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Aesthetic Journalism: How to Inform without Informing by Cramerotti New.+
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Características del artículo
- Estado
- Title
- Aesthetic Journalism: How to Inform without Informing
- Artist
- Not Specified
- ISBN
- 9781841502687
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Product Identifiers
Publisher
Intellect, The Limited
ISBN-10
1841502685
ISBN-13
9781841502687
eBay Product ID (ePID)
72992510
Product Key Features
Number of Pages
112 Pages
Language
English
Publication Name
Aesthetic Journalism : How to INFORM Without Informing
Subject
Media Studies, History / Contemporary (1945-), Journalism, General, History / General
Publication Year
2009
Type
Textbook
Subject Area
Art, Language Arts & Disciplines, Social Science
Format
Trade Paperback
Dimensions
Item Height
0 in
Item Weight
8.6 Oz
Item Length
0.9 in
Item Width
0.7 in
Additional Product Features
Intended Audience
Scholarly & Professional
Dewey Edition
22
Dewey Decimal
070.4497
Table Of Content
FOREWORD by Sally O'Reilly INTRODUCTION Art and Journalism: A Perspective Shift of Meaning by Andrei Siclodi Chapter 1: ONE THING Among Many Chapter 2: WHAT is Aesthetic Journalism? Why aesthetic? Why journalism? The crisis of traditional journalism Art's chance Chapter 3: WHERE is Aesthetic Journalism? Art's context Documentary Internet Advertising Chapter 4: WHEN did Aesthetic Journalism Develop? A few scenarios of the past... ...and some closer to the present Art as self-documentation Art as social criticism Dan Graham Martha Rosler Hans Haacke Art as reporting Grupo de artistas de vanguardia Chapter 5: HOW shall we Read Aesthetic Journalism? Reading reality Constructing reality Subjectivity at play Chapter 6: WHO produces Aesthetic Journalism Today? From Which Position? Artist and projects Multiplicity: Border Device(s)/ The Road Map (2003) Lukas Einsele: One Step Beyond - The Mine Revisited (2001-2004) Laura Horelli: Helsinki Shipyard/Port San Juan (2002-2003) Renzo Martens: Episode 1 (2001-2003) Alfredo Jaar: The Rwanda Project (1994-2000) Reneé Green: Partially Buried in Three Parts (1996-1999) The Atlas Group/Walid Raad: Hostage: The Bachar Tapes (1999-2001) Bruno Serralongue: Risk Assessment Strategy (2002) Chapter 7: WHY is Aesthetic Journalism Relevant, Now and in Perspective? Different strategies Witnessing: making time Interactivity: removing the visible, adding the meaningful Hijacking: on art and journalism Disclosing: playing with mechanisms Horizon(ing) Chapter 8: REFERENCES and Niceties Acknowledgements Bibliography AFTERWORD Bared Life by Irit Rogoff
Synopsis
Addressing a growing area of focus in contemporary art, Aesthetic Journalism investigates why contemporary art exhibitions often consist of interviews, documentaries, and reportage. Art theorist and critic Alfredo Cramerotti traces the shift in the production of truth from the domain of the news media to that of art and aestheticism--a change that questions the very foundations of journalism and the nature of art. This volume challenges the way we understand art and journalism in contemporary culture and suggests future developments of this new relationship.
LC Classification Number
PN4762.C73 2009
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