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Act One : An Autobiography Paperback Moss Hart
Free US Delivery | ISBN:1250050898
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“Former library book; may include library markings. Used book that is in clean, average condition ”... Más informaciónacerca del estado
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Ubicado en: Reno, Nevada, Estados Unidos
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N.º de artículo de eBay:277259986123
Última actualización el 06 ago 2025 21:50:52 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- En buen estado
- Notas del vendedor
- Special Attributes
- EX-LIBRARY
- Publication Name
- St. Martin's Press
- ISBN
- 9781250050892
Acerca de este producto
Product Identifiers
Publisher
St. Martin's Press
ISBN-10
1250050898
ISBN-13
9781250050892
eBay Product ID (ePID)
168646653
Product Key Features
Edition
2
Book Title
Act One : an Autobiography
Number of Pages
464 Pages
Language
English
Publication Year
2014
Topic
Theater / Broadway & Musicals, Literary
Genre
Performing Arts, Biography & Autobiography
Format
Trade Paperback
Dimensions
Item Height
1.5 in
Item Weight
18.9 Oz
Item Length
9.3 in
Item Width
6.2 in
Additional Product Features
Intended Audience
Trade
Reviews
Reading Act One is like going to a wonderful dinner party and being seated next to a man who is more charming, more interesting, smarter, and funnier than you ever knew men were capable of being. Moss Hart is alive in these pages, and I am in love with him., " Act One is legendary in the theatre world for one simple reason: it speaks personally to those of us who have chosen a life on or around the stage. Hart's recollection of his partnership with George S. Kaufman struck a particular chord for me as I too was lucky enough at a young age to have collaborated with a theatre legend, in my case Stephen Sondheim. It has been a thrill to bring this beautifully written memoir to the stage and to introduce the book to a new generation of theatre lovers."- James Lapine "Moss Hart's Act One is not only the best book ever written about the American theater, but one of the great American autobiographies, by turns gripping, hilarious and searing."-Frank Rich "Is Act One for you? Only if you know that theater is spelled theat re , cast albums are not soundtracks, and intermission is twice as fun as halftime. In that case, not only is Act One for you -- it is immediate and required reading."-Tim Federle, author of Better Nate Than Ever and the forthcoming Five, Six, Seven, Nate!, "Moss Hart's Act One is not only the best book ever written about the American theater, but one of the great American autobiographies, by turns gripping, hilarious and searing."-Frank Rich, " Act One is legendary in the theatre world for one simple reason: it speaks personally to those of us who have chosen a life on or around the stage. Hart's recollection of his partnership with George S. Kaufman struck a particular chord for me as I too was lucky enough at a young age to have collaborated with a theatre legend, in my case Stephen Sondheim. It has been a thrill to bring this beautifully written memoir to the stage and to introduce the book to a new generation of theatre lovers."- James Lapine "Moss Hart's Act One is not only the best book ever written about the American theater, but one of the great American autobiographies, by turns gripping, hilarious and searing."-Frank Rich"Is Act One for you? Only if you know that theater is spelled theat re , cast albums are not soundtracks, and intermission is twice as fun as halftime. In that case, not only is Act One for you - it is immediate and required reading."-Tim Federle, author of Better Nate Than Ever and the forthcoming Five, Six, Seven, Nate!, Is Act One for you? Only if you know that theater is spelled theat re , cast albums are not soundtracks, and intermission is twice as fun as halftime. In that case, not only is Act One for you--it is immediate and required reading., Act One is legendary in the theater world for one simple reason: it speaks personally to those of us who have chosen a life on or around the stage., "This is the best book on 'show business' as practiced in this century in our time_ "- The New York Times Book Review "One of the best memoirs of this or any other theatrical generation."- Time "Thoroughly absorbing and genuinely entertaining_ Moss Hart knows how to hold an audience spellbound."- Christian Science Monitor, Reading Act One ?is like going to a wonderful dinner party and being seated next to a man who is more charming, more interesting, smarter, and funnier than you ever knew men were capable of being. Moss Hart is alive in these pages, and I am in love with him., Moss Hart's Act One is not only the best book ever written about the American theater, but one of the great American autobiographies, by turns gripping, hilarious and searing., "Moss Hart's Act One is not only the best book ever written about the American theater, but one of the great American autobiographies, by turns gripping, hilarious and searing."-Frank Rich"Reading Act One is like going to a wonderful dinner party and being seated next to a man who is more charming, more interesting, smarter, and funnier than you ever knew men were capable of being. Moss Hart is alive in these pages, and I am in love with him."-Ann Patchett, author of This Is the Story of a Happy Marriage and Bel Canto "Is Act One for you? Only if you know that theater is spelled theat re , cast albums are not soundtracks, and intermission is twice as fun as halftime. In that case, not only is Act One for you-it is immediate and required reading."-Tim Federle, author of Better Nate Than Ever and Five, Six, Seven, Nate! " Act One is legendary in the theater world for one simple reason: it speaks personally to those of us who have chosen a life on or around the stage."-James Lapine, "This is the best book on 'show business' as practiced in this century in our time... "- The New York Times Book Review "One of the best memoirs of this or any other theatrical generation."- Time "Thoroughly absorbing and genuinely entertaining... Moss Hart knows how to hold an audience spellbound."- Christian Science Monitor, "Moss Hart's Act One is not only the best book ever written about the American theater, but one of the great American autobiographies, by turns gripping, hilarious and searing." -- Frank Rich "Reading Act One is like going to a wonderful dinner party and being seated next to a man who is more charming, more interesting, smarter, and funnier than you ever knew men were capable of being. Moss Hart is alive in these pages, and I am in love with him." -- Ann Patchett, author of This Is the Story of a Happy Marriage and Bel Canto "Is Act One for you? Only if you know that theater is spelled theat re , cast albums are not soundtracks, and intermission is twice as fun as halftime. In that case, not only is Act One for you--it is immediate and required reading." -- Tim Federle, author of Better Nate Than Ever and Five, Six, Seven, Nate! " Act One is legendary in the theater world for one simple reason: it speaks personally to those of us who have chosen a life on or around the stage." -- James Lapine
Dewey Edition
21
Dewey Decimal
812/.52 B
Synopsis
Moss Hart's Act One , which Lincoln Center Theater presented in 2014 as a play written and directed by James Lapine, is one of the great American memoirs, a glorious memorial to a bygone age filled with all the wonder, drama, and heartbreak that surrounded Broadway in the early twentieth century. Hart's story inspired a generation of theatergoers, dramatists, and readers everywhere as he eloquently chronicled his impoverished childhood and his long, determined struggle to reach the opening night of his first Broadway hit. Act One is the quintessential American success story., Moss Hart's "Act One," which Lincoln Center Theater presented in 2014 as a play written and directed by James Lapine, is one of the great American memoirs, a glorious memorial to a bygone age filled with all the wonder, drama, and heartbreak that surrounded Broadway in the early twentieth century. Hart's story inspired a generation of theatergoers, dramatists, and readers everywhere as he eloquently chronicled his impoverished childhood and his long, determined struggle to reach the opening night of his first Broadway hit. "Act One" is the quintessential American success story.
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