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THE LAST MAGAZINE: A Novel by Michael Hastings (2014, Hardcover)
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N.º de artículo de eBay:124178167967
Última actualización el 24 ago 2024 01:16:40 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- Type
- Novel
- ISBN
- 9780399169946
Acerca de este producto
Product Identifiers
Publisher
Penguin Publishing Group
ISBN-10
0399169946
ISBN-13
9780399169946
eBay Product ID (ePID)
175247043
Product Key Features
Book Title
Last Magazine : a Novel
Number of Pages
352 Pages
Language
English
Topic
General, Literary
Publication Year
2014
Genre
Fiction
Format
Hardcover
Dimensions
Item Height
1.2 in
Item Weight
19.6 Oz
Item Length
9.2 in
Item Width
6.5 in
Additional Product Features
Intended Audience
Trade
LCCN
2014-006271
Dewey Edition
23
Reviews
"Hastings ( The Operators , 2012, etc.) was one hell of a journalist, covering wars and geopolitical strife for venues like Rolling Stone and BuzzFeed . As it turns out, he would have made a fine novelist had he not died in a car accident in 2013. This "secret" novel was resurrected from his files by his widow, Elise Jordan; it's a messy, caustic and very funny satire. His protagonist is a young journalist also named Mike Hastings, who has just landed his first job at The Magazine in the dying days of traditional journalism. In wry metacommentary scattered throughout the text, the character Mike-who claims he's the one writing this book-reflects on just what it is he's writing. "Maybe I'm talking genres, and maybe the genre is corporate betrayal ," he says. "Including the big decision that the entire media world is so interested in: Who and what is left standing?" Hastings, the author, tells the story of how Mike makes the journey from ambitious young man to cynical hack partially by showing us Mike's new friend A.E. Peoria, a classic old-school journalist who fuels his brilliant war reporting with alcohol and drugs and transvestite hookers. In the crevasse between his sanitary cubicle and Peoria's lewd adventures, our hero is also tracking the war of career strategy between his managing editor, Sanders Berman, and the international editor, Nishant Patel, whose favor Mike is carefully currying. Hastings chooses the start of the Iraq War to disrupt Mike's burgeoning career path. "There's war in the backdrop, looming and distant and not real for most of these characters, myself included," Mike says. In a way, the book reflects Hastings' career arc, from unpaid intern at Newsweek to becoming one of the essential war correspondents of his generation. A ribald comedy about doing time in the trenches and the bitter choices that integrity demands."-- Kirkus "That voice. That witty, subversive voice we thought we'd lost, is back for one last romp. Hastings decodes the culture even more incisively in fiction, with wild bursts of imaginative mischief. So damn funny."-Dave Cullen, New York Times bestselling author of Columbine, The promise of this remarkable novel will never be fulfilled because it is that saddest of literary phenomena-the brilliant but posthumous first novel. Hastings, former Rolling Stone journalist and author of the memoir I Lost My Love in Baghdad (2008), was killed when his automobile crashed in June 2013. Here, in an apparently completed novel found in Hastings' files after his death, the protagonist "Michael Hastings" is an intern at The Magazine, a newsweekly, and author Hastings has keen and considerable insight into the functioning of a Time-like periodical between 2002 and 2005, Iraq to Katrina. War reporter A. E. Peoria, who has been to Iraq (and elsewhere) for the magazine and is equal parts Neil Sheehan and Hunter Thompson, is the novel's focus. The scenes of war are graphic and horrifying, and those of sex every bit as graphic and pretty horrifying themselves. Peoria has read his Conrad and Graham Greene, and Hastings, the novelist, reminds one at times of the early Robert Stone. There is an interesting twist, although with its development, the book jumps the tracks a bit. Nonetheless, this is powerful, sharp, often funny, and very compelling reading. - Booklist Hastings ( The Operators , 2012, etc.) was one hell of a journalist, covering wars and geopolitical strife for venues like Rolling Stone and BuzzFeed . As it turns out, he would have made a fine novelist had he not died in a car accident in 2013. This "secret" novel was resurrected from his files by his widow, Elise Jordan; it's a messy, caustic and very funny satire. His protagonist is a young journalist also named Mike Hastings, who has just landed his first job at The Magazine in the dying days of traditional journalism. In wry metacommentary scattered throughout the text, the character Mike-who claims he's the one writing this book-reflects on just what it is he's writing. "Maybe I'm talking genres, and maybe the genre is corporate betrayal ," he says. "Including the big decision that the entire media world is so interested in: Who and what is left standing?" Hastings, the author, tells the story of how Mike makes the journey from ambitious young man to cynical hack partially by showing us Mike's new friend A.E. Peoria, a classic old-school journalist who fuels his brilliant war reporting with alcohol and drugs and transvestite hookers. In the crevasse between his sanitary cubicle and Peoria's lewd adventures, our hero is also tracking the war of career strategy between his managing editor, Sanders Berman, and the international editor, Nishant Patel, whose favor Mike is carefully currying. Hastings chooses the start of the Iraq War to disrupt Mike's burgeoning career path. "There's war in the backdrop, looming and distant and not real for most of these characters, myself included," Mike says. In a way, the book reflects Hastings' career arc, from unpaid intern at Newsweek to becoming one of the essential war correspondents of his generation. A ribald comedy about doing time in the trenches and the bitter choices that integrity demands. -- Kirkus "That voice. That witty, subversive voice we thought we'd lost, is back for one last romp. Hastings decodes the culture even more incisively in fiction, with wild bursts of imaginative mischief. So damn funny."-Dave Cullen, New York Times bestselling author of Columbine, The promise of this remarkable novel will never be fulfilled because it is that saddest of literary phenomena-the brilliant but posthumous first novel. Hastings, former Rolling Stone journalist and author of the memoir I Lost My Love in Baghdad (2008), was killed when his automobile crashed in June 2013. Here, in an apparently completed novel found in Hastings' files after his death, the protagonist "Michael Hastings" is an intern at The Magazine, a newsweekly, and author Hastings has keen and considerable insight into the functioning of a Time-like periodical between 2002 and 2005, Iraq to Katrina. War reporter A. E. Peoria, who has been to Iraq (and elsewhere) for the magazine and is equal parts Neil Sheehan and Hunter Thompson, is the novel's focus. The scenes of war are graphic and horrifying, and those of sex every bit as graphic and pretty horrifying themselves. Peoria has read his Conrad and Graham Greene, and Hastings, the novelist, reminds one at times of the early Robert Stone. There is an interesting twist, although with its development, the book jumps the tracks a bit. Nonetheless, this is powerful, sharp, often funny, and very compelling reading. - Booklist Hastings ( The Operators , 2012, etc.) was one hell of a journalist, covering wars and geopolitical strife for venues like Rolling Stone and BuzzFeed . As it turns out, he would have made a fine novelist had he not died in a car accident in 2013. This "secret" novel was resurrected from his files by his widow, Elise Jordan; it's a messy, caustic and very funny satire. His protagonist is a young journalist also named Mike Hastings, who has just landed his first job at The Magazine in the dying days of traditional journalism. In wry metacommentary scattered throughout the text, the character Mike-who claims he's the one writing this book-reflects on just what it is he's writing. "Maybe I'm talking genres, and maybe the genre is corporate betrayal ," he says. "Including the big decision that the entire media world is so interested in: Who and what is left standing?" Hastings, the author, tells the story of how Mike makes the journey from ambitious young man to cynical hack partially by showing us Mike's new friend A.E. Peoria, a classic old-school journalist who fuels his brilliant war reporting with alcohol and drugs and transvestite hookers. In the crevasse between his sanitary cubicle and Peoria's lewd adventures, our hero is also tracking the war of career strategy between his managing editor, Sanders Berman, and the international editor, Nishant Patel, whose favor Mike is carefully currying. Hastings chooses the start of the Iraq War to disrupt Mike's burgeoning career path. "There's war in the backdrop, looming and distant and not real for most of these characters, myself included," Mike says. In a way, the book reflects Hastings' career arc, from unpaid intern at Newsweek to becoming one of the essential war correspondents of his generation. A ribald comedy about doing time in the trenches and the bitter choices that integrity demands. -- Kirkus "As a provocative piece of thinly fictionalized nonfiction, [ The Last Magazine ] is a posthumous mission accomplished…Hastings's book is a message in a bottle that has belatedly washed up on shore to force us to remember how we landed where we are now."-Frank Rich, New York Magazine "That voice. That witty, subversive voice we thought we'd lost, is back for one last romp. Hastings decodes the culture even more incisively in fiction, with wild bursts of imaginative mischief. So damn funny."-Dave Cullen, New York Times bestselling author of Columbine
TitleLeading
The
Grade From
Twelfth Grade
Dewey Decimal
813/.6
Synopsis
The year is 2002. Weekly newsmagazines dominate the political agenda in New York and Washington. A young journalist named Michael M. Hastings is a twenty-two- year-old intern at The Magazine , wet behind the ears, the only one in the office who s actually read his coworker s books. He will stop at nothing to turn his internship into a full-time position, and he s figured out just whom to impress: Nishant Patel, the international editor, and Sanders Berman, managing editor, both vying for the job of editor in chief. While Berman and Nishant try to one-up each other pontificating on cable news, A. E. Peoria the one reporter seemingly doing any work is having a career crisis. He s just returned from Chad, where, instead of the genocide, he was told by his editors to focus on mobile phone outsourcing, which they think is more relevant. And then, suddenly, the United States invades Iraq and all hell breaks loose. As Hastings loses his naivete about the journalism game, he must choose where his loyalties lie with the men at The Magazine who can advance his career or with his friend in the field who is reporting the truth. The Last Magazine is the debut novel from Michael Hastings, discovered in his files after his untimely death in June 2013. Informed by his own journalistic experiences, it is wickedly funny, sharp, and fast-paced: a great book about print journalism s last glory days, and a compelling first novel from one of America s most treasured reporters.", The year is 2002. Weekly newsmagazines dominate the political agenda in New York and Washington. A young journalist named Michael M. Hastings is a twenty-two- year-old intern at The Magazine , wet behind the ears, the only one in the office who's actually read his coworker's books. He will stop at nothing to turn his internship into a full-time position, and he's figured out just whom to impress: Nishant Patel, the international editor, and Sanders Berman, managing editor, both vying for the job of editor in chief. While Berman and Nishant try to one-up each other pontificating on cable news, A. E. Peoria-the one reporter seemingly doing any work-is having a career crisis. He's just returned from Chad, where, instead of the genocide, he was told by his editors to focus on mobile phone outsourcing, which they think is more relevant. And then, suddenly, the United States invades Iraq-and all hell breaks loose. As Hastings loses his navet about the journalism game, he must choose where his loyalties lie-with the men at The Magazine who can advance his career or with his friend in the field who is reporting the truth. The Last Magazine is the debut novel from Michael Hastings, discovered in his files after his untimely death in June 2013. Informed by his own journalistic experiences, it is wickedly funny, sharp, and fast-paced: a great book about print journalism's last glory days, and a compelling first novel from one of America's most treasured reporters.
LC Classification Number
PS3608.A86147L37
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Studio Stage Door
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