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Overtones and Undertones: Reading Film Music by Royal S Brown: Used
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Libro que se ha leído pero que está en buen estado. Daños mínimos en la tapa, incluidas rozaduras, pero sin roturas ni agujeros. Es posible que no incluya sobrecubierta para tapas duras. Tapa muy poco desgastada. La mayoría de las páginas están en buen estado con muy pocas arrugas o roturas. El texto subrayado a lápiz es prácticamente inexistente, no hay texto resaltado ni anotaciones en los márgenes. No faltan páginas. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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N.º de artículo de eBay:285032285648
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Características del artículo
- Estado
- Publication Date
- 1994-10-18
- Pages
- 396
- ISBN
- 9780520085442
- Book Title
- Overtones and Undertones : Reading Film Music
- Publisher
- University of California Press
- Item Length
- 9 in
- Publication Year
- 1994
- Format
- Trade Paperback
- Language
- English
- Illustrator
- Yes
- Item Height
- 1.1 in
- Genre
- Music, Performing Arts
- Topic
- Film / General, History & Criticism, General
- Item Weight
- 24.1 Oz
- Item Width
- 6 in
- Number of Pages
- 396 Pages
Acerca de este producto
Product Identifiers
Publisher
University of California Press
ISBN-10
0520085442
ISBN-13
9780520085442
eBay Product ID (ePID)
328371
Product Key Features
Book Title
Overtones and Undertones : Reading Film Music
Number of Pages
396 Pages
Language
English
Topic
Film / General, History & Criticism, General
Publication Year
1994
Illustrator
Yes
Genre
Music, Performing Arts
Format
Trade Paperback
Dimensions
Item Height
1.1 in
Item Weight
24.1 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
LCCN
93-046924
Dewey Edition
20
Dewey Decimal
781.5/42/09
Table Of Content
Acknowledgments Introduction 1 Narrative/Film/Music 2 Actions/Interactions: "Classical" Music 3 Actions/Interactions: Historical Overview 4 Actions/Interactions: The Source Beyond the Source 5 Styles and Interactions: Beyond the Diegesis Interlude I: Erich Wolfgang Komgold: The Sea Hawk (1940) Interlude II: Miklos Rozsa: Double Indemnity (1944) Interlude III: The Eisenstein/Prokofiev Phenomenon 6 Herrmann, Hitchcock, and the Music of the Irrational 7 New Styles, New Genres, New Interactions Interlude IV: Jean-Luc Godard: Vivre sa vie (1962) Interlude V: Jean-Luc Godard: Pierrot lefou (1965) 8 Music as Image as Music: A Postmodern Perspective A Brief (Postmodern) Conclusion lnterviews Miklos Rozsa David Raksin Bernard Herrmann Henry Mancini Maurice Jarre Lalo Schifrin John Barry Howard Shore Appendix: How to Hear a Movie: An Outline Notes Discography Bibliography Index
Synopsis
Since the days of silent films, music has been integral to the cinematic experience, serving, variously, to allay audiences' fears of the dark and to heighten a film's emotional impact. Yet viewers are often unaware of its presence. In this bold, insightful book, film and music scholar and critic Royal S. Brown invites readers not only to "hear" the film score, but to understand it in relation to what they "see." Unlike earlier books, which offered historical, technical, and sociopolitical analyses, Overtones and Undertones draws on film, music, and narrative theory to provide the first comprehensive aesthetics of film music. Focusing on how the film/score interaction influences our response to cinematic situations, Brown traces the history of film music from its beginnings, covering both American and European cinema. At the heart of his book are close readings of several of the best film/score interactions, including Psycho, Laura, The Sea Hawk, Double Indemnity, and Pierrot le Fou. In revealing interviews with Bernard Herrmann, Mikl s R sza, Henry Mancini, and others, Brown also allows the composers to speak for themselves. A complete discography and bibliography conclude the volume., Since the days of silent films, music has been integral to the cinematic experience, serving, variously, to allay audiences' fears of the dark and to heighten a film's emotional impact. Yet viewers are often unaware of its presence. In this bold, insightful book, film and music scholar and critic Royal S. Brown invites readers not only to "hear" the film score, but to understand it in relation to what they "see." Unlike earlier books, which offered historical, technical, and sociopolitical analyses,Overtones and Undertonesdraws on film, music, and narrative theory to provide the first comprehensive aesthetics of film music. Focusing on how the film/score interaction influences our response to cinematic situations, Brown traces the history of film music from its beginnings, covering both American and European cinema. At the heart of his book are close readings of several of the best film/score interactions, includingPsycho, Laura, The Sea Hawk, Double Indemnity,andPierrot le Fou.In revealing interviews with Bernard Herrmann, MiklÓs RÓsza, Henry Mancini, and others, Brown also allows the composers to speak for themselves. A complete discography and bibliography conclude the volume., Since the days of silent films, music has been integral to the cinematic experience, serving, variously, to allay audiences' fears of the dark and to heighten a film's emotional impact. Yet viewers are often unaware of its presence. In this bold, insightful book, film and music scholar and critic Royal S. Brown invites readers not only to "hear" the film score, but to understand it in relation to what they "see." Unlike earlier books, which offered historical, technical, and sociopolitical analyses, Overtones and Undertones draws on film, music, and narrative theory to provide the first comprehensive aesthetics of film music. Focusing on how the film/score interaction influences our response to cinematic situations, Brown traces the history of film music from its beginnings, covering both American and European cinema. At the heart of his book are close readings of several of the best film/score interactions, including Psycho, Laura, The Sea Hawk, Double Indemnity, and Pierrot le Fou. In revealing interviews with Bernard Herrmann, Miklós Rósza, Henry Mancini, and others, Brown also allows the composers to speak for themselves. A complete discography and bibliography conclude the volume.
LC Classification Number
ML2075.B76 1994
Descripción del artículo del vendedor
Información de vendedor profesional
Alibris, Inc.
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United States
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Valoraciones y opiniones del producto
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