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Imprisoned in a Luminous Glare by Leigh Raiford Hardcover Photography History
HankCo
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N.º de artículo de eBay:397328534108
Características del artículo
- Estado
- Country of Origin
- United States
- Narrative Type
- Nonfiction
- Original Language
- English
- Intended Audience
- Adults
- ISBN
- 9780807834305
Acerca de este producto
Product Identifiers
Publisher
University of North Carolina Press
ISBN-10
0807834300
ISBN-13
9780807834305
eBay Product ID (ePID)
102948300
Product Key Features
Number of Pages
312 Pages
Language
English
Publication Name
Imprisoned in a Luminous Glare : Photography and the African American Freedom Struggle
Subject
Discrimination & Race Relations, Civil Rights, General, Photoessays & Documentaries, United States / General, Ethnic Studies / African American Studies
Publication Year
2011
Type
Textbook
Subject Area
Travel, Political Science, Social Science, Photography
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
4 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2010-034642
Dewey Edition
23
Reviews
"[Raiford] convincingly shows that framing the movement through photography was as important and effective as boycotts, marches, and sit-ins in waging the struggle against white supremacy." - Journal of Southern History, "Raiford's examination of photography's participation during three critical moments in African American history is an exemplary and engaging work that advances the conversation of African Americans and the making of America. . . . [Her] work adds a welcomed voice and perspective to the visual dialogue between past and present." - American Studies Journal, "Examines the role photography played in three social movements--anti-lynching, civil rights and black power. . . . by, for example, challenging demeaning representations of black Americans as ignorant or unfit for citizenship."-- The Chronicle of Higher Education, Imprisoned in a Luminous Glare is a valuable study of how visual culture acquires cognitive truth as politics. -- The Year's Work in Critical and Cultural Theory, Raiford's examination of photography's participation during three critical moments in African American history is an exemplary and engaging work that advances the conversation of African Americans and the making of America. . . . [Her] work adds a welcomed voice and perspective to the visual dialogue between past and present. -- American Studies Journal|9780807834305|, "This is a sophisticated study, well above the useful level for public libraries....It is a compelling work unlike anything else presently offered in the field's scholarship."-- Tennessee Libraries, Raiford's examination of photography's participation during three critical moments in African American history is an exemplary and engaging work that advances the conversation of African Americans and the making of America. . . . [Her] work adds a welcom|9780807834305|, "This is a sophisticated study, well above the useful level for public libraries .It is a compelling work unlike anything else presently offered in the field's scholarship." - Tennessee Libraries, "Examines the role photography played in three social movements--anti-lynching, civil rights and black power. . . . by, for example, challenging demeaning representations of black Americans as ignorant or unfit for citizenship."-- The Chronicle of Highe, "Examines the role photography played in three social movements--anti-lynching, civil rights and black power. . . . by, for example, challenging demeaning representations of black Americans as ignorant or unfit for citizenship." - The Chronicle of Higher Education, Imprisoned in a Luminous Glare is a valuable study of how visual culture acquires cognitive truth as politics.-- The Year's Work in Critical and Cultural Theory, [Raiford] convincingly shows that framing the movement through photography was as important and effective as boycotts, marches, and sit-ins in waging the struggle against white supremacy. -- Journal of Southern History, " Imprisoned in a Luminous Glare is a valuable study of how visual culture acquires cognitive truth as politics."-- The Year's Work in Critical and Cultural Theory, This is a sophisticated study, well above the useful level for public libraries....It is a compelling work unlike anything else presently offered in the field's scholarship. -- Tennessee Libraries, "This is a sophisticated study, well above the useful level for public libraries….It is a compelling work unlike anything else presently offered in the field's scholarship." - Tennessee Libraries, Examines the role photography played in three social movements -- anti-lynching, civil rights and black power. . . . by, for example, challenging demeaning representations of black Americans as ignorant or unfit for citizenship. -- The Chronicle of Higher Education, Raiford's examination of photography's participation during three critical moments in African American history is an exemplary and engaging work that advances the conversation of African Americans and the making of America. . . . [Her] work adds a welcomed voice and perspective to the visual dialogue between past and present.-- American Studies Journal, "[Raiford] convincingly shows that framing the movement through photography was as important and effective as boycotts, marches, and sit-ins in waging the struggle against white supremacy."-- Journal of Southern History, Examines the role photography played in three social movements--anti-lynching, civil rights and black power. . . . by, for example, challenging demeaning representations of black Americans as ignorant or unfit for citizenship.-- The Chronicle of Higher Education, "This is a sophisticated study, well above the useful level for public libraries....It is a compelling work unlike anything else presently offered in the field's scholarship." - Tennessee Libraries, "This is a sophisticated study, well above the useful level for public libraries'_¦.It is a compelling work unlike anything else presently offered in the field's scholarship." - Tennessee Libraries, This is a sophisticated study, well above the useful level for public libraries....It is a compelling work unlike anything else presently offered in the field's scholarship.-- Tennessee Libraries, "This is a sophisticated study, well above the useful level for public librariese.It is a compelling work unlike anything else presently offered in the field's scholarship." - Tennessee Libraries, "Raiford's examination of photography's participation during three critical moments in African American history is an exemplary and engaging work that advances the conversation of African Americans and the making of America. . . . [Her] work adds a welcomed voice and perspective to the visual dialogue between past and present."-- American Studies Journal, [Raiford] convincingly shows that framing the movement through photography was as important and effective as boycotts, marches, and sit-ins in waging the struggle against white supremacy.-- Journal of Southern History
Illustrated
Yes
Dewey Decimal
323.1196073
Synopsis
Over the past one hundred years, Raiford argues, activists in the black freedom struggle have used photographic imagery both to gain political recognition and to develop a different visual vocabulary about black lives. Offering readings of the use of photography in the antilynching movement, the civil rights movement, and the black power movement, Raiford focuses on key transformations in technology, society, and politics to understand the evolution of photography's deployment in capturing white oppression, black resistance, and African American life., In Imprisoned in a Luminous Glare , Leigh Raiford argues that over the past one hundred years, activists in the black freedom struggle have used photographic imagery both to gain political recognition and to develop a different visual vocabulary about black lives. Offering readings of the use of photography in the anti-lynching movement, the civil rights movement, and the black power movement, Imprisoned in a Luminous Glare focuses on key transformations in technology, society, and politics to understand the evolution of photography's deployment in capturing white oppression, black resistance, and African American life.
LC Classification Number
E185.61.R234 2011
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