NEW~"AL PACINO"*SONNY BOY*~ NOVEL BY AL PACINO ~HARDCOVER~MEMOIR ~WONDERFUL BOOK

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Ubicado en: East Setauket, New York, Estados Unidos
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N.º de artículo de eBay:116520126449
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Características del artículo

Estado
Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...
Type
Novel
Literary Movement
Modernism
Era
2020s
Book Series
A 2 Sisters Detective Agency Mystery Ser.
Narrative Type
Fiction
Features
HARDCOVER, Dust Jacket
Original Language
English
Intended Audience
Adults
Country/Region of Manufacture
United States
Subject
Mystery, Thriller
Edition
First Edition
ISBN
9780593655115

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Product Identifiers

Publisher
Penguin Publishing Group
ISBN-10
0593655117
ISBN-13
9780593655115
eBay Product ID (ePID)
24066155706

Product Key Features

Book Title
Sonny Boy : a Memoir
Number of Pages
384 Pages
Language
English
Publication Year
2024
Topic
Personal Memoirs, General, Entertainment & Performing Arts
Illustrator
Yes
Genre
Performing Arts, Biography & Autobiography
Author
Al Pacino
Format
Hardcover

Dimensions

Item Height
1.2 in
Item Weight
25 oz
Item Length
9.6 in
Item Width
6.5 in

Additional Product Features

Intended Audience
Trade
LCCN
2024-031097
Reviews
"Pacino's engagement with his art was a model for how passionately--and variously--you could engage with the world . . . Has he always been perfect? No. He strives for something riskier and more alive than perfection. Is he always perceptive, free, unmissable? God, yes . . . I'm certain there are countless others who feel equally attached to Pacino's work. That's what happens when you illuminate as much human behavior as he has . . . The book is a beautiful trip. So is he." --David Marchese, The New York Times Magazine "Reading Sonny Boy , you get the feel of something restless and almost nameless--until it coheres, white-hot, at the moment of dramatic expression. The moment of ignition . . . 'The profession of acting,' Strasberg said, 'the basic art of acting, is a monstrous thing because it is done with the same flesh-and-blood muscles with which you perform ordinary deeds, real deeds.' Sonny Boy gives us the Pacino of ordinary deeds, bumbling around and having his experiences, and we see that he is in service--in thrall--to Pacino the actor. And if a certain fuzziness or impressionism attends his memories, well, we get it: He doesn't want to violate, with too much insight, the precious mystery at the core of his craft. Doesn't want to compromise who he is when he's listening to Beethoven." --James Parker, The Atlantic "Discursively soulful . . . Reading Sonny Boy often feels like hanging out within a history of American movies over the last 50 years . . . Shot through with what certainly feels like self-deprecating honesty to go with the well-worn Pacino swagger." --Chris Vognar, Los Angeles Times, "[ Sonny Boy ] is a spectacular book. This is the best autobiography I can remember reading." -- Conan O'Brien, Conan O'Brien Needs a Friend "Reading Sonny Boy , you get the feel of something restless and almost nameless--until it coheres, white-hot, at the moment of dramatic expression. The moment of ignition . . . 'The profession of acting,' Strasberg said, 'the basic art of acting, is a monstrous thing because it is done with the same flesh-and-blood muscles with which you perform ordinary deeds, real deeds.' Sonny Boy gives us the Pacino of ordinary deeds, bumbling around and having his experiences, and we see that he is in service--in thrall--to Pacino the actor. And if a certain fuzziness or impressionism attends his memories, well, we get it: He doesn't want to violate, with too much insight, the precious mystery at the core of his craft. Doesn't want to compromise who he is when he's listening to Beethoven." --James Parker, The Atlantic "Discursively soulful . . . Reading Sonny Boy often feels like hanging out within a history of American movies over the last 50 years . . . Shot through with what certainly feels like self-deprecating honesty to go with the well-worn Pacino swagger." --Chris Vognar, Los Angeles Times "Pacino's engagement with his art was a model for how passionately--and variously--you could engage with the world . . . Has he always been perfect? No. He strives for something riskier and more alive than perfection. Is he always perceptive, free, unmissable? God, yes . . . I'm certain there are countless others who feel equally attached to Pacino's work. That's what happens when you illuminate as much human behavior as he has . . . The book is a beautiful trip. So is he." --David Marchese, The New York Times Magazine "Startlingly cinematic ... A fine memoir. From fish out of water to Hollywood star, the method actor traces his path to success." The Guardian "Conversational, breezily readable, reflective...Dives deep into Pacino's career highlights and low points." Washington Post "Pacino as narrator in Sonny Boy has a persistent lust for life. He just loves being on this earth, and seems amazed by his own luck . . . After this crash course, I would have to say that I, too, love that he exists." -Slate, "Pacino''s high energy proves to be as mesmerizing in print as it is onscreen. Sonny Boy is a page-turner that allows the reader to experience the struggles, inspirations, tragedies, and triumphs of an artist from humble beginnings who becomes infatuated with ''the power of expression'' at a very young age . . . So touchingly reflective that [it] left me in tears." -- The Washington Examiner "A movie superstar of rare stature . . . In Sonny Boy , Mr. Pacino still sounds like the actor who dazzled in his heyday. The book, written with Dave Itzkoff, preserves Mr. Pacino''s personality, with all his intelligence, his wit and his eagerness to talk about the theater history he loves." --Farran Smith Nehme, Wall Street Journal "At its best, reading [ Sonny Boy ] feels like pulling up a stool next to the actor as he unspools one anecdote after another . . . A glimpse into the idiosyncratic mind of our most mercurial movie star, who''s more than happy to wax poetic about the lifesaving qualities of Chekhov or to share his imagined conversations with Bertolt Brecht." --Chris Stanton, Vulture "Startlingly cinematic . . . A fine memoir. From fish out of water to Hollywood star, the method actor traces his path to success, spending as much time on the films that flopped as the greatest hits." -- The Guardian "[ Sonny Boy ] is a spectacular book. This is the best autobiography I can remember reading." -- Conan O''Brien, Conan O''Brien Needs a Friend "Reading Sonny Boy , you get the feel of something restless and almost nameless--until it coheres, white-hot, at the moment of dramatic expression. The moment of ignition . . . ''The profession of acting,'' Strasberg said, ''the basic art of acting, is a monstrous thing because it is done with the same flesh-and-blood muscles with which you perform ordinary deeds, real deeds.'' Sonny Boy gives us the Pacino of ordinary deeds, bumbling around and having his experiences, and we see that he is in service--in thrall--to Pacino the actor. And if a certain fuzziness or impressionism attends his memories, well, we get it: He doesn''t want to violate, with too much insight, the precious mystery at the core of his craft. Doesn''t want to compromise who he is when he''s listening to Beethoven." --James Parker, The Atlantic "Discursively soulful . . . Reading Sonny Boy often feels like hanging out within a history of American movies over the last 50 years . . . Shot through with what certainly feels like self-deprecating honesty to go with the well-worn Pacino swagger." --Chris Vognar, Los Angeles Times "Pacino''s engagement with his art was a model for how passionately--and variously--you could engage with the world . . . Has he always been perfect? No. He strives for something riskier and more alive than perfection. Is he always perceptive, free, unmissable? God, yes . . . I''m certain there are countless others who feel equally attached to Pacino''s work. That''s what happens when you illuminate as much human behavior as he has . . . The book is a beautiful trip. So is he." --David Marchese, The New York Times Magazine "Startlingly cinematic ... A fine memoir. From fish out of water to Hollywood star, the method actor traces his path to success." The Guardian "Conversational, breezily readable, reflective...Dives deep into Pacino''s career highlights and low points." Washington Post "Pacino as narrator in Sonny Boy has a persistent lust for life. He just loves being on this earth, and seems amazed by his own luck . . . After this crash course, I would have to say that I, too, love that he exists." -Slate, "Reading Sonny Boy , you get the feel of something restless and almost nameless--until it coheres, white-hot, at the moment of dramatic expression. The moment of ignition . . . 'The profession of acting,' Strasberg said, 'the basic art of acting, is a monstrous thing because it is done with the same flesh-and-blood muscles with which you perform ordinary deeds, real deeds.' Sonny Boy gives us the Pacino of ordinary deeds, bumbling around and having his experiences, and we see that he is in service--in thrall--to Pacino the actor. And if a certain fuzziness or impressionism attends his memories, well, we get it: He doesn't want to violate, with too much insight, the precious mystery at the core of his craft. Doesn't want to compromise who he is when he's listening to Beethoven." --James Parker, The Atlantic "Discursively soulful . . . Reading Sonny Boy often feels like hanging out within a history of American movies over the last 50 years . . . Shot through with what certainly feels like self-deprecating honesty to go with the well-worn Pacino swagger." --Chris Vognar, Los Angeles Times, "Pacino''s high energy proves to be as mesmerizing in print as it is onscreen. Sonny Boy is a page-turner that allows the reader to experience the struggles, inspirations, tragedies, and triumphs of an artist from humble beginnings who becomes infatuated with ''the power of expression'' at a very young age . . . So touchingly reflective that [it] left me in tears." -- The Washington Examiner "A movie superstar of rare stature . . . In Sonny Boy , Mr. Pacino still sounds like the actor who dazzled in his heyday. The book, written with Dave Itzkoff, preserves Mr. Pacino''s personality, with all his intelligence, his wit and his eagerness to talk about the theater history he loves." --Farran Smith Nehme, Wall Street Journal "Very revealing of an artist''s soul . . . a beautiful, heartfelt piece of work." -- San Francisco Chronicle "At its best, reading [ Sonny Boy ] feels like pulling up a stool next to the actor as he unspools one anecdote after another . . . A glimpse into the idiosyncratic mind of our most mercurial movie star, who''s more than happy to wax poetic about the lifesaving qualities of Chekhov or to share his imagined conversations with Bertolt Brecht." --Chris Stanton, Vulture "Startlingly cinematic . . . A fine memoir. From fish out of water to Hollywood star, the method actor traces his path to success, spending as much time on the films that flopped as the greatest hits." -- The Guardian "[ Sonny Boy ] is a spectacular book. This is the best autobiography I can remember reading." -- Conan O''Brien, Conan O''Brien Needs a Friend "Reading Sonny Boy , you get the feel of something restless and almost nameless--until it coheres, white-hot, at the moment of dramatic expression. The moment of ignition . . . ''The profession of acting,'' Strasberg said, ''the basic art of acting, is a monstrous thing because it is done with the same flesh-and-blood muscles with which you perform ordinary deeds, real deeds.'' Sonny Boy gives us the Pacino of ordinary deeds, bumbling around and having his experiences, and we see that he is in service--in thrall--to Pacino the actor. And if a certain fuzziness or impressionism attends his memories, well, we get it: He doesn''t want to violate, with too much insight, the precious mystery at the core of his craft. Doesn''t want to compromise who he is when he''s listening to Beethoven." --James Parker, The Atlantic "Discursively soulful . . . Reading Sonny Boy often feels like hanging out within a history of American movies over the last 50 years . . . Shot through with what certainly feels like self-deprecating honesty to go with the well-worn Pacino swagger." --Chris Vognar, Los Angeles Times "Pacino''s engagement with his art was a model for how passionately--and variously--you could engage with the world . . . Has he always been perfect? No. He strives for something riskier and more alive than perfection. Is he always perceptive, free, unmissable? God, yes . . . I''m certain there are countless others who feel equally attached to Pacino''s work. That''s what happens when you illuminate as much human behavior as he has . . . The book is a beautiful trip. So is he." -- David Marchese , The New York Times Magazine "Startlingly cinematic ... A fine memoir. From fish out of water to Hollywood star, the method actor traces his path to success." The Guardian "Conversational, breezily readable, reflective...Dives deep into Pacino''s career highlights and low points." Washington Post "Pacino as narrator in Sonny Boy has a persistent lust for life. He just loves being on this earth, and seems amazed by his own luck . . . After this crash course, I would have to say that I, too, love that he exists." -Slate, "Pacino''s high energy proves to be as mesmerizing in print as it is onscreen. Sonny Boy is a page-turner that allows the reader to experience the struggles, inspirations, tragedies, and triumphs of an artist from humble beginnings who becomes infatuated with ''the power of expression'' at a very young age . . . So touchingly reflective that [it] left me in tears." -- The Washington Examiner "A movie superstar of rare stature . . . In Sonny Boy , Mr. Pacino still sounds like the actor who dazzled in his heyday. The book, written with Dave Itzkoff, preserves Mr. Pacino''s personality, with all his intelligence, his wit and his eagerness to talk about the theater history he loves." --Farran Smith Nehme, Wall Street Journal "Very revealing of an artist''s soul . . . a beautiful, heartfelt piece of work." -- San Francisco Chronicle "At its best, reading [ Sonny Boy ] feels like pulling up a stool next to the actor as he unspools one anecdote after another . . . A glimpse into the idiosyncratic mind of our most mercurial movie star, who''s more than happy to wax poetic about the lifesaving qualities of Chekhov or to share his imagined conversations with Bertolt Brecht." --Chris Stanton, Vulture "Startlingly cinematic . . . A fine memoir. From fish out of water to Hollywood star, the method actor traces his path to success, spending as much time on the films that flopped as the greatest hits." -- The Guardian "[ Sonny Boy ] is a spectacular book. This is the best autobiography I can remember reading." -- Conan O''Brien, Conan O''Brien Needs a Friend "Reading Sonny Boy , you get the feel of something restless and almost nameless--until it coheres, white-hot, at the moment of dramatic expression. The moment of ignition . . . ''The profession of acting,'' Strasberg said, ''the basic art of acting, is a monstrous thing because it is done with the same flesh-and-blood muscles with which you perform ordinary deeds, real deeds.'' Sonny Boy gives us the Pacino of ordinary deeds, bumbling around and having his experiences, and we see that he is in service--in thrall--to Pacino the actor. And if a certain fuzziness or impressionism attends his memories, well, we get it: He doesn''t want to violate, with too much insight, the precious mystery at the core of his craft. Doesn''t want to compromise who he is when he''s listening to Beethoven." --James Parker, The Atlantic "Discursively soulful . . . Reading Sonny Boy often feels like hanging out within a history of American movies over the last 50 years . . . Shot through with what certainly feels like self-deprecating honesty to go with the well-worn Pacino swagger." --Chris Vognar, Los Angeles Times "Pacino''s engagement with his art was a model for how passionately--and variously--you could engage with the world . . . Has he always been perfect? No. He strives for something riskier and more alive than perfection. Is he always perceptive, free, unmissable? God, yes . . . I''m certain there are countless others who feel equally attached to Pacino''s work. That''s what happens when you illuminate as much human behavior as he has . . . The book is a beautiful trip. So is he." --David Marchese, The New York Times Magazine "Startlingly cinematic ... A fine memoir. From fish out of water to Hollywood star, the method actor traces his path to success." The Guardian "Conversational, breezily readable, reflective...Dives deep into Pacino''s career highlights and low points." Washington Post "Pacino as narrator in Sonny Boy has a persistent lust for life. He just loves being on this earth, and seems amazed by his own luck . . . After this crash course, I would have to say that I, too, love that he exists." -Slate
Dewey Edition
23
Dewey Decimal
791.43028092
Synopsis
The Instant New York Times Bestseller * One of People Magazine 's Top 10 Books of the Year "The rare celebrity memoir that's also a literary read. As funny as it is reflective, it shares stories behind Pacino's hardscrabble upbringing, classic films and journey to icon status." -- People Magazine From one of the most iconic actors in the history of film, an astonishingly revelatory account of a creative life in full To the wider world, Al Pacino exploded onto the scene like a supernova. He landed his first leading role, in The Panic in Needle Park , in 1971, and by 1975, he had starred in four movies-- The Godfather and The Godfather Part II , Serpico , and Dog Day Afternoon --that were not just successes but landmarks in the history of film. Those performances became legendary and changed his life forever. Not since Marlon Brando and James Dean in the late 1950s had an actor landed in the culture with such force. But Pacino was in his midthirties by then, and had already lived several lives. A fixture of avant-garde theater in New York, he had led a bohemian existence, working odd jobs to support his craft. He was raised by a fiercely loving but mentally unwell mother and her parents after his father left them when he was young, but in a real sense he was raised by the streets of the South Bronx, and by the troop of buccaneering young friends he ran with, whose spirits never left him. After a teacher recognized his acting promise and pushed him toward New York's fabled High School of Performing Arts, the die was cast. In good times and bad, in poverty and in wealth and in poverty again, through pain and joy, acting was his lifeline, its community his tribe. Sonny Boy is the memoir of a man who has nothing left to fear and nothing left to hide. All the great roles, the essential collaborations, and the important relationships are given their full due, as is the vexed marriage between creativity and commerce at the highest levels. The book's golden thread, however, is the spirit of love and purpose. Love can fail you, and you can be defeated in your ambitions--the same lights that shine bright can also dim. But Al Pacino was lucky enough to fall deeply in love with a craft before he had the foggiest idea of any of its earthly rewards, and he never fell out of love. That has made all the difference., The Instant New York Times Bestseller - One of People Magazine 's Top 10 Books of the Year "The rare celebrity memoir that's also a literary read. As funny as it is reflecive, it shares stories behind Pacino's hardscrabble upbringing, classic films and journey to icon status." -- People Magazine From one of the most iconic actors in the history of film, an astonishingly revelatory account of a creative life in full To the wider world, Al Pacino exploded onto the scene like a supernova. He landed his first leading role, in The Panic in Needle Park , in 1971, and by 1975, he had starred in four movies-- The Godfather and The Godfather Part II , Serpico , and Dog Day Afternoon --that were not just successes but landmarks in the history of film. Those performances became legendary and changed his life forever. Not since Marlon Brando and James Dean in the late 1950s had an actor landed in the culture with such force. But Pacino was in his midthirties by then, and had already lived several lives. A fixture of avant-garde theater in New York, he had led a bohemian existence, working odd jobs to support his craft. He was raised by a fiercely loving but mentally unwell mother and her parents after his father left them when he was young, but in a real sense he was raised by the streets of the South Bronx, and by the troop of buccaneering young friends he ran with, whose spirits never left him. After a teacher recognized his acting promise and pushed him toward New York's fabled High School of Performing Arts, the die was cast. In good times and bad, in poverty and in wealth and in poverty again, through pain and joy, acting was his lifeline, its community his tribe. Sonny Boy is the memoir of a man who has nothing left to fear and nothing left to hide. All the great roles, the essential collaborations, and the important relationships are given their full due, as is the vexed marriage between creativity and commerce at the highest levels. The book's golden thread, however, is the spirit of love and purpose. Love can fail you, and you can be defeated in your ambitions--the same lights that shine bright can also dim. But Al Pacino was lucky enough to fall deeply in love with a craft before he had the foggiest idea of any of its earthly rewards, and he never fell out of love. That has made all the difference.
LC Classification Number
PN2287.P18A3 2024

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