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Screen Culture History and Textuality by John Fullerton 2004 Aura Film Studies
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N.º de artículo de eBay:116598187452
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Características del artículo
- Estado
- En buen estado
- Notas del vendedor
- Features
- Illustrated
- ISBN
- 9780861966455
Acerca de este producto
Product Identifiers
Publisher
Indiana University Press
ISBN-10
0861966457
ISBN-13
9780861966455
eBay Product ID (ePID)
30789963
Product Key Features
Number of Pages
296 Pages
Publication Name
Screen Culture : History and Textuality
Language
English
Subject
Film / General, Film / Guides & Reviews, Techniques / Cinematography & Videography
Publication Year
2004
Type
Textbook
Subject Area
Performing Arts, Photography
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
21.2 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2004-445180
Dewey Edition
22
Illustrated
Yes
Dewey Decimal
791.43/09
Table Of Content
Introduction, by John Fullerton1. Rethinking film history through the textualTowards a history of theatrical culture: imagining an integrated historyof stage and screen, by Charles Musser; 'Garbo Talks!': Scandinavians in Hollywood, the talkie revolution, and thecrisis of foreign voice, by Arne Lunde; Artaud's radio: avant-gardism and the event of mediated sound, by Malin Wahlberg; Vitagraph films: a touch of real class, by Barry Salt; The Vitagraph fragments in the Library of Congress paper prints collection, by Ben Brewster; Filtering culture: symbolism, modernity and gender construction inEvgenii Bauer's films, by Michele L. Torre ; Pressing inroads: metaspectators and the nickelodeon culture, by Jan Olsson; Finding the French on American screens, 1910-14, by Richard Abel2. Rethinking textuality through technological changeRe-discovering the challenge of textual instability: new media's lessonsfor old media historians, by William Uricchio; The perfect machine: Hollis Frampton, avant-garde cinema and the promise of digital media, by Peter Lunenfeld; The sciopticon in Sweden: history and literary imagination, by Vreni Hockenjos; 'The largest picture ever executed by man': panoramas and the emergenceof large-screen and 360-degree technologies, by Alison Griffiths; Remote control: contextualising a modern device, by Jan Holmberg; Rethinking how TV came to the USA, by Douglas Gomery; Touching content: virtual advertising and digital television's recalcitrantaudience, by William Boddy
Synopsis
Screen Culture: History and Textuality explores the impact of digital culture on the discipline of film and television studies. Whether the notion of screen culture is used to designate the technological platforms common to present-day digital media, or whether it refers to the support material on which moving images have historically been projected, scanned, or displayed, the 15 previously unpublished essays included here are primarily concerned with the intermedial appraisal of film, television, and digital culture. Contributors are Richard Abel, William Boddy, Ben Brewster, John Fullerton, Douglas Gomery, Alison Griffiths, Vreni Hockenjos, Jan Holmberg, Arne Lunde, Peter Lunenfeld, Charles Musser, Jan Olsson, Barry Salt, Michele L. Torre, William Uricchio, and Malin Wahlberg. Stockholm Studies in Cinema series Distributed for John Libbey Publishing, Screen Culture: History and Textuality explores the impact of digital culture on the discipline of film and television studies. Whether the notion of screen culture is used to designate the technological platforms common to present-day digital media, or whether it refers to the support material on which moving images have historically been projected, scanned or displayed, Screen Culture is primarily concerned with the intermedial appraisal of film, television and digital culture. Included are discussions of the interrelation of film and television with the nineteenth-century panorama, the 'dissolving views' of lantern technologies, radiophony, and the present-day immersive views provided by internet technologies and large-scale film presentations such as IMAX.The anthology includes fifteen previously unpublished essays by Richard Abel, William Boddy, Ben Brewster, Douglas Gomery, Alison Griffiths, Vreni Hockenjos, Jan Holmberg, Arne Lunde, Peter Lunenfeld, Charles Musser, Jan Olsson, Barry Salt, Michele L. Torre, William Uricchio, Malin Wahlberg, and is edited by John Fullerton, an associate professor in the Department of Cinema Studies at Stockholm University, and finalist in the 2001 Kraszna-Krausz Moving Image Book Awards. His previous publications for John Libbey Publishing include Celebrating 1895: The Centenary of Cinema (1998), and in the Stockholm Studies in Cinema series, Nordic Explorations: Film Before 1930 (1999) and Moving Images: From Edison to the Webcam (2000).
LC Classification Number
PN1993.5.A1
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- c***1 (625)- Votos emitidos por el comprador.Mes pasadoCompra verificada**** Excellent **** Highly satisfied. Cool curated item: Vintage Book! -- 📚 📖 😎 🆒️ -- Book as pictured and described. Prompt shipping in mylar-wrapped sturdy cardboard box with plenty of interior padding. Book also sealed in waterproof wrap. A+ through entire transaction. Shop with confidence. Highly recommended seller. Yessss! Thank you Kind Ebay Seller! 👍💯 -- Peace ~ =✌️☮️ =
- h***u (52)- Votos emitidos por el comprador.Mes pasadoCompra verificadaExcellent seller. Item arrived in excellent condition (as-new). Very safely packaged in thin plastic sheet, cardboard box and bubble-wrap.
- y***p (5)- Votos emitidos por el comprador.Mes pasadoCompra verificadaGreat Seller, fast shipping, awesome packaging, as described, amazing value!