Break Beats in the Bronx: Rediscovering Hip-Hop's Early Years

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“Book is in very good condition. See pictures. Thanks for looking.”
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Ubicado en: Charlotte, North Carolina, Estados Unidos
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Notas del vendedor
“Book is in very good condition. See pictures. Thanks for looking.”
Binding
Paperback
Weight
0 lbs
Product Group
Book
IsTextBook
No
ISBN
9781469632759

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Product Identifiers

Publisher
University of North Carolina Press
ISBN-10
1469632756
ISBN-13
9781469632759
eBay Product ID (ePID)
229691598

Product Key Features

Number of Pages
240 Pages
Language
English
Publication Name
Break Beats in the Bronx : Rediscovering Hip-Hop's Early Years
Subject
Genres & Styles / Rap & Hip Hop, Sociology / General, Customs & Traditions, Ethnic Studies / African American Studies
Publication Year
2017
Type
Textbook
Author
Joseph C. Ewoodzie, Joseph C. Ewoodzie Jr.
Subject Area
Music, Social Science
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
14.1 Oz
Item Length
9.2 in
Item Width
6.1 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2016-053760
Reviews
Break Beats in the Bronx . . . strives to tell a 'people's history of hip-hop' that emphasizes how teenagers in the South Bronx formulated creative approaches in the domain of culture, criss-crossing social and aesthetic boundaries, and eventually establishing new ones around the genre of hip-hop. . . . This is a book in dialogue both with the history of hip-hop itself as well as with sociological theories of how new cultural forms come into being. Ewoodzie does an exquisite job combining the two.-- Society for U.S. Intellectual History, An excellent balancing act of writing an academic text and still making the book accessible to the lay hip hop fan as well. Anyone can read and enjoy and learn from this book." -- Scratched Vinyl, Ewoodzie uses new data, evidence, and collected interviews in combination with a fresh pair of eyes to distill and analyze. He then blends it with forthright prose, clear explanations, and vivacious photographs to create a history that may present as academic, but doesn't read that way. -- IndiePicks Magazine, An excellent balancing act of writing an academic text and still making the book accessible to the lay hip hop fan as well. Anyone can read and enjoy and learn from this book. -- Scratched Vinyl, An excellent balancing act of writing an academic text and still making the book accessible to the lay hip hop fan as well. Anyone can read and enjoy and learn from this book.-- Scratched Vinyl, Ewoodzie uses new data, evidence, and collected interviews in combination with a fresh pair of eyes to distill and analyze. He then blends it with forthright prose, clear explanations, and vivacious photographs to create a history that may present as academic, but doesn't read that way." -- IndiePicks Magazine, Ewoodzie uses new data, evidence, and collected interviews in combination with a fresh pair of eyes to distill and analyze. He then blends it with forthright prose, clear explanations, and vivacious photographs to create a history that may present as academic, but doesn't read that way.-- IndiePicks Magazine, Break Beats in the Bronx . . . strives to tell a 'people's history of hip-hop' that emphasizes how teenagers in the South Bronx formulated creative approaches in the domain of culture, criss-crossing social and aesthetic boundaries, and eventually establishing new ones around the genre of hip-hop. . . . This is a book in dialogue both with the history of hip-hop itself as well as with sociological theories of how new cultural forms come into being. Ewoodzie does an exquisite job combining the two."-- Society for U.S. Intellectual History
Illustrated
Yes
Synopsis
The origin story of hip-hop - one that involves Kool Herc DJing a house party on Sedgwick Avenue in the Bronx - has become received wisdom. But Joseph C. Ewoodzie Jr. argues that the full story remains to be told. In vibrant prose, he combines never-before-used archival material with searching questions about the symbolic boundaries that have divided our understanding of the music., The origin story of hip-hop--one that involves Kool Herc DJing a house party on Sedgwick Avenue in the Bronx--has become received wisdom. But Joseph C. Ewoodzie Jr. argues that the full story remains to be told. In vibrant prose, he combines never-before-used archival material with searching questions about the symbolic boundaries that have divided our understanding of the music. In Break Beats in the Bronx , Ewoodzie portrays the creative process that brought about what we now know as hip-hop and shows that the art form was a result of serendipitous events, accidents, calculated successes, and failures that, almost magically, came together. In doing so, he questions the unexamined assumptions about hip-hop's beginnings, including why there are just four traditional elements--DJing, MCing, breaking, and graffiti writing--and not others, why the South Bronx and not any other borough or city is considered the cradle of the form, and which artists besides Kool Herc, Afrika Bambaataa, and Grandmaster Flash founded the genre. Ewoodzie answers these and many other questions about hip-hop's beginnings. Unearthing new evidence, he shows what occurred during the crucial but surprisingly underexamined years between 1975 and 1979 and argues that it was during this period that the internal logic and conventions of the scene were formed.
LC Classification Number
ML3531.E96 2017

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