Imagen 1 de 1
Foto genérica
Imagen 1 de 1
Foto genérica
Krazy and Ignatz 1929-1930 by George Herriman (2003, Trade Paperback)
ZUBER (290300)
98,5% de votos positivos
Precio:
USD51,47
Aproximadamente44,38 EUR
+ USD16,67 de envío
Devoluciones:
30 días para devoluciones. El comprador paga el envío de la devolución..
Estado:
KRAZY & IGNATZ 1929-1930: "A MICE, A BRICK, A LOVELY NIGHT" (KRAZY & IGNATZ) By George Herriman & Bill Blackbeard & Chris Ware **BRAND NEW**.
- ¡Cómpralo ya!KRAZY & IGNATZ 1929-1930: "A MICE, A BRICK, A LOVELY By George Herriman & Bill
Oops! Looks like we're having trouble connecting to our server.
Refresh your browser window to try again.
Acerca de este artículo
Product Identifiers
PublisherFantagraphics Books
ISBN-101560975296
ISBN-139781560975298
eBay Product ID (ePID)7068565243
Product Key Features
Book TitleKrazy and Ignatz 1929-1930
Number of Pages120 Pages
LanguageEnglish
TopicForm / Comic Strips & Cartoons
Publication Year2003
IllustratorYes
GenreHumor
AuthorGeorge Herriman
Book SeriesKrazy and Ignatz Ser.
FormatTrade Paperback
Dimensions
Item Height0.4 in
Item Weight17.2 Oz
Item Length12.1 in
Item Width9.1 in
Additional Product Features
Intended AudienceTrade
LCCN2013-497148
Dewey Edition23
Series Volume Number0
Dewey Decimal741.5/6973
SynopsisThe third volume in a set that will reprint Herriman's acclaimed, revolutionary 28-year run of Krazy Kat, this book features 104 full-page b/w Sunday strips plus an introduction by Bill Blackbeard and reproductions of rare Herriman ephemera from legendary cartoonist Chris Ware's own extensive collection. A love triangle between three characters, Krazy Kat, Ignatz Mouse and Offisa Pup, with each ignorant of the other's true motivations, Krazy Kat offers worlds of meaning and thematic depth to readers across genre boundaries., Of special note to collectors, this is the period when Herriman was again liberated from the "grid" constraints of the mid-'20s and was able to compose his pages far more creatively, resulting in richer, more complex, more eye-pleasing compositions. Krazy Kat is a love story, focusing on the relationships of its three main characters. Krazy Kat adored Ignatz Mouse. Ignatz Mouse just tolerated Krazy Kat, except for recurrent onsets of targeting tumescence, which found expression in the fast delivery of bricks to Krazy's cranium. Offisa Pup loved Krazy and sought to protect "her" (Herriman always maintained that Krazy was gender-less) by throwing Ignatz in jail. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy & Co.'s unique dialogue., This volume is one in a long-term plan to chronologically reprint the entirety of the 28-year run of Krazy Kat 's breathtaking Sunday page, most of which has not seen print since originally running in newspapers 75 years ago. Each volume is painstakingly edited by the San Francisco Cartoon Art Museum's Bill Blackbeard, the world's foremost authority on early 20th Century American comic strips, and designed by Jimmy Corrigan author Chris Ware. In addition to the 104 full-page black-and-white Sunday strips from 1929 and 1930 (Herriman did not use color until 1935), the book includes an introduction by Blackbeard and reproductions of rare Herriman ephemera from Ware's own extensive collection, as well as annotations and other notes by Ware and Blackbeard. Of special note to collectors, this is the period when Herriman was again liberated from the "grid" constraints of the mid-'20s and was able to compose his pages far more creatively, resulting in richer, more complex, more eye-pleasing compositions. Krazy Kat is a love story, focusing on the relationships of its three main characters. Krazy Kat adored Ignatz Mouse. Ignatz Mouse just tolerated Krazy Kat, except for recurrent onsets of targeting tumescence, which found expression in the fast delivery of bricks to Krazy's cranium. Offisa Pup loved Krazy and sought to protect "her" (Herriman always maintained that Krazy was gender-less) by throwing Ignatz in jail. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy & Co.'s unique dialogue., This volume finds Herriman flowering into the peak of his inventiveness, liberated at last from the constraints of his syndicate's chosen format. Gorgeous cartoons are augmented by rare bonus materials.
LC Classification NumberPN6728
