"Adrienne Urbanski in Elevate Difference, January 2011 Scholars and women are continually perplexed in our attempts to articulate the overlaps between the "feminist" and the "feminine" and to understand the historical transformations of these terms, and the recent development of "postfeminism(s)" and new forms of femininities. In this spectacular and important new work of feminist film theory, Radner significantly advances the debate about feminism and its "posts" with her theory of neo-feminist culture. Using popular Hollywood films effectively to illustrate her argument, Radner traces the history of our culture'e(tm)s simultaneous incorporation and transformation of feminism in its political, personal, and social dimensions. Her theoretically sophisticated analysis of the complicated influence feminism has had on our popular culture and thinking will be equally useful to cultural and film theorists, students, and general readers. Neo-Feminist Cinema is culturally sophisticated film theory at its best. 'e"Andrea L. Press, University of Virginia author of Women Watching Television, Speaking of Abortion, The New Media Environment, and co-editor of The Communication Review. This is a compelling and much-needed book. Summing Up: Highly recommended. 'e"CHOICE June 2011 issue; reviewed by G.A. Foster, University of Nebraska-Lincoln.
Illustrated
Yes
Dewey Decimal
791.43/6522
Table Of Content
Introduction: Reassessing Feminism and Popular Culture. 1. Neo-feminism and the Rise of the Single Girl 2. Pretty Woman and the Girly Film: Defining the Format 3. Romy and Michele's High School Reunion: Female Friendship in the Girly Film 4. Legally Blonde: "A Pink Girl in a Brown World" 5.Jennifer Lopez: Neo-Feminism and the Crossover Star 6. Maid in Manhattan: A New Fairy Tale 7. Hit Movies for "Femmes" 8. The Devil Wears Prada: The Fashion Film 9. Sex and the City: The Movie: The Female Event Film 10. Something's Gotta Give: Nancy Meyers, Neo-Feminist Auteur. Conclusion: Post-feminism and Neo-feminism
Synopsis
What lies behind current feminist discontent with contemporary cinema? Through a combination of cultural and industry analysis, Hilary Radner's Neo-Feminist Cinema: Girly Films, Chick Flicks and Consumer Culture shows how the needs of conglomerate Hollywood have encouraged an emphasis on consumer culture within films made for women. By exploring a number of representative "girly films," including Pretty Woman, Legally Blonde, Maid in Manhattan, The Devil Wears Prada , and Sex and the City: The Movie , Radner proposes that rather than being "post-feminist," as is usually assumed, such films are better described as "neo-feminist." Examining their narrative format, as it revolves around the story of an ambitious unmarried woman who defines herself through consumer culture as much as through work or romance, Radner argues that these films exemplify neo-liberalist values rather than those of feminism. As such, Neo-Feminist Cinema offers a new explanation as to why feminist-oriented scholars and audiences who are seeking more than "labels and love" from their film experience have viewed recent "girly films" as a betrayal of second-wave feminism, and why, on the other hand, such films have proven to be so successful at the box office., What lies behind current feminist discontent with contemporary cinema? Through a combination of cultural and industry analysis, Hilary Radner's Neo-Feminist Cinema: Girly Films, Chick Flicks and Consumer Culture shows how the needs of conglomerate Hollywood have encouraged an emphasis on consumer culture within films made for women. By exploring a number of representative "girly films," including Pretty Woman, Legally Blonde, Maid in Manhattan, The Devil Wears Prada, and Sex and the City: The Movie, Radner proposes that rather than being "post-feminist," as is usually assumed, such films are better described as "neo-feminist." Examining their narrative format, as it revolves around the story of an ambitious unmarried woman who defines herself through consumer culture as much as through work or romance, Radner argues that these films exemplify neo-liberalist values rather than those of feminism. As such, Neo-Feminist Cinema offers a new explanation as to why feminist-oriented scholars and audiences who are seeking more than "labels and love" from their film experience have viewed recent "girly films" as a betrayal of second-wave feminism, and why, on the other hand, such films have proven to be so successful at the box office.
LC Classification Number
PN1995.9.W6R335 2010
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Lavendier Books
100% de votos positivos•25 mil artículos vendidos
Registrado como vendedor profesional
Categorías populares de esta tienda
Votos de vendedor (14.858)
- o***e (247)- Votos emitidos por el comprador.Mes pasadoCompra verificadaMark! Much thanks for my 1st Edition of Scott Fitzgerald's "All The Sad Young Me." As advertised, a very good copy mailed to me at warp speed and exceptionally well packed. We had a minor glitch, but you went above and beyond to rectify it and I could not be more please. Most professional of you and could not have asked for more. Looking forward to doing business again and only wish there were more book merchants out there as kind as you! Cheers and regards to you and yours. AAAAAAA++++++
- 2***f (89)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaFast shipping and delivery, very good packaging, item was exactly as described, good value for the money, this is a five stars to this seller ! :-)
- c***f (396)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaGood condition copy of an old book from the 1990s. Missing the insert booklet with reference material but you can’t have everything. Cover scuffed as described but interior and binding good. Packed in a plastic bag, inside a card sleeve for armour, and inside a padded envelope - thank you for looking after the book in transit. Posted in good time. Top eBayer! Made my day to get the book today!