Jean-Michel Basquiat 1981 : The Studio of the Street by Fred Brathwaite (2007, H

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Última actualización el 14 oct 2025 23:45:42 H.EspVer todas las actualizacionesVer todas las actualizaciones

Características del artículo

Estado
En muy buen estado: Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un ...
Signed
No
Ex Libris
No
Narrative Type
Nonfiction
Original Language
English
Inscribed
No
Intended Audience
Young Adults, Adults
Edition
First Edition
Vintage
No
Personalize
No
Type
Art Book
Literary Movement
Post-Modernism
Personalized
No
Features
Dust Jacket
Country/Region of Manufacture
Italy
ISBN
9788881586257

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Product Identifiers

Publisher
Charta
ISBN-10
8881586258
ISBN-13
9788881586257
eBay Product ID (ePID)
57562031

Product Key Features

Book Title
Jean-Michel Basquiat 1981 : the Studio of the Street
Number of Pages
248 Pages
Language
English
Publication Year
2007
Topic
Individual Artists / General, History / Contemporary (1945-)
Illustrator
Yes
Genre
Art
Author
Fred Brathwaite
Format
Hardcover

Dimensions

Item Height
1.1 in
Item Weight
61.1 Oz
Item Length
12 in
Item Width
9.5 in

Additional Product Features

Intended Audience
Trade
LCCN
2012-529011
Number of Volumes
1 vol.
Synopsis
Introduction by Jeffrey Deitch. Interviews by Fred" Fab 5 Freddy" Brathwaite, Arto Lindsay. Text by Suzanne Mallouk, Annina Nosei, Diego Cortez, Glenn O'Brien, Gerard Basquiat, Michael Holman. Chronology by Franklin Sirmans., In 1981 Jean-Michel Basquiat made the momentous transition from the street to the studio. He had attracted considerable attention with his Times Square Show the summer before, and reinforced that nascent notoriety with a wall of phenomenal works in Diego Cortez's New York/New Wave at P.S. 1, which opened the following winter. A few months later, the dealer Annina Nosei offered Basquiat an independent space in which to prepare work for her September group show, Public Address. He was only 20. Between the world of spray-painted poetry and what critic Peter Schjeldahl called "New York big-painting aesthetics" lies a fantastic coming-of-age: Jean-Michel Basquiat: 1981: The Studio of the Street includes paintings and drawings on everything from note cards to sheet metal to a leather jacket and conventional canvas. In them, as throughout his career, Basquiat married an exuberant spontaneity and art-brut sensibility with a firm command of not only art materials but art history. He would go on to define the 80s Neo-Expressionist idiom, and to remain its most compelling representative. The Studio of the Street examines this charged point of contact in works that show the artist's progression from text to text-and-image, from found materials to traditional canvasses, and from pure drawing to his uniquely evocative hybrid of drawing and painting., In 1981 Jean-Michel Basquiat made the momentous transition from the street to the studio. He had attracted considerable attention with his Times Square Show the summer before, and reinforced that nascent notoriety with a wall of phenomenal works in Diego Cortez's New York/New Wave at P.S. 1, which opened the following winter. A few months later, the dealer Annina Nosei offered Basquiat an independent space in which to prepare work for her September group show, Public Address . He was only 20. Between the world of spray-painted poetry and what critic Peter Schjeldahl called "New York big-painting aesthetics" lies a fantastic coming-of-age: Jean-Michel Basquiat: 1981: The Studio of the Street includes paintings and drawings on everything from note cards to sheet metal to a leather jacket and conventional canvas. In them, as throughout his career, Basquiat married an exuberant spontaneity and art-brut sensibility with a firm command of not only art materials but art history. He would go on to define the 80s Neo-Expressionist idiom, and to remain its most compelling representative. The Studio of the Street examines this charged point of contact in works that show the artist's progression from text to text-and-image, from found materials to traditional canvasses, and from pure drawing to his uniquely evocative hybrid of drawing and painting.
LC Classification Number
N6537.B233A4 2006a
Text by
Sirmans, Franklin, Holman, Michael, Basquiat, Gerald

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