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Lots of Fun at Finnegans Wake: Unravelling Universals by Finn Fordham (English)
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N.º de artículo de eBay:388596710189
Última actualización el 22 jun 2025 01:28:01 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- ISBN-13
- 9780199673575
- Book Title
- Lots of Fun at Finnegans Wake
- ISBN
- 9780199673575
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Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0199673578
ISBN-13
9780199673575
eBay Product ID (ePID)
143616945
Product Key Features
Number of Pages
280 Pages
Language
English
Publication Name
Lots of Fun at Finnegans Wake : Unravelling Universals
Subject
General, European / English, Irish, Scottish, Welsh
Publication Year
2013
Type
Textbook
Subject Area
Literary Criticism
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
15.7 Oz
Item Length
9.2 in
Item Width
6.3 in
Additional Product Features
Intended Audience
Scholarly & Professional
Reviews
"Certainly one of the best books on the Wake yet published, Lots of Fun is no heavy-handed guidebook or querimonious, would-be summary, but something far more enjoyable and useful: an attempt to experience the Wake on and with its own terms." --Tim Conley, James Joyce Quarterly, "A brilliant study of Joyce's drafting of Finnegans Wake, interesting for its own sake and offering an illuminating approach to reading the text. One of the best books on the Wake to have appeared in the last decade or two, it will appeal to all students of Joyce's work. The introduction willbe valuable for those who are new to the Wake, but those who know it well will also find Finn Fordham's able survey extremely useful." --Derek Attridge, 'Review from previous edition Sophisticated, erudite, and elegant... it is clear that we have here one of those landmark works on Joyce's Finnegans Wake. Among its many accomplishments Fordham's book demonstrates to a wide audience the procedure and potential productivity of genetic criticism and shows how this approach both stimulates and authorizes new ways of reading the Wake. The readings themselves are a marvelously layered consideration of words,sentences, and passages that illuminate how meaning becomes enlarged, complicated, shifted by revision. At the same time Fordham tracks a complex and fascinating thesis with theoretical implications. Abrilliant job and lots of fun to boot.'Margot Norris, The James Joyce Literary Supplement'Fordham's book is one of the most engaging and original studies of Finnegans Wake to appear in a very long time...Fordham has done Joyce's readers a great service by opening up this Pandora's box of inquiry.'Jed Deppman, Review of English Studies'Fordham provides readings of Joyce's language with an improvisational air that belies the sheer erudition informing his writing. Like the Wake itself, there are flashes of insight and brilliance.'Forum for Modern Language Studies'Wonderful. It does the most difficult thing - it renders the book more interesting without making it (or Joyce) sound too coherent. It has been really illuminating for me, a great pleasure to read.'Adam Phillips, General Editor of the Penguin Freud'Certainly one of the best books on the Wake yet published, Lots of Fun is no heavy-handed guidebook or querimonious, would-be summary, but something far more enjoyable and useful: an attempt to experience the Wake on and with its own terms.'Tim Conley, James Joyce Quarterly'A brilliant study of Joyce's drafting of Finnegans Wake, interesting for its own sake and offering an illuminating approach to reading the text. One of the best books on the Wake to have appeared in the last decade or two, it will appeal to all students of Joyce's work. The introduction will be valuable for those who are new to the Wake, but those who know it well will also find Finn Fordham's able survey extremely useful.'Derek Attridge'excellent introduction...a commendably open and fluid approach...organically amenable to Joyce's own theory and practice of composition...the principles of genetic criticism are ably demonstrated here, and the value of this method is vouchsafed by Fordham's energetic and scholarly analysis...Fordham [proposes] the idea of character function...a subtle and supple approach, which stays faithful to the linguistic ebb and flow of Joyce's tragicomicheteroglossia. Thanks to the sterling work of Finn Fordham...Finnegans Wake is a garden in which a few more of us may play.'Keith Hopper, Notes and Queries, vol.56, no. 2, 303-6.'Finn Fordham has given us an important and major new study of Finnegans Wake, one that investigates the book with unparalleld intensity and in a brilliantly unique way. Among its many other accomplishments, Fordham's work contributes powerfully to the renewed upsurge of interest in what Helen Vendler has called "the art of close reading", offering its reader both a compelling defence of the practice and a brilliant exemplification of its exercise. FinnFordham is a great and electrifying reader. No one else reads the Wake with quite the same kind of depth or intensity...This is a book that should appeal to and reward both the seasoned reader of the Wake andthe novice... Its genetic exegeses are mind-widening and fun... [It] is a powerful and thought-provoking new study, one that will stimulate and reward any interested reader of the book. This is first-rate and important work.'John Bishop, James Joyce Broadsheet, Review from previous edition: "Sophisticated, erudite, and elegant... it is clear that we have here one of those landmark works on Joyce's Finnegans Wake. Among its many accomplishments Fordham's book demonstrates to a wide audience the procedure and potential productivity of genetic criticismand shows how this approach both stimulates and authorizes new ways of reading the Wake. The readings themselves are a marvelously layered consideration of words, sentences, and passages that illuminate how meaning becomes enlarged, complicated, shifted by revision. At the same time Fordham tracks acomplex and fascinating thesis with theoretical implications. A brilliant job and lots of fun to boot." --Margot Norris, The James Joyce Literary Supplement 23/01/09, "Fordham's book is one of the most engaging and original studies of Finnegans Wake to appear in a very long time...Fordham has done Joyce's readers a great service by opening up this Pandora's box of inquiry." --Jed Deppman, Review of English Studies 15/04/2008, "Finn Fordham has given us an important and major new study of Finnegans Wake, one that investigates the book with unparalleld intensity and in a brilliantly unique way. Among its many other accomplishments, Fordham's work contributes powerfully to the renewed upsurge of interest in what HelenVendler has called 'the art of close reading', offering its reader both a compelling defence of the practice and a brilliant exemplification of its exercise. Finn Fordham is a great and electrifying reader. No one else reads the Wake with quite the same kind of depth or intensity...This is a bookthat should appeal to and reward both the seasoned reader of the Wake and the novice... Its genetic exegeses are mind-widening and fun... [It] is a powerful and thought-provoking new study, one that will stimulate and reward any interested reader of the book. This is first-rate and importantwork." --John Bishop, James Joyce Broadsheet, "excellent introduction...a commendably open and fluid approach...organically amenable to Joyce's own theory and practice of composition...the principles of genetic criticism are ably demonstrated here, and the value of this method is vouchsafed by Fordham's energetic and scholarlyanalysis...Fordham [proposes] the idea of character function...a subtle and supple approach, which stays faithful to the linguistic ebb and flow of Joyce's tragicomic heteroglossia. Thanks to the sterling work of Finn Fordham...Finnegans Wake is a garden in which a few more of us may play." --Keith Hopper, Notes and Queries, vol.56, no. 2, 303-6., "Wonderful. It does the most difficult thing - it renders the book more interesting without making it (or Joyce) sound too coherent. It has been really illuminating for me, a great pleasure to read." --Adam Phillips, General Editor of the Penguin Freud 28/02/2008, "Fordham provides readings of Joyce's language with an improvisational air that belies the sheer erudition informing his writing. Like the Wake itself, there are flashes of insight and brilliance." --Forum for Modern Language Studies July 2009
Dewey Edition
22
Dewey Decimal
823.912
Table Of Content
IntroductionPart IA. Shem's 'Cyclewheeling History' (185.27-186.10)B. Anna Livia's 'very first time' (203.16-204.04)Part II'BUTT: I Shuttm!' (351.36-355.9)Part III'Nircississies' (526.20-528.24)Part IVRevising character: the Maggies and the MurphysBibliography
Synopsis
This book is a critical introduction to Finnegans Wake and its genesis. As well as offering a survey of critical, scholarly and theoretical approaches to Joyce's masterpiece, it analyses in detail the compositional development of certain key passages which describe the artist (Shem) and his project; the river-mother (ALP) and her "first kiss"; the Oedipal shooting of the universal father (HCE) by the priestly son (Shaun); and the bewitching and curious daughter (Issy). The analyses demonstrate "genetic" ways of reading the text which illustrate its immense range and playfulness and how these qualities were generated in composition. As well as opening up the densely detailed textuality of the Wake in all its multiplicity, Fordham argues for a relation between the way the text was formed and key aspects of its thematic content: an uprising of particularity and detail against universality, absolutes and generality. The proliferation of individuated textual details overwhelm any unitary concept to the text. And this reflects an idealised and utopian uprising as it overcomes centralising singularity: Finnegans do wake up. As part of this argument a qualified return to a notion of character is proposed. But it is qualified in that characters can be understood in part as reflecting the character of compositional techniques: self-criticism and concealment, expansion and growth, flow and reflection, transferral and transformation. The character of the text's composition as a whole can be, paradoxically, summed up in the force of individuated multitudes: in the people, both male and female, young and old, combining to overwhelm syntactic uniformity and singular signification., This book is a critical introduction to Finnegans Wake and its genesis. As well as offering a survey of critical, scholarly and theoretical approaches to Joyce's masterpiece, it analyses in detail the compositional development of certain key passages which describe the artist (Shem) and his project; the river-mother (ALP) and her 'first kiss'; the Oedipal shooting of the universal father (HCE) by the priestly son (Shaun); and the bewitching and curiousdaughter (Issy). The analyses demonstrate 'genetic' ways of reading the text which illustrate its immense range and playfulness and how these qualities were generated in composition. As wellas opening up the densely detailed textuality of the Wake in all its multiplicity, Fordham argues for a relation between the way the text was formed and key aspects of its thematic content: an uprising of particularity and detail against universality, absolutes and generality. The proliferation of individuated textual details overwhelm any unitary concept to the text. And this reflects an idealised and utopian uprising as it overcomes centralising singularity: Finnegans do wake up. Aspart of this argument a qualified return to a notion of character is proposed. But it is qualified in that characters can be understood in part as reflecting the character of compositional techniques:self-criticism and concealment, expansion and growth, flow and reflection, transferral and transformation. The character of the text's composition as a whole can be, paradoxically, summed up in the force of individuated multitudes: in the people, both male and female, young and old, combining to overwhelm syntactic uniformity and singular signification., This book is a critical introduction to Finnegans Wake and its genesis. As well as offering a survey of critical, scholarly and theoretical approaches to Joyce's masterpiece, it analyses in detail the compositional development of certain key passages which describe the artist (Shem) and his project; the river-mother (ALP) and her 'first kiss'; the Oedipal shooting of the universal father (HCE) by the priestly son (Shaun); and the bewitching and curious daughter (Issy). The analyses demonstrate 'genetic' ways of reading the text which illustrate its immense range and playfulness and how these qualities were generated in composition. As well as opening up the densely detailed textuality of the Wake in all its multiplicity, Fordham argues for a relation between the way the text was formed and key aspects of its thematic content: an uprising of particularity and detail against universality, absolutes and generality. The proliferation of individuated textual details overwhelm any unitary concept to the text. And this reflects an idealised and utopian uprising as it overcomes centralising singularity: Finnegans do wake up. As part of this argument a qualified return to a notion of character is proposed. But it is qualified in that characters can be understood in part as reflecting the character of compositional techniques: self-criticism and concealment, expansion and growth, flow and reflection, transferral and transformation. The character of the text's composition as a whole can be, paradoxically, summed up in the force of individuated multitudes: in the people, both male and female, young and old, combining to overwhelm syntactic uniformity and singular signification., James Joyce's Finnegans Wake is an iconic text of 20th Century avant-garde literature. This book is a critical introduction to the text and its genesis.
LC Classification Number
PR6019.O9
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