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EYESIGHT ALONE: CLEMENT GREENBERG'S MODERNISM By Caroline A. Jones VHTF (s)
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En muy buen estado
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- ¡Cómpralo ya!EYESIGHT ALONE: CLEMENT GREENBERG'S MODERNISM By Caroline A. Jones VHTF (s)
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USD9,88 (aprox. 8,67 EUR) USPS Media MailTM.
Ubicado en: Dewitt, Michigan, Estados Unidos
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Entrega prevista entre el jue. 12 jun. y el mar. 17 jun. a 94104
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N.º de artículo de eBay:225772832346
Características del artículo
- Estado
- En muy buen estado
- Notas del vendedor
- “Very Good Condition”
- Book Title
- Eyesight Alone: Clement Greenberg's Modernism and the
- ISBN-10
- 0226409538
- ISBN
- 9780226409535
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Product Identifiers
Publisher
University of Chicago Press
ISBN-10
0226409538
ISBN-13
9780226409535
eBay Product ID (ePID)
45094270
Product Key Features
Number of Pages
544 Pages
Publication Name
Eyesight Alone : Clement Greenberg's Modernism and the Bureaucratization of the Senses
Language
English
Subject
Criticism & Theory
Publication Year
2008
Type
Textbook
Subject Area
Art
Format
Trade Paperback
Dimensions
Item Height
0.1 in
Item Weight
58 Oz
Item Length
1 in
Item Width
0.7 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2005-001622
Dewey Edition
22
Illustrated
Yes
Dewey Decimal
709/.2
Table Of Content
Illustrations Preface and Acknowledgments Part 1: Statements Chapter 1: Becoming Greenberg Chapter 2: Formalism Chapter 3: Abstraction Chapter 4: Sweating out Cubism Part 2: Visibilities Chapter 5: Customs Inspector (Greenberg's Pollock, Part 1) Chapter 6: Eyes in the Heat (Greenberg's Pollock, Part 2) Chapter 7 Tyranny of the Eye Part 3: Regimes Chapter 8: Postmodernism's Greenberg Chapter 9: The Modernist Sensorium Notes Bibliography Index
Synopsis
One of the most influential and provocative art critics of the twentieth century, Clement Greenberg propelled Abstract Expressionist painting--in particular the monumental work of Jackson Pollock--to a leading position in an international postwar art world. Here, Caroline Jones's magisterial study widens Greenberg's fundamental tenet of opticality--the idea that modernist art is apprehended through "eyesight alone"--to a broader arena, examining how the critic's emphasis on the specular resonated with a society increasingly invested in positivist approaches to the world. Jones argues that Greenberg's modernist discourse developed in relation to the rationalized procedures that gained wide currency in the United States at midcentury, in fields ranging from the sense-data protocols theorized by scientific philosophy to the development of cultural forms, such as hi-fi, that targeted specific senses, one by one. Greenberg's attempt to isolate and celebrate the visual was one manifestation of a large-scale segmentation or bureaucratization of the body's senses. Eyesight Alone offers artists, art historians, and twentieth-century art lovers a critical history of this essential thinker that brings his work into dialogue with contemporary critical discourse, illuminating the contested history of modernism itself.
LC Classification Number
N7483.G73J66 2005
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